Cinestill 50D 

yeah, being iso 50 film, this stock is rather saturated: said Jason while removing all the saturation and shadows from the scans

You should just get a single bed room so u and your buddy can save money and also cuddle

The midday sun is actually a great source of Vitamin 50D

Ah yes, falling victim to shooting in midday sun. A tale as old as time.

Hours after watching this I’m still laughing about the “dressed like a foreskin”

I’ve only shot Vision3 50D in Super8, but seeing your shots in bright midday light make me think this would be an ideal colour film to take bushwalking in harsh AF Australian sun.

Days without Jason's videos feel like grannydays cause they're quite boring.

"50D requires a lot of light, mostly because I overexpose the hell out of it"

0:32 it was that smirk. that damn smirk.

I recently got my scans back from the first rolls I shot since I stopped a few years ago. Some looked like absolute trash but others were better than I thought. Thanks for inspiring me to shoot film again, you goofball.

Back in the day, I only ever shot in 50 - 100 iso film. Grain was for silos and hippies. What we were really after (though we didn't know it yet) was the look of digital photography. Just ever-improving resolution, detail and creativity. Aaaahhhhhh! The idea that we could take that detail and deconstruct it into the look of film someday through AI...why, that was never even a whim.

wow that is so crazy i was just there at that Arizona 9 motel sign. i went to the grand canyon around the same time lol. i even thought to myself driving across Arizona with my nikon f5 taking pictures "i'm like grainydays." Have to get the rolls developed still but i was shooting fuji provia 100f and lomochrome purple

Love the shot you said was creepy, all the bright sunlight & saturation in these reminds me so much of Midsommar 🤩

to get rid of the halation layer you give it a remjob?

Thank you Jason for taking us on another awesome and educational adventure.

Thank you lord for delivering unto us another steaming pile of love from our savior Jason

overexposing cinestill 50d +32 stops seems like a good idea since it has the 16 stops DyNaMiC RaNgE

The layers and shadow on the image at 5:53 is my fav. Well done.

paused at 0:19 just because i need to say the attention to detail with this edit is already incredible. keep up the good work

Outstanding assessment Jason. Love your work. I am getting use to the grain of the 50D. My rolls are always developed in C41. I struggle to find a lab in Sydney that can process in ECN.

Beautiful editing man, really a pleasure to watch your videos.

I dropped into my local film processer {a Chain camera store here in NorCal} and asked about ECN-2 processing on a roll of Cinestill 50D which they sell btw and I got a blank stare.

I do car photography, and you can get halations from shiny chrome parts or light reflections in general

Makes me happy to see you make a video in my home turf!

Another awesome video! Love the story, your narration, the video, and of course the stills. You really leveraged the film's character in that orange silhouette. You also gave a very good description of the film's unique qualities and play-by-play of your adventure. The one point I have to make is that the colors in the stills were not anywhere near as saturated or pleasing to my eye as those of the video. The video really popped. Most of the stills were short of what I would expect from your description. There were a couple with pleasing greens and the reds at the cafe were good, but for the most part the colors could not keep up with your imaging skills. Maybe my monitor is off, or maybe I am. I found myself thinking of the Metropolis review. Anyway, thanks for the post!

The first thing to shoot on cinestill's daylight film is artificial light

dude i love your channel

Such dope shots man! The colors look awfully beautiful, your videos make me wanna shoot film!

❌ Film photography channel ❌ Meme channel ✔️ A Baxter channel but a film/meme guy keeps hugging the spotlight.

Ah yes, I can finally stop binging photo favorites for two weeks straight and can start binging this new video

If you don't want the halation, you can buy Vision3 250D and get it processed at a lab that does ECN-2. I shot 4 and a half rolls and didn't really notice any halation at all

I think shooting Cine 50D in night would be a nice experiment

8:26 is so so so nice!!! this film looks awesome on orange!

tricky film it seems. when you metered for the shadows it really blows out the brighter areas of the shot. great vid as always!

He’s back 🥺🥺

finally a new video :D i couldnt wait

I went to the Subway canyon in Sedona in late April, Perfect time of year for the Flowers.

gotta love a sunscreen bagel

OH sweet memories!

Nothing to close the Film Vs. Digital argument like seeing the Sony sensor on Jason's camera 'Correctly' exposing both sky and rock, with it's magnanimous Dynamic Range - while the film shots look awash with light, like a bucketful of sun was thrown on the landscape. The Sensor may be doing what's technically correct, but the film really captures the essence of the heat and light on the day.

Gonna be late from work cause of this video and I like it!

Great video - thanks for the laughs :)

we love jason

Thanks jason

Another fun and informative video!! Glad to see you were somehow able to get a bit of Baxter footage in there too....just isn't quite the same if no Baxter. ;) CC

killer work man!

I was crapping my pants on my sofa watching the cave ledge parts as I have no head for heights, but still watched like nevertheless. Beautiful images and intrigued as how they always have a lovely pastel colour look no matter what film stock you use reminds me of Ektachrome 64 of last century!!! Thanks.

omfg i lost it at the coppertone

Unintentionally I took that same picture of that sign in Arizona in the intro.. didn’t turn out as well as yours but it’s fun to know it’s a small world

grainydays = bigbrainydays

Bro I love your videos, please make more my g

Great Video

love how it says "Special thanks to BAXTER.... and the others"

I believe that town you rolled into is Williams, AZ. I stayed the night there after visiting the Grand Canyon. Didn't really scratch the surface, but just to see it was something I've always wanted to do. Interestingly, that town looked so much better at night than it does here in the day.

