Chinnamasta Gayatri Mantra | Gayatri Mantra of Goddess Chinnamasta | 108 Times 

Chinnamasta Chinnamasta (“she who is decapitated”) is a form of the Divine Mother shown as having cut off her own head. The blood that spurts from her neck flows in three streams-one into her own mouth and the others into the mouths of her two female attendants, Dakini and Varnini. At the same time, Chinnamasta she stands on the body of another female figure who is copulating with a male who lies beneath her. This image may be shocking at first, but in fact it symbolizes sublime spiritual truths, and each feature of the iconography has an important point to make. Several interpretations are given to the significance of the severed head. First, the head contains the mouth, which is the organ of language or sound. Speech (vak) or sound (sabda) is creative energy (sakti). The RIgveda notes that in the beginning, speech (vak) was coextensive with Brahman (10.114.8). The Sathapathabrahmana calls vak the unborn one from whom the maker of the universe produces creatures. In nondualistic Tantric teaching, consciousness and the power of consciousness are one and the same reality. The creative power of consciousness by which the universe becomes manifest is represented by the garlands of skulls that Chinnamasta and her two female attendants wear. Such a garland is called varnamala, a garland of letters, for each skull represents a sound of the Sanskrit alphabet. Far from being a symbol of death, the garland of skulls is in truth a symbol of divine creativity. The head is also the part of the body associated with identity. There are stories in Indian tradition of transposed heads, in which the identity of the person goes with the head and not with the rest of the body. The severed head, iconographically, symbolizes liberation. Each person’s individual identity is a state of conditioning or limitation, dependent on qualities. By severing the head, the Mother reveals herself in her true being, which is unconditioned, infinite, and boundlessly free. This idea of freedom is reinforced by her nudity, which symbolizes that she cannot be covered or contained by any garment. Because she is infinite, she is also autonomous. Chinnamasta wears an unusual sacred thread in the form of a serpent. In stead of being a symbol of Brahmanical orthodoxy, this peculiar sacred thread indicates the opposite: she stands outside of the normal rules of society and pious obligation. Also, because the serpent sloughs off its skin (its outer appearance) without dying, it symbolizes immortality and imperishability. Chinnamasta stands on the copulating couple, Kama and Rati. The name Kama here refers specifically to sexual desire; Rati means sexual union. The female, Rati, lies on top, in the same way that Kali is shown as the dominant partner with Siva. At the highest level, the feminine principle (Sakti) is consciousness in its active mode-projecting, sustaining, and dissolving the creation; the masculine principle (Siva) is the inactive ground of all existence, the eternally changeless light of awareness. To repeat the Tantric formula, without Siva Sakti would have no being, and without Sakti Siva would have no expression. Kama and Rati symbolize that same principle. They are usually shown lying on a lotus, although sometimes on a cremation pyre. There are two interpretations of Chinnamasta’s relationship with Kama and Rati. One holds that she because she stands on top of them, she has overcome sexual desire. This is the more common interpretation, and one that places a practical ideal before the spiritual aspirant. Here Chinnamastarepresents self-control and the turning of the mind away from the flesh and back toward the spirit. The other interpretation, which complements the first, has a cosmic dimension. It takes the copulative act to represent the divine creative capacity. In the Taittiriyopanishad we read that Brahman, seeing itself alone, desired (akamayata) to be many, to propagate (bahu syam prajayeyeti) (2.6.1). In commentaries on the Svetasvataropanishad (1.4) desire (kama) is also identified as the single cause of the cosmic manifestation. Thus, the Divine Mother wields absolute power. She has the freedom to manifest, or not to, as she so chooses. She controls her own desire and her own creative power. From this cosmic point of view, Chinnamasta has power over the creative urge; if she wishes to express it in the form of the universe, she is free to do so; if she wishes to suppress the manifestation, she may do that also. Each of these activities is a phase in the overall scheme of issuing forth (pravritti) and reabsorbing (nivritti); the two are the complementary halves of a single process, which is called spanda, the eternal pulsation of consciousness. The two goddesses who attend Chinnamasta play a role in the life of the cosmos. Dakini, on the left, is black; Varnini, on the right, is red. Chinnamasta, in the middle, is white. Black, red, and white represent the three gunas, or basic universal energies. Sattva, symbolized by Chinnamasta’s whiteness, is the highest of the gunas, of course, but all three belong to prakriti, the principle of materiality on which all nature rests. Nothing exists apart from the Mother, whose power of diversification takes form as the grand display of the universe. The blood spurting from Chinnamasta’s neck represents the life force (prana) or cosmic energy that animates the universe and sustains all life. The first stream flows into Chinnamasta’s own mouth. She is self-existent and dependent on no other. The streams that flow into the mouths of her attendants represent the life-force in all living creatures. All life is nourished by the Mother. In another interpretation, the three streams represent the flow of consciousness through the ida, the pingala, and the susumna, associated in turn with the Dakini on the left, Varnini on the right, and Chinnamasta in the middle. Gaining mastery over the flow of one’s own awareness through yogic practice leads to the experience of the supreme Self. In line with this interpretation, Kama and Rati represent the kundalini that has been aroused. As it travels upward along the susumna, it cuts through the various knots of ignorance. When it reaches the sahasrara, the force has grown so strong that the head can no longer contain it. The head “blows off,” and as it is shown resting in Chinnamasta’s left hand, it represents the state of transcendental consciousness. Chinnamasta’s symbolism relates overwhelmingly to ridding ourselves of wrong ideas and the limitations imposed on us by ignorance of our true nature. Despite the violence of the imagery, it is important to note that Chinnamasta does not die; she is very much alive. The message here is that the Self is indestructible (akshara) and eternal (nitya) by its very nature (svabhav). In practical terms, if the act of decapitation is viewed as an act of self-sacrifice, then the message for us is that selfless acts will not hurt us. To the contrary, any selfless act will indeed diminish the ego, but what is the ego? Only the wall of separation, limitation, and ignorance that keeps us imprisoned by our own false sense of who we are. Chinnamasta, then, in the act of self-decapitation by the sacrificial knife urges us to relinquish a smaller, powerless identity for one that is infinitely greater and all-powerful. To be rid of the ego is to cast off the veil of maya. In summary, the imagery of Chinnamasta is about the nature of the Self and the regaining of Self-knowledge, otherwise known as liberation.

