0:00 - I. Pour invoquer pan, dieu du vent d'été 2:42 - II. Pour un tombeau sans nom 5:55 - III. Pour que la nuit soit propice 8:26 - IV. Pour la danseuse aux crotales 11:14 - V. Pour Égyptienne 14:13 - VI. Pour remercier la pluie au matin
Spirituelle, sensorielle et rebelle, la musique de ce compositeur reflète des impostures secrètes, explore des plaisirs sereins, un monde de rêves renaissants🌺🕊
This performance is beyond description ， and full of admiration , acclaim and deep emotion , and comfortable to the ear and the mind I'm just intoxicated with this beautiful melody's performance in Japan's summer From Tokyo of Japan where deeply love Debussy
@@c-pas-vrai Thank you so much to your comment I deeply love French classic music and literature, especially Ravel, Debussy and Proust Someday please come to Japan You will be astounded at all of Japan Good luck
I was trying to find the music for this online, and it looks like the actual title is Six épigraphes antiques. Could you upload the flute arrangement to IMSLP? That way more people would be able to play it. Great music!
I am very happy to have discovered this wonderful performance and to learn about you from this recording, and then more on your website. Debussy is never easy -it’s so much harder than it looks, at least this is my experience. You have a truly lovely tone color with a very full, rich low register, and beautiful dynamic control and expressiveness. I am sure you will have a very successful career! Congratulations!
@@DavidSilvaflute Hello! Beautiful playing!! I’m an undergrad flute student and would love to perform this sometime. If it’s not too much trouble, would you please send me the part as well?
It's great how versatile the original orchestral score can be. Played the composer's piano reduction and had a blast - but it's far from trivial to cover all the bases alone. Your performance is very inspired. Could I send you a message with my email regarding the score? Obrigado!
Sim ! Mas numa acústica completamente diferente. Na minha opinião a acústica da sala é mais importante do que o material de gravação (pelo menos quando estamos a comparar entre modelos mais baratos)
@@DavidSilvaflute could I also please have the pdf? I have Donald Peck's arrangement which is sorely lacking.Where did the Hebrew notation come from?Thanks,Raanan
