Que elegancia !!!!, asi es el tango , excelente esta pareja , precision y buen gusto , sin exageraciones y hablando en criollo .....que minòn Noelia !!!!!
Simplemente miren a esta pareja BAILANDO y encuentren su respuesta para ustedes mismo. Una CARICIA a los sentimientos ♥♥ ► Carlitos por momentos llega a mi mente un PEPITO de Avellaneda◄.
Qué belleza. Qué importa quién esté bailando con quién hoy en día. Aquí lo que importa es este baile y esta interpretación. Nada tan sensual como un tango dialogado, donde las dos partes escuchan la música y la vibran con sus cuerpos. Para mí, esto es inspiración.
Antonio, sin intentar polemizar.....Nunca sufras por lo bueno que fue, sino que alégrate por lo hermoso que es. Sé que todos sufrimos por la separación de los artistas que admiramos, pero es una decisión suya el hacerlo, tienen sus razones y ahí sí que no hay opinión posible. Alégrate porque ambos hoy son felices y disfruta lo que nos entregan hoy.Si el pasado no nos libera, no podremos tener presente ni soñar con un futuro. Abrazos!!
Esta pareja, esta haciendo que muchos pensemos que el tango es accesible, gracias... Además, me gusta la complicidad de ambos dos, la sensualidad, los amagos, la dulzura conque bailan, si alguien se atreve, que me diga si hay alguna pareja con el mismo sentimiento bailando...Algunos parecen corchos, otras parecen que han salido de un vodevil con una vestimenta que no nos dice mas que lo que dice, otros mas estirados que ni sé, oras bailarinas de "escuela" que parece que les han clavado un palo, otros serios, enfadados, no se sabe con quién... Y después ves esto, que no se puede describir, si no se comprende la sensibilidad que ellos emanan, se me terminaros las palabras. Muchas gracias a Noelia y Carlos por darle al tango la frescura que se merece, las nuevas generaciones lo vais a hacer de manera que los demás comprendamos, me refiero a los que nos gusta bailar tango, que así es como se va a hacer desde ahora en adelante.. como vosotros lo hacéis
No estoy en desacuerdo pero me parece algo exagerado. Esto es tango milonguero pero bailado en coreografía y en un escenario. Creo que Noelia hizo lo máximo en el 2007 cuando a Pablo le gustaba bailar. Después, inexplicablemente, se fue apagando y nunca le gustó ensayar, trabajar y crear composiciones coreográficas. Por eso perdió todo. Pero Noelia, nunca volverá a bailar como lo hizo en esa primera gira a Europa.
No es una coreografía, siempre bailan espontáneamente y sin ensayar. No voy a decir nada sobre su opinion inexpicable que Noelia bailaba mejor hace muchos años!
In my humble view, Pablo was never a good dancer. Look at this video during their 2007 tour to Europe that you mentioned. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-lyDnNiQczWM.html
este tema la tupungatina la cantaba Carlos Gardel y un cantante mendocino ytambien Jorge Cafrune .. el tema es una tonada... muy bien interpretada pr Don Osbaldo Pugliesi..excelente ls baiarines Noelia y Carlitos
Marcia, así es la letra de la tonada, empieza así: "Ya me voy por eses campos adiós...", pero como he escrito arriba, la tonada la compuso Jorge Cafrune (argentino). En los años 50, Osvaldo Pugliese y su orquestra le hicieron unos arreglos en tiempo de tango y así se quedó este tango. Saludos desde Islas Azores, Portugal.
@@Nabucco20008 La Tupungatina fue escrita en 1921 por Cristino Tapia, oriundo de Córdoba, Argentina. Don Jorge Cafrune, a quien admiro muchísimo, solamente la interpretaba. Su ritmo original es el de tonada.
Grandes bailarines, me artreveria a decir que es la unica pareja que interpreta con su baile, lo que realmente la musica les promone. O sea, siguen la musica y hacen las decoraciones y pazos de acuerdo a lo que dice la musica. Viva Carlitos Noelia!!!
No, no creo que sean la única pareja que siga en el detalle la música. Entonces qué decir de Clarissa Aragón y Jonathan Saavedra, por ejemplo? Y así hay otras tantas parejas que bailan lindo, cada una en su estilo.
but i guess all of the people that say she cannot follow saw all her dances with Pablo Rodrigues, right? like this one for example: Pablo Rodriguez and Noelia Hurtado - Milonga.
Sonia Elia, no creo que esta versión bailada de "La Tupungatina" sea la mejor, lo que pasa es que en esta versión, ellos bailan con muchas caminatas, y cuando bien bailadas, las caminatas dan una hermosura al bailado
Ok she may not have perfect posture but what they do have is superb connection, passion and musicality, missing in some other show dancers that may or may not have better posture,I much prefer to watch this couple than most other showy sterile dancers, indeed I prefer to dance with dancers who have good musicality and passion than the perfet posture loads of "steps" look at me dancers. It,s easy to criticise, if all the dancers out there were half as good as these two I would be a happy bunny. just a thought.
Sín ser ofensivo con Carlitos (un buenisimo bailarín de Tango), como me encantaria ver esta actual Noelia Hurtado - cada vez mejor en su tecnica- a bailar com el Gran Pablo Rodriguez. Seria maravilloso!!!!!
No pasaría nada espectacular.... Ningún bailarín hará brillar a Noelia como lo hizo Carlos Espinoza en sus 8 años de carrera juntos. Carlos no procura lucirse ni brillar. Marca y da el espacio necesario para que Noelia resalte. Rodríguez nunca logró ni lograría eso... Y para que Rodríguez tenga la musicalidad de Carlos tendría que nacer de nuevo. Hoy Noelia baila con Facundo De La Cruz y Carlos con Majo Martinera, sin embargo, la cúspide de sus carreras la alcanzaron bailando juntos.