One fact can't be ignored that Chant central deeply studied holy scriptures and then religiously with full dedication make such videos. From all points, the videos, graphics, pictures and even music used is cent percent correct as per Mahavidya. Very accurate and inspiring study done by you with no flaws. For example, hibiscus flowers are used to worship maa which he beautifully portrayed. Love and salute your work. Go ahead! Your fans are always with you!!!!

At 1.25 x speed, the tune and the rhythm becomes so aggressive and amazing in a different way that gives you goosebumps.

Hey you, the guy behind Chant Central, you're very productive ! A video each day of the Navaratri, it's pretty cool ! Namasté, dude ! I encourage everyone to let you some tip by crowdfunding. It's a lot of work ! Edit : I wish so much chance to everyone who tip this guy ! Om Gam Ganapataye Namaha Om Gan Ganapati Namo Namaha

Maa you are divine, she saved my life from demon, who don't want me to live happy life. Don't want to fulfil my desire. Maa please protect from evil eyes. Keep blessing upon me. She saved me from black magic. Joy Maa.

Chinnamasta Chinnamasta (“she who is decapitated”) is a form of the Divine Mother shown as having cut off her own head. The blood that spurts from her neck flows in three streams-one into her own mouth and the others into the mouths of her two female attendants, Dakini and Varnini. At the same time, Chinnamasta she stands on the body of another female figure who is copulating with a male who lies beneath her. This image may be shocking at first, but in fact it symbolizes sublime spiritual truths, and each feature of the iconography has an important point to make. Several interpretations are given to the significance of the severed head. First, the head contains the mouth, which is the organ of language or sound. Speech (vak) or sound (sabda) is creative energy (sakti). The RIgveda notes that in the beginning, speech (vak) was coextensive with Brahman (10.114.8). The Sathapathabrahmana calls vak the unborn one from whom the maker of the universe produces creatures. In nondualistic Tantric teaching, consciousness and the power of consciousness are one and the same reality. The creative power of consciousness by which the universe becomes manifest is represented by the garlands of skulls that Chinnamasta and her two female attendants wear. Such a garland is called varnamala, a garland of letters, for each skull represents a sound of the Sanskrit alphabet. Far from being a symbol of death, the garland of skulls is in truth a symbol of divine creativity. The head is also the part of the body associated with identity. There are stories in Indian tradition of transposed heads, in which the identity of the person goes with the head and not with the rest of the body. The severed head, iconographically, symbolizes liberation. Each person’s individual identity is a state of conditioning or limitation, dependent on qualities. By severing the head, the Mother reveals herself in her true being, which is unconditioned, infinite, and boundlessly free. This idea of freedom is reinforced by her nudity, which symbolizes that she cannot be covered or contained by any garment. Because she is infinite, she is also autonomous. Chinnamasta wears an unusual sacred thread in the form of a serpent. In stead of being a symbol of Brahmanical orthodoxy, this peculiar sacred thread indicates the opposite: she stands outside of the normal rules of society and pious obligation. Also, because the serpent sloughs off its skin (its outer appearance) without dying, it symbolizes immortality and imperishability. Chinnamasta stands on the copulating couple, Kama and Rati. The name Kama here refers specifically to sexual desire; Rati means sexual union. The female, Rati, lies on top, in the same way that Kali is shown as the dominant partner with Siva. At the highest level, the feminine principle (Sakti) is consciousness in its active mode-projecting, sustaining, and dissolving the creation; the masculine principle (Siva) is the inactive ground of all existence, the eternally changeless light of awareness. To repeat the Tantric formula, without Siva Sakti would have no being, and without Sakti Siva would have no expression. Kama and Rati symbolize that same principle. They are