Woke up to find this gem ready to roll (Pun) 😉 . Fortunate too cause I shot a few rolls of 50D recently and thought I had done something wrong since it looked too much like the Ektar100 I shot alongside it.

Finally get to be an early comment and I want to say thanks for everything you give to us Jason.

These shots are absolute fire! JUPITER 12 gangggg📸

I see you edward hopper 7:19

Planning on shooting polaroid as i can see

i love the commentary 😂

The M6 without a camera strap gives me anxiety.

That Tank 7 is some tasty stuff!

The sentiment at 9:30, pure poetry. Like Walt Whitman's come again.

In shart. That’s it. That’s the video.

This film with the remjet looks quite different. Maybe it's the presoak that remjet removal requires that makes it look different. Either way, the straight Kodak movie stock is way cheaper and better IMO. It's like Ektar but more flexible because it doesn't saturate the colors so much that heavy editing is required for portraits to look good. The lower iso is also a benefit because it allows you to open up the lens more without using an ND filter in daylight. If you buy short ends and bulk load, it's around $2-3 a roll of 36.

> Climb a rock cliff > Perform coyote howls > Do push-ups > Refuse to elaborate > Leave

CineStill doesn’t remove the rem jet layer anymore. They just get the master roll without any rem jet coating from Kodak directly.

Williams, Arizona was a cool little town I shot film there too. 😍

I feel like this film would be good for like cottagecore aesthetic type pictures bc of the softness of the colors

Jason seems u are ready for some polaroid shoots😋

I really don't get the cinestill hype. Vision3 with remjet gives much better results imo. Also is 3 times cheaper to buy can be C41 processed after mask removal for the cheap seats or properly ecn2 developed which is $2.5 more per roll (where i live).

Any great video…you guys were right up the 17 from me!

I think a polarizer would help some of the early shots.

Watching the video from my iPhone 12 mini. With these white borders photos look like I try to see them through the keyhole.

"Or maybe film is just a total effing toss up and sometimes you get a pretty picture but the rest of the time it looks like ass", me every time I receive scans from the lab

damn, shoulda picked this up in my recent film haul

The remjet example ... brilliant. I think 50D is one of the sleeper films out there at the moment, despite the ISO being a bit limiting at times.

Got to love me some good Tank 7.

I got a similar look with Cinestill 50D - a bit too flat with shift towards cyan color look for my taste. I find Ektar 100 giving a very different much more saturated and less flat look (debit here are often blue shadows which 50D fortunately doesn't do!). I likely won't buy 50D again for the price it goes for. I get more from a simple Kodak Gold.

7:23 IN SHART

I feel like my life has changed after hearing how to make a casual shart joke

Those rock formations are quite impressive but I really want to shoot motel rooms instead 😅 Great vid mate

8:55 wait a second, I didn't know coppertone made cream cheese

I've binge watched all of your videos last week like twice. Seriously. (Yeah. I have to get a life.) I just saw this one on my feed and said "YES!" out loud. I think I nver clicked so fast on a RU-vid video. You're my favorite channel right now.

I made the mistake of ONLY bringing 50D to a heavily overcast beach day…I still wanted to get pics and, even when overexposed, the pictures turned out terrible

man hearing you reminds me why i stay away lol

Also, don't you guys have ECN-2 in film labs? Can't understand why no one in US talks about just straight Vision3

first person ive seen make this film look good

cant believe i missed you in flagstaff:(

I've still never gotten results out of 50D that I like, both 35mm and 120. Last roll I shot was terribly green in the highlights and purple in the shadows. With some Lightroom edits it was fine I guess but I just can't get excited about shooting it again. It doesn't seem to have significantly less or smaller grain than Ektar so the low ISO doesn't do much for me. A friend in the movie biz mentioned that cinema stocks are generally designed for more color post-processing than stills stocks since it's part of the whole production pipeline. Not sure if that's true or I just can't crack the 50D code.

I see that round frame in the background 👀 we getting a Polaroid video soon?

Gotta respect the Tank 7 choice.

I‘d really like to know where you got the notion from that lower speed films are more saturated. There is no pattern that speaks to that. If anything higher ISO films are more saturated know. Portra 800 is the most saturated film in the Portra line. With 400 being less saturated and 160 being the most muted color negative film available now. And CineStill 800T is considerably more saturated that 50D and the same is true for the Vision 3 films processed in ECN-2 chemicals. 500T is the most saturated of the Vision 3 films while 50D, is the most muted. Sure Ektar is very very saturated but that’s because it’s been designed to be this way. I don’t think that saturation and film speed are inherently related. Or at least, that it comes down to what kind of film the manufacturer wants to make.

Comes to AZ... doesn't hit up Dino. Incredible.

one thing i never understood is why motion picture film produces more halation than regular film stock when shot with a regular camera. like if you remove the remjet from motion picture film and shoot with it, you'll get tons of halation, but if you shoot regular film (which has no remjet) you'll barely get any.

@7:22 Stealth shart

Ah tank 7, the ol three beers in one.

I want you to audio book my life.

Hearing you say pineapple pizza made me feel things

I used to think you were a one-dimensional person, who only knew film. Then I saw the Tank 7 in your trunk and realized, "Hey, he's not all that bad."