Тёмный

Claude Monet (1840-1926) - Part XXVI - Rouen Cathedral