usually shown lying on a lotus, although sometimes on a cremation pyre. There are two interpretations of Chinnamasta’s relationship with Kama and Rati. One holds that she because she stands on top of them, she has overcome sexual desire. This is the more common interpretation, and one that places a practical ideal before the spiritual aspirant. Here Chinnamastarepresents self-control and the turning of the mind away from the flesh and back toward the spirit. The other interpretation, which complements the first, has a cosmic dimension. It takes the copulative act to represent the divine creative capacity. In the Taittiriyopanishad we read that Brahman, seeing itself alone, desired (akamayata) to be many, to propagate (bahu syam prajayeyeti) (2.6.1). In commentaries on the Svetasvataropanishad (1.4) desire (kama) is also identified as the single cause of the cosmic manifestation. Thus, the Divine Mother wields absolute power. She has the freedom to manifest, or not to, as she so chooses. She controls her own desire and her own creative power. From this cosmic point of view, Chinnamasta has power over the creative urge; if she wishes to express it in the form of the universe, she is free to do so; if she wishes to suppress the manifestation, she may do that also. Each of these activities is a phase in the overall scheme of issuing forth (pravritti) and reabsorbing (nivritti); the two are the complementary halves of a single process, which is called spanda, the eternal pulsation of consciousness. The two goddesses who attend Chinnamasta play a role in the life of the cosmos. Dakini, on the left, is black; Varnini, on the right, is red. Chinnamasta, in the middle, is white. Black, red, and white represent the three gunas, or basic universal energies. Sattva, symbolized by Chinnamasta’s whiteness, is the highest of the gunas, of course, but all three belong to prakriti, the principle of materiality on which all nature rests. Nothing exists apart from the Mother, whose power of diversification takes form as the grand display of the universe. The blood spurting from Chinnamasta’s neck represents the life force (prana) or cosmic energy that animates the universe and sustains all life. The first stream flows into Chinnamasta’s own mouth. She is self-existent and dependent on no other. The streams that flow into the mouths of her attendants represent the life-force in all living creatures. All life is nourished by the Mother. In another interpretation, the three streams represent the flow of consciousness through the ida, the pingala, and the susumna, associated in turn with the Dakini on the left, Varnini on the right, and Chinnamasta in the middle. Gaining mastery over the flow of one’s own awareness through yogic practice leads to the experience of the supreme Self. In line with this interpretation, Kama and Rati represent the kundalini that has been aroused. As it travels upward along the susumna, it cuts through the various knots of ignorance. When it reaches the sahasrara, the force has grown so strong that the head can no longer contain it. The head “blows off,” and as it is shown resting in Chinnamasta’s left hand, it represents the state of transcendental consciousness. Chinnamasta’s symbolism relates overwhelmingly to ridding ourselves of wrong ideas and the limitations imposed on us by ignorance of our true nature. Despite the violence of the imagery, it is important to note that Chinnamasta does not die; she is very much alive. The message here is that the Self is indestructible (akshara) and eternal (nitya) by its very nature (svabhav). In practical terms, if the act of decapitation is viewed as an act of self-sacrifice, then the message for us is that selfless acts will not hurt us. To the contrary, any selfless act will indeed diminish the ego, but what is the ego? Only the wall of separation, limitation, and ignorance that keeps us imprisoned by our own false sense of who we are. Chinnamasta, then, in the act of self-decapitation by the sacrificial knife urges us to relinquish a smaller, powerless identity for one that is infinitely greater and all-powerful. To be rid of the ego is to cast off the veil of maya. In summary, the imagery of Chinnamasta is about the nature of the Self and the regaining of Self-knowledge, otherwise known as liberation.

