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Carolina Crown 2024 - Full Percussion Score 

Kevin Shah
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Percussion and Sound Design by: Kevin Shah and Mike Jackson
Arranged with Permission
If you'd like to download the battery scores please visit:
/ jacksonpercussion
For Front Ensemble Scores visit:
/ kevinshah
Thank you to all the members and the percussion staff for creating such an incredible percussion ensemble and culture.

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13 сен 2024

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Комментарии : 26   
@DrumlineArchives
@DrumlineArchives 20 дней назад
Had to say, I didn’t see this live, but I truly regret it. Glad I caught y’all in the lot in Indy. And BIG ups for playing “Define Dancing” from WALL-E - I turned my head in the lot as soon as I heard it and yelled “Who’s playing WALL-E?!” Can’t wait to see what the future has in store for you, it’s always a treat experiencing your musical arrangements.
@NTPercussion-k6s
@NTPercussion-k6s 20 дней назад
Had that exact same reaction at San Antonio lol
@luke_h_percussion
@luke_h_percussion 20 дней назад
From scene setting, to musicality and blend with the brass, to all the 9lets and crazy rhythms, no one writes quite like you and Mike. Loved the book this year and I hope you guys find a spot at a another corps soon (so I can go March there hopefully)
@babboon
@babboon 20 дней назад
Is shah, gone too? That's a shame. They created a great product given the show design.
@dci_fan0345
@dci_fan0345 19 дней назад
@@babboonMike and Shah travel as a team and take their percussion team with them (e.g. Jared Andrews)
@AmealYT
@AmealYT 20 дней назад
Kevin Shah W
@SS2Balls
@SS2Balls 20 дней назад
huge W
@ikurasake
@ikurasake 18 дней назад
What a great book. Super talented writers
@SS2Balls
@SS2Balls 20 дней назад
thanks for the 2 absolute percussion banger years. This years quad break was just perfect
@MrClefMusic
@MrClefMusic 8 дней назад
i havent watched crown 24 yet, this could almost be a percussion show, those writers had some fun!
@TonyPerez816
@TonyPerez816 20 дней назад
Incredible artistry. My absolute favorite percussion program of the last decade. Thank you for sharing!
@aidanbirmingham7566
@aidanbirmingham7566 20 дней назад
MASSIVE crown perc W
@trevorschachner3014
@trevorschachner3014 20 дней назад
Amazing!! Love the complexity and how well it complemented the brass book.
@leemcd56
@leemcd56 18 дней назад
10:51 through 11:18 is so audibly satisfying
@markwilliams3317
@markwilliams3317 17 дней назад
Grateful for y’all’s contribution, not just at Crown but just in general! Stoked to see what’s cooking for Broken City 25 🔥
@alexalmond6862
@alexalmond6862 20 дней назад
Need y’all hired asap
@therealnocommonsense
@therealnocommonsense 19 дней назад
Major w
@eldridgepearman8186
@eldridgepearman8186 19 дней назад
Such a great musical book that complimented the total score like no other group. Thank you for all of your hard work at Crown. Definitely their loss not to keep you guys.
@alfihamdani346
@alfihamdani346 2 дня назад
can you do crown fe 2023?
@BluecoatsFan
@BluecoatsFan 20 дней назад
What program is this?
@KevinSShah
@KevinSShah 20 дней назад
Notation: Sibelius Sounds: - Battery: Virtual Drumline - FE: Virtual Drumline + East West Symphonic Orchestra Timpani + Sonic Couture Marimba + Waves Cymbals Sound Design Playback - MainStage If you want to learn how I produce / playback everything in realtime checkout: www.prmworkshops.com/AudioPlaybackMagic
@ensleycastillofunes3063
@ensleycastillofunes3063 19 дней назад
Regards, whats your library sounds?
@ikurasake
@ikurasake 17 дней назад
Kevin, what was it like writing the closer in coordination with John Mackey?
@KevinSShah
@KevinSShah 16 дней назад
It was actually a lot of fun personally getting to know John and geeking out over our respective processes. The entire opening percussion feature was a puzzle piece that needed some solving in the mapping of the show - John had originally written the top of the movement as a building / driving front ensemble texture that later introduced the battery voice. Due to the program and the visual event pacing - when we got to that spot in the show we decided to create a battery focused introduction. But since we really loved the harmonic language and the development of what John originally wrote it took a problem solving approach to the top. What I ended up doing was taking John’s original and loading it into Logic as all midi. I grouped all the mallet stuff together and put them on some synth style keyboards and added a ton of reverb. So what you’re hearing in the sound design at the top of that movement is the original midi but treated with a ton of reverb so you get this blurry harmonic development. Then Mike composed over that pacing - and then I went back and orchestrated the FE and tried to pull from the original some motivic fragments to tie the front ensemble together with the battery. One of these days I’ll share a video of the process 😄
@ikurasake
@ikurasake 16 дней назад
@@KevinSShah wow, thank you for sharing!
@theincompletepackage
@theincompletepackage 19 дней назад
W rizz
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