Casse-Noisette Compagnie, chor. Jean-Christophe Maillot Final pas de deux Olga Smirnova (Ольга Смирнова) Artem Ovcharenko (Артём Овчаренко) Grimaldi Forum, Dec. 2015 - Jan. 2016 Source: Olga Smirnova's FB fan page
Artem is amazing dancer and drop-dead gorgeus man. And he radiates a hidden passion of a gentleman. They are irresistible with Olga together! What a beauty! And amazing choreography. True masterpiece of J.CH. Maillot.
There is great beauty in her body’s fluid lines, the style and color of her dress match with the chireography’s intention. It is a superb love dance. He is absolutely perfect too, from any aspect you may consider. Maillot has reached perfection to accompany this sublime piece of music. It is really moving to see them.
Glorious! Beautiful choreography performed by two great artists! I'm a bit of a purist, but this was spine tingling, an absolutely enchanting contemporary take on the classic pas de deux!
@@camerongairns188 Hello, Cameron. I went to your link above. it says that the video is private. Is there a way for me to have access? This dance clip is incredible!
Olga is superb and awesome in this piece! Bravo! She is perfectly fit for this kind of choreography. Artem is excellent too, but Olga draws away all the attention. Lovely choreography - congrats to Jean-Christophe too!
It seems clear to me that Olga has been improving her skills at a remarkable rate. She was already fantastic when I first viewed her in PRODIGY. But now, she continually stuns my senses. I wonder if her recent work with Jean-Christophe Maillot has brought a new level to her artistry? It would seem so. In an interview, she spoke so highly of her experience with Les Ballets de Monte Carlo.
Excuse me and pardon, I think , I was Olga Smirnova . Documents of the payment bilyets in MIR ( Museum of Indonesia Record ) in Semarang, Center Java ; NL ( National Library ) of Republic Indonesia , Center Jakarta ; NA ( National Archive ) of RI , South Jakarta , Indonesia, may can be checked because rules in Indonesia from Penal Code of Civil , articles 484, 835, 1221, 1224, 1694, 1866
Часто вижу подобные комментарии. Вам не надоело каждую балерину с Майей сравнивать? Ну да, Плисецкая блистала в то время и на своем месте. И Максимова (и другие балерины) были объективнее лучше Плисецкой: виртуознее, легче, техничнее. Дело же не в этом. Каждая балерина прекрасна по-своему и в «своей» партии. Я бы в данной вариации и не хотела бы видеть Плисецкую. Смирнова здесь выглядит очень органично