Mata chinnamasta ne mujhe sapne me darshan diye ..or youtube dekhte time ye video mere samne achanak se aa gya ... devi mujhe ye video dekhne or ye mantra dekhne ka sanket de rahi thi

I had two dreams of Chinnamasta lately. I love her a lot. ❤️

Thanks chant central, you are the reason i met my love of life maa chinnamasta, ❤❤❤❤😭😭😭🙏🏻🙏🏻🙏🏻❤❤❤❤🍀🍀( I can't express my feelings in words for you 🫂❤)

From bottom of my heart I thank you for sharing these spiritual videos with us. And I've one more request can you make a video on Bala Tripura sundari and Sidda Kunjika stotram. Please

All mahavidya have lord shiva's appearence . For example chinmastika wear snake like her husband lord shiv shankaar( mahadev) !!!! That's why she is known as shankari mata as well as shivani mata . All mahavidya are names of adishakti mahakali who is wife of mahakal shiv shankar bholenaaath .

Chinnamasta or The One Who Is Decapitated is a fearful tantric goddess but she represents many things. She is decapitated to show self sacrifice and she is standing on a couple having sex and it represents the suppression of sexual urges during kundalini awakening. Generally she is worshipped in the Vama marga mode of worship and also in the cremation grounds by tantrics. Salutations to Great Chinnamasta. 🌺🕉🌺

Bless us with patience, Maa, as you nourish the three worlds selflessly.

The served headed goddess i salute to you . She who holds a sword and her chopped head. She gives her blood to dakini and varnini and wears a garland of skulls . I call her chinnamasta.

I surrender myself to you Maa, please take me. I don’t know how to deal with this life or how to handle it and my traumas. So please take the wheel Maa. I no longer want to be in control. I want you to be fully in control Maa. I love you and Ineed you. 🌺🌹🌛⛓

ohhh goodness! it was not merely a piece of music or mantra it embraces the universe..i can feel the intensity..inexplicable ! divine,deep,oneness and what not i felt ..music, voice of singer,whole energy of song is intense,pops up several esoteric emotions...m still short of words to appreciate it..but i m sure the composer definitely has infinite grace n blessings of maa...thanks for such an experience

Chinnamasta Prachanda Chandike plz, give the pure wisdom for me or ur Devotees... Jai Maa Prachanda Chandika

I have been battling depression and addiction for a long time. I pray to ma to rid me of these afflictions and show me the way 🌺🌺 🙏🙏

Hey chinmastika parvati roopni . Hey maaa shiva. Hey maa ambey gauri . Apki jai hoo maata parvati . Jai mai chinmastika wife of lord mahadev shiv shankar . Jai durga half of shiv. Mahagauri ambey parvati ki jai .

