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Clara Schumann - 4 Pièces fugitives Op. 15 (audio + sheet music) 

thenameisgsarci
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Four Fugitive Pieces, Op. 15, French Quatre pièces fugitives, group of four brief compositions for solo piano by Clara Schumann, published in 1845. They are character pieces, presenting distinct movements of contrasting moods rather than an integrated multi-movement sonata.
Clara Schumann wrote the Four Fugitive Pieces soon after her marriage to the composer Robert Schumann in 1840. The music was published five years later. Wistfully understated, the pieces are romantic and introspective, suffused with the same gentleness that characterizes the nocturnes of Chopin. By calling the pieces fugitive, Schumann refers to the unrestrained nature of the music, which is freer and less restricted by formal conventions than music of earlier eras.
The pieces span a range of moods and keys. The first, “Larghetto,” in F major, is sweetly reflective, recalling Chopin. The second, “Un poco agitato,” in A major, is more nervous in character, with spirited lines that rise and fall. “Andante espressivo,” in D major, is the longest of the four pieces and returns to the nocturnal spirit of the “Larghetto.” The set then concludes in a playful mood with the “Scherzo,” in G major.
(Brittanica)
Please take note that the audio AND sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.
Original audio: • Clara Schumann - Quatr...
(Performance by: Michael Ponti)
Original sheet music: imslp.org/wiki...)

