How the hell is it possible to play Chopin so full of expression and sensitivity without having had yet time in life for desperate love, anger or fear of death?? At that age I played as a kid, he plays as a grown man... 👏🏻👏🏻
WOW. I'm so impressed. Literally if a pianist is so young it's almost impossible for them to produce such a clear and emotional intonation. I wish I could play like you. Obviously you have an enormous talent and I think we will hear you again soon. Btw, my favourite nocturne and almost my favourite interpretation ;))
Young Maestro you are wonderful!...and what a very difficult piece at your age and what is surprising is that you captured the mood I suspect was intended by the composer...which for your age shows remarkable maturity..your parents should be very proud of you...I know I am!
@@EthanPalmer You should really get serious with your piano playing! I am telling you that you have such a great talent technically and musically! Try to apply to Curtis!
@@rothschildianum Thank you!!! Yes, even though life can get busy at times I am still pretty serious about piano! Who is the guy Curtis you are talking about?
@@EthanPalmer Curtis is a conservatory in Philadelphia. Do google it? I have played piano for a long time! Trust me you are different! I rarely say this!
Great technic (que ?). Undeniable. Rythme are good, nuance too, but age makes it that interpretation is a bit lacking. Still, you're wonderful ! I look forward to your journey through music.
@@maryd4369 Yes true, but her interpretation of this specific Nocturne is something to hear (if not done already :). She is playing it the opposite way of Rubinstein, and make it more spectacular. Regarding this kid, it's unbelievable to see how he plays it. He is putting a lot of emotion, don't play it stiff and in little time, he'll focus even more on the emotion and less on technique. @Ethan, it would be incredible if you could provide a new recording of this piece in future. Best luck golden boy !
Very nice interpretation of the doppio movimento. I feel like most pianists rush it in a way that feels off. Rubinstein's is my favorite. It doesn't need to be a virtuoso moment, but more like an agitated but contained longing, like trying to reach something and you're almost there but not quite. You seem to get Chopin, and you can become a great Chopin interpreter.
This is great for his age, but i feel like it lacks control and maturity, some dynamics are present, but it's quite stale throughout. From the octaves and on can be worked on, especially in the doppio movimento. And i notice that there's not much attention to detail and to the score. However, keep practicing and you'll get it down, good luck!
@@roanjorna4698 first of all, i never really mentioned his teacher, secondly, it's just my opinion and some advice, it's not "unnecessary", I'm sure he has a great teacher, but my only point was that he posted this before it was 100% finished