Wowwww I've been waiting for this, thank you great mother...I bow to you, I honor you, I adore you🌺⚜🌺🕉🌺⚜🌺

RU-vid is playing tricks on us. I had liked this video some time back. Today the dislike icon was highted in black. I undid the dislike and pressed the like icon again. After few minutes the like was gone. I liked again. RU-vid has become paapi.

छिन्नमस्ता मंत्र का क्या है गुप्तार्थ मूलमंत्र: श्रीं ह्रीं क्लीं ऐं वज्र वैरोचनीयै हूं हूं फट स्वाहा: ।। आईये हम आपको बताएंगे मंत्र अर्थ | लक्ष्मी बीज "श्रीं" है जो लक्ष्मी प्रदान करता है |मायाबीज ह्रीं है जो कामना पूर्ण करता है,समस्त सिद्धि प्रदान कारी तथा साधक "ह्रीं"बीज के द्वारा दुनिया को जित सकता है |यह कुंडलिनी शक्ति को जगा देता है |वोह माया से मुक्त हो कर मोक्ष प्राप्त कर सकता है |कामबीज "क्लीं" है जो साधकमें आकर्षण शक्ति पैदा करता है |बाग्भवबीज "एं"आछे जो साधकको कुशाग्र बुद्धि,ज्ञान,ब्रह्मविद्या प्रदान करता है |बज्रबैरोचनी नाम से हम पराडाकिनी अर्थात छिन्नमस्ता महामाया को पुकारते है |जिससे भगवती की असीम अनुकम्पा साधक पर बन जाते है |"हूँ " बिध्वंस बीज है |1st पे दिया हुआ हूँ बीज साधकके अंदर स्थित अहंकार का बिध्वंस करता है |2nd हूँ बीज साधकको सभि शत्रुओं से,बाधाओं से,पापों से मुक्त कराकर प्रलय तत्व प्रदान करता है |"फट "अस्त्र बीज है जो साधकको सुरक्षा प्रदान करता है |"स्वाहा "आहुति स्वरुप साधक अपने को भगवती के श्री चरणकमल पर आहुति करता है |स्वाहा मात्र स्वरूपा है जो साधकको योग तथा क्षेम से भर देता है |इसी तरह छिन्नमस्ता महामंत्र सर्बार्थसिद्धिकारी मंत्रराज है जिसके पूर्ण सिद्धि से साधक सदाशिब तुल्य हो सकता है | 🔶शक्ति आराधक बृजमोहन रूद्र 🔶 🔵7029790217सम्पर्क सूत्र 🔵 ध्यान: प्रचण्ड चण्डिकां वक्ष्ये सर्वकाम फलप्रदाम्। यस्या: स्मरण मात्रेण सदाशिवो भवेन्नर:।।

The most fiercest form of female force. Chinnamasta

โอมศักติ โอมศักติ โอมศักติ โอมศานติ โอมศานติ โอมศานติ อนุโมทนา สาธุค่ะ 🕉 ❤️🙏

Jai Chandike! Oh Parvati feed us..in the nectar of your immortal blood!

Jai maa Chhinnamasta from S.korea 🇰🇷 🙇‍♂️🙇‍♂️

Thanks 🙋 for your hard work for us. Really appreciate Maa always bless.

Thank you Chant central for making such a beautiful video on chinnamasta Devi Gayatri mantra.I was eagerly waiting for this video.

Amazing frequency sound.... Thank you,,,,, jai maa chhinnamasta🙏🙏🙏🙏

जय छिन्नमस्तिके माता मेरी रक्षा कीजिए आपकी बड़ी कृपा होगी 🙏🙏🙏🙏🙏

HOPES FULFILLED MA

Plz 🙏 make a video on Chinnmasta Kavacham...

This devi is also Shakti of Narsingh avatar

Jai maa chinnamasta sarbada sahay rehna goodluck❤❤❤❤❤........

॥ भवान्यष्टकम्‌ ॥ न तातो न माता न बन्धुर्न दाता न पुत्रो न पुत्री न भृत्यो न भर्ता। न जाया न विद्या न वृत्तिर्ममैव गतिस्त्वं गतिस्त्वं त्वमेका भवानि॥1॥ भवाब्धावपारे महादुःखभीरुः पपात प्रकामी प्रलोभी प्रमत्तः। कुसंसार-पाश-प्रबद्धः सदाऽहं गतिस्त्वं गतिस्त्वं त्वमेका भवानि॥2॥ न जानामि दानं न च ध्यान-योगं न जानामि तंत्र न च स्तोत्र-मन्त्रम्‌। न जानामि पूजां न च न्यासयोगं गतिस्त्वं गतिस्त्वं त्वमेका भवानि॥3॥ न जानामि पुण्यं न जानानि तीर्थं न जानामि मुक्तिं लयं वा कदाचित्‌। न जानामि भक्ति व्रतं वाऽपि मात- र्गतिस्त्वं गतिस्त्वं त्वमेका भवानि॥4॥ कुकर्मी कुसंगी कुबुद्धि कुदासः कुलाचारहीनः कदाचारलीनः। कुदृष्टिः कुवाक्यप्रबंधः सदाऽह गतिस्त्व गतिस्त्वं त्वमेका भवानि॥5॥ प्रजेशं रमेशं महेशं सुरेशं दिनेशं निशीथेश्वरं वा कदाचित्‌। न जानामि चाऽन्यत्‌ सदाऽहं शरण्ये गतिस्त्वं गतिस्त्वं त्वमेका भवानि॥6॥ विवादे विषादे प्रमादे प्रवासे जले चाऽनले पर्वते शत्रुमध्ये। अरण्ये शरण्ये सदा मां प्रपाहि गतिस्त्वं गतिस्त्वं त्वमेका भवानि॥7॥ अनाथो दरिद्रो जरा-रोगयुक्तो महाक्षीणदीनः सदा जाड्यवक्त्रः। विपत्तौ प्रविष्टः प्रणष्टः सदाऽहं गतिस्त्वं गतिस्त्वं त्वमेका भवानि॥8॥ ॥ इति श्रीमच्छशंकराचार्यकृतं भवान्यष्टकं संपूर्णम्‌ ॥

What is the meaning of 'awakening the kundalini'.

Thank you for sharing with us all these mantras in high quality music and an unique feel of every aspect of devi.

Jai Jai Chinnamasta 🌺🌺🙏🙏 the Goddess of contribution and fulfill her followers all dreams.

great work bro...JAI MAA CHINNAMASTA 🙏🙏🙏...dayamayi maa mahakaali..maa tara...chinnmasta..koti koti naman hey maa...meri arradhya...

Adorable work 😀😀😀😀😀😀😀

Beautiful music and animation!!😍😍😍👌👌

Jai chinnmastika maa . She is goddess kali sixth form .

Hey maa save me from everything that is happening in my life, im exhausted from everything that has happened and dont have the patience to go through it again anymore.

Hindu dharm ki sabse balidani or tyagi devi mata chinnamasta ko mera prnaam🙏🙏🙏🙏

Maa meri sari galti ko maff kardo 🙏🙏

Again I want to conclude love you

जय माँ छिन्नमस्ता Jai Maa Chinnamasta

Jy Chandikey Prachand Chandikey

Om vairochanyai cha vidmahe chinnamastayai dhemahi tanno devi prachodayat maa rakt varna ki nagna digambara hai maa ko vajra vairochani ke naam se jana jata hai das mahavidya me unhe ugra devi kaha jata hai maa ugra se bhi ugra hai par asuro ke liye bhakto ke liye to vo unki maa hai jay maa chinnamasta om hum chinnamastayai nomo namah ya devi sarva bhooteshu krodh rupen sansthita namastsye namastasye namastasye namo namah 🕉✡⚛🔱🌺🌹🙏

Chinnamasta Jayanti is tomorrow!

Jai maa chinmasta

सुपर्ब!💐👏😇🙏 जय छिन्नमस्ता।

Om hum chinnamasthayei namo namaha

Om jayanti mangla kali bhadra kali kapalini durga khma Shiva dhatri svaha svadha namostute 🕉✡⚛🔱🌺🌹🙏

Maa meri saari galti maaf kardo agar kisi ko bhi dukh diya. Mai Bank po ban jaau ashirvad do. Jai maa chinmastika 🙏🙏

Pls make video on chinmasta ashtotar shtnam strotam

Forgive me maa Love you Maa

Jai maa

She is the creator of perfect balance sheet

แม่ ผู้ให้ทุกอย่าง แม้แต่ตัวตน ของพระองค์

Please upload the full lyrics of the stotram

Another fabulous mantra. The divine shrine of ma chhinmasta is in Jharkhand.

🦾🦾🦾🌐🌐🌐😇😇😇🌎🌎🌎♾️♾️♾️♻️♻️♻️💝💝💝🥰🥰🥰😁😁😁

Jai maa 🌺🌺🌺🌺💗💗🌺🌺💗💗💗🌺💗🌺🌺 💗

Thank you very much for the translation for this chant in the caption, but can somebody please provide the actual chant words here so we can follow along? Thank you 🙏🏾

Jai Maa Chinamasta

Jai chinnamastika devi

Maa, I salute your compassion and your sacrifice. Jay maa chinnamasta 🙏🙏🪔🪔🌺🌺🥥🥥🍊🍊🥭🥭🍎🍎

Maa meri sari galti ko maff kardo

😍😍😍😍 I love chinna masta

JAI CHINAMASTA MA THANKS TO U MA

Jay maa chinmastika maiya

This sound like a ‘98 Mannie fresh beat at first. 🔥🔥🔥

jai Maa Chinnamasta🙏

If anyone do her sadhana please contact

New favorite channel!!!❤

Om Matre Aum! 🙏🙏🕉🔯☯🔯🕉🙏🙏

ওঁ শ্রী জগৎ মাতায় জগৎ পিতায় শ্রী কৃষ্ণনায় রাধিকায় গোবিন্দায় বাসুদেবায় ঢরণে শত কোটি প্রনাম।

Jai Jaganmathe...!! Bless All..!!

Can u create for goddess renuka and goddess tuljabhavani?

Maa please my marry with amanpreetkaur please maa kirpa kar do maa please

What is the meaning of the lyrics " rakta trishita maha chanda "

Jai maa chinnamastika.

Hi My god chinmasta god bless you

Id love a long one perhaps combine the navadurgas or all devis into a compilation that lasts hours

joi maa chinnamasta kali ke

Please could you make a good chant for Kurukulle or Rakta Kurukulle ? Thanks

Maa meri aman se shaadi kar wa do

Anyone pls explain, can i worship her as a common person?..coz i have search in google, then google shows something webpage..then i click that webpage after that a person dont know who's that , he was write " it will be dangerous for u , if u are commen person and worship her...i dont understand why he was write like that...thats why i m asking , is it real?

Jai Maa Chhinnamasta 🌺🌺🌺🌺🌺🙏🙏

Chant center 🙏🙏 maa jai

Jay Maa chhinamasta Jay Jay Maa 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

Joy Chinnomosta Devi

Jai maha mayee chinnmastika ji ki

Pls upload Maa kurukulla mantra🙏i like your animation and mantras reciting... 😇

Please navadurga gayatri mantra look like that... ..please please please

🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏❤️❤️❤️

Jai mathaji, Jai guru datta 🙏🙏🙏

Jai maa chhinamasta

Jay maa chinmasta ❤