Vuelvo a preguntar: ¿COMEN MÁRMOL LAS ARGENTINAS, O POR QUÉ SON ESCULTURALES? Soy mexicano y no hago menos a mis compatriotas qué vaya que tienen lo suyo. Honor a las argentinas, ¡ ni hablar !
El tango se llama "La Tupungatina". Era una tonada y la compuso Jorge Cafrune. En los años 50, Osvaldo Pugliese y su orquestra le hicieran unos arreglos en tiempo de tango y así se quedó.
No, the name of the Tango is Tupungatina and was composed by Cristino Tapia. On the middle of the 50´, Osvaldo Pugliese arranged that music, a balad, in tango rythm
+you tube That is just your opinion. They are currently the best within the milonguero style, in terms of musicality and style. Maybe not in terms of technique, but that is less important than, for example, musicality.
milonguero is not the oldest style.. not even close. It was only invented in the 50's when Tango went underground and was danced in small milongas. Stop spreading the hate. You have no idea what you are talking about. Milonguero was never part of the old tango styles. Your teacher lied to you. They are lying to everybody and Susana Miller is the one who started this lie in the early 90's and coining the term "milonguero style". It is people like you that make the Tango world so full of rubbish.
i'm not really into tango theories but they seem to concentrate too much on the steps and less on making a connection. and with that hard concentration the steps themselves begin to appear amateuristic and false:)
omg. In my oppinion this is lousy. They rarely dance on Pugliese because he is very difficult and it doesen't suit their style. They like to play. That's why they dance so much on D'Arienzo. Rhytm,rhytm,step,step. It is not a tango i would like to pursue. Also, their vocabulary is very small, they rarely use pausa and so on. The tango they offer is instant tango - so that everyone can learn very quickly (the basic steps and a few sacadas). I'm sorry that's not the way it goes. Tango is not a game. Hope i haven't offended anyone. Cheers p.s. I'd like to share a clip that is, in my oppinion a very good interpretation and very good tango (it's the same song just a different couple). Fabian Peralta & Lorena Ermocida (4)"La Tupungatina"O.Puglisese
Marcus, the tango they offer is milonguero style tango (traditional), and that is the way it goes in Argentina and Uruguay, that by the way, it is where tango is from. You might like it or not, but it is not just basic steps and few sacadas, but much more than that: it is the soul of tango, a hug, an emotion. I saw dancing tango in milongas in all over Europe, USA, and many other countries, and let me tell you that there are many dancers who like doing lots of figures and movements, as if they were playing a game, or doing aerobics, just because they do not feel the poetry inside, just because they do not understand the Spanish language. Let’s be serious: tango is feeling, not aerobics.
Sonia Bastida The fact that they dance milonguero and that that is the way people dance in Argentina (where tango is from) means nothing (that is: it has nothing to do with a point I'm trying to prove). In my oppinion the problem is the approach to tango. In some clips, when the music starts Noelia starts to play-dance even before the embrace. The fact is the they play and for that they need rhythmical music. Just look at the steps and the leading. You can do that in a milonga because milonga is meant to be fun. But Pugliese... Many of his songs, including this one, require for example pausas and paradas because of change of rythm and complexity of music. You can't dance the sane on D'Arienzo and Pugliese. As for the second part of your comment... Generally I agree, but if you're refering to the link I left, then please state where are the aerobics in there.
***** Ok. It is obvious that this isn't Pugliese orquesta playing :), but his interpretation is probably the most widely recognized one (even if he didn't write it). And I agree that it isn't so dramatic as the songs you mentioned (I'd like to see them perform on such songs). They did do some pausas, it's also true. However (I'm getting boring with repeating this one), their approach to tango is what I find difficukt to "digest". Playing is for milongas, not tango. You did a very good explanation on milonguero and milonguero style :)
marcusverrus I love both videos: Carlitos and Noelia's interpretation and Fabian and Lorena's. I do see what you mean about Noelia's playfulness (though I don't agree that their dance is unsuitable for Pugliese's music. But I am happy that there is a wide range of opinions on this. It would be a very boring world if everyone loved Carlitos and Noelia as much as I do.
Iona Italia Ciao Iona. I'll repeat again. Their approach to tango is what i don't like about them. I've met Carlitos, he seems a nice guy, so don't get me wrong. Back to the subject at hand. Tango is not a game and it's not for children. It isn't a play! Why do yout think that (probably) the most of their performing music is rhytmic. beat beat double beat, step step 2xstep. I go to milongas and marathons and see a lot of this. I sit aside and watch. Everyone dances the same...beat beat step step (there's nothing wrong with it, but like every other game it gets boring after a while). While we're at Pugliese I'd like to see them perform on Nochero Soy or Patetico and similar music...
I'm sorry but she has nothing other than an exceptional musicality.. Very bad and curved back, head looking down, lifted shoulders, bent knees, flex feet... Everything known as "WRONG" and "NO NO" for thecnique in tango. The only thing that got her name among the "Maestras" is that is from Argentina. Sadly, she doesn't have anything else going for her...
primula baggins It would be very interesting to see, for example, Noelia dancing with Sebastian Jimenez or Sebastian Achaval. Just to see how good a follower she is :)
yes, she has musicality, but she is indeed a good follower, because she has something that not all followers have: to dance, not only good, but with PERSONALITY.
Silvia Mendes I've met Ney Melo. I think he's a great guy. I'd have a couple of beers with him. But I don't think of him as a top tango dancer (compared to Balmaceda for example). It's not about personality...