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3 окт 2024

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Комментарии : 44   
@murdo_mck
@murdo_mck 4 года назад
0:07 Larghetto 2:31 1. Un poco agitato 4:17 3. Andante espressivo 8:14 4. Scherzo
@TimondeNood
@TimondeNood 5 лет назад
Fantastic pieces, really love the first one!
@vngela
@vngela 5 лет назад
I love Clara Schumann’s music, it’s so underrated
@milton3204
@milton3204 5 лет назад
Been awhile since I've listened to this set, no. 1 is exceedingly well crafted. A joy to listen and play, pretty much the only Clara Wieck work i've played.
@brucedavies8154
@brucedavies8154 5 лет назад
Always grateful for your uploads!
@thenameisgsarci
@thenameisgsarci 5 лет назад
Don't mention it, bruh. :D
@gbritaney
@gbritaney 5 лет назад
Beautiful
@edmundbloxam2714
@edmundbloxam2714 5 лет назад
My favourite C. Schumann pieces.
@vejebe
@vejebe 2 года назад
Thankyou for sharing. Lovely. I thought Im going to start learning the pieces ❤
@PieInTheSky9
@PieInTheSky9 5 лет назад
Had this on in the background, then immediately recognized No 4 (8:14). Where the heck do I know this tune? I'm sure she used it somewhere else.
@ptitcrash86
@ptitcrash86 5 лет назад
Yes, in her G minor sonata (mov3)
@112Allegro
@112Allegro 3 года назад
Pieces themselves are lovely. First one was played pretty much in style, but the second one was rushed in my opinion. Tempo is only marked Un poco agitato, not Presto.
@bifeldman
@bifeldman 5 лет назад
Lovely.
@Starnislav_
@Starnislav_ 7 месяцев назад
Благодарствую, спирачилЬ!
@SheetmusicLessons
@SheetmusicLessons 5 лет назад
really beautiful these compositions. Thanks for sharing ;)
@thenameisgsarci
@thenameisgsarci 5 лет назад
You're welcome. :)
@cimbalok2972
@cimbalok2972 5 лет назад
Robert should have said "Hats off, gentlemen, a genius," apropos his future wife, as well as a tribute to Chopin's op. 2, which is also genius. Clara was ahead of her time and in lock step with Chopin the innovator, but there was some reason *she* wasn't recognized at the time. Gee, I wonder why.
@SmegmaMale_
@SmegmaMale_ 4 года назад
Feminist
@cimbalok2972
@cimbalok2972 4 года назад
@@SmegmaMale_ Sexist? Does it matter which one in the between-life-stage chose a body that was female and which chose one that was male? Neither is better than the other. Both can create. In the 19th C those who chose male bodies got more recognition. Maybe in the 21st or 22nd C the ones who choose female bodies will be recognized. But the soul is neither male nor female, it creates no matter which sex it is.
@griffinhaltom8144
@griffinhaltom8144 3 года назад
Having listened to most of both of their piano works, I think I can say why Chopin was the more recognized and remains more recognized. While Clara was capable of writing some exceptionally beautiful music, Chopin's melodies remain more memorable and songlike, even if his style stayed stagnant throughout his life. His use of ornamentation and changes in tempo make his melodies better in my mind at least than Clara's. While I'm sure there was also some sexism in play Chopin was the far more prolific composer between the two of them, and wrote multiple sets of Etudes, Nocturnes, and Waltzes, in addition to writing the first classical Ballad and popularizing the stylized Mazurka, invented a couple decades earlier by Maria Szymanowski.
@cimbalok2972
@cimbalok2972 3 года назад
@@griffinhaltom8144 now, having heard more of Clara Schumann's works, I agree with you. Many of Clara's pieces are indistinguishable from Robert's. The reason I've heard more of Clara's work and can make this statement is our local classical music station is on a "woman composer" kick and, along with some excellent pieces of C. Schumann and American genius Florence Price, is also playing some very dull works of various women composers, just because of their sex (I checked this assessment out with an engineer from the station). So, I stand corrected. You are partially correct that Chopin's style stayed rather stagnant, but so did Brahms's. I think Chopin did evolve - contrast op. 22 (the Polonaise portion) with op. 61, both Polonaises, but op. 22 is a work that *shows off* what the piano can do, while op. 61 is a piece that "expresses" what the piano can do. Brahms, on the other hand, was completely mature musically by the time he wrote his first Symphony. Great discussion point, thank you for posting.
@griffinhaltom8144
@griffinhaltom8144 3 года назад
@@cimbalok2972 Thank you for the thoughtful reply. I think that while stagnant may have been a poor choice of words to describe Chopin's compositional career, his style was extremely consistent, which I think helps with how well known he is. Play any Chopin piece and you will know it's Chopin. To contrast against a composer who is somewhat less known, at least in the US, Robert Schumann, if you were to play the Abegg Variations, Warum?, and the Ghost Variations, you wouldn't be able to tell that they were written by the same composer. Since many Chopin pieces are popular and any can be recognized as his, his consistent style may help him remain well-known. Over the time that I've listened to classical music, I've come to realize that there is no difference in the music that female and male composers write, or in the performances that male and female pianists create. Martha Argerich can be startlingly intense and Igor Moravec can make double octaves sensible. While pushing every female composer into obscurity keeps many composers and pieces from the recognition they deserve, indiscriminately playing them for the sake of playing a woman's music is sure to bring much more mediocre music than suppressed masterworks. Like in their male counterparts there are far more mediocre female composers than brilliant ones. Not all of them are Mendelssohns, Boulangers, or Clarkes.
@PianoScoreVids
@PianoScoreVids 5 лет назад
Wonderful playing by Ponti
@musik350
@musik350 5 лет назад
now finally reveal the origin of your profile picture, I've seen it too often and I wonder
@klop4228
@klop4228 5 лет назад
@@musik350 Looks to me like Tchaikovsky 6, the Bassoon part just before the second subject in the exposition.
@PianoScoreVids
@PianoScoreVids 5 лет назад
@@klop4228 exactly ;)
@musik350
@musik350 5 лет назад
Thanks a lot
@alejandrom.4680
@alejandrom.4680 5 лет назад
You're profile picture is a meme xd.
@e.hutchence-composer8203
@e.hutchence-composer8203 5 лет назад
I’m actually quite enjoying listening to Schumann’s work, going to see her piano concerto Op. 7 next month. Listened to it a few times (I always like to listen to the program before a concert so I am familiar with the works) and I love the 2nd movement, very tranquil.
@gamingmusicandjokesandabit1240
@gamingmusicandjokesandabit1240 2 года назад
When a piano piece is suspected of committing the crime of being too difficult.
@sofiachkhaidze2768
@sofiachkhaidze2768 Год назад
🌼
@Kris9kris
@Kris9kris 5 лет назад
I fail to hear any Chopin in this - maybe starting from 5:21. This is mostly Robert Schumann with a little Mendelssohn thrown in there lacking the ingenuity and recognizability of the aforementioned. Although I must admit, this is a much higher quality work than what I've heard from Frau Schumann before. The first piece is an obvious standout from the others, it is very well put together. I like this channel because as a musician it slowly becomes my primary source for exploring unusual repertoire for the piano.
@PianoScoreVids
@PianoScoreVids 5 лет назад
What do you mean by not hearing any chopin in it? Did she have a special relation to him?
@Kris9kris
@Kris9kris 5 лет назад
@@PianoScoreVids Description: "The first, “Larghetto,” in F major, is sweetly reflective, recalling Chopin".
@PianoScoreVids
@PianoScoreVids 5 лет назад
Oh ok!
@mackycarlson1969
@mackycarlson1969 Год назад
The only composer I'm hearing is Clara Schumann
@josephalvarez5315
@josephalvarez5315 5 лет назад
How do you choose which piece you are going to post on any given day?
@thenameisgsarci
@thenameisgsarci 5 лет назад
I don't, actually. It's random.
@andrewc9643
@andrewc9643 4 года назад
4:17 Andante espressive
@jyl1905
@jyl1905 5 лет назад
4:18
@amyli3184
@amyli3184 4 года назад
8:14
@DanielDiaz-wy1bc
@DanielDiaz-wy1bc 4 года назад
No me sirve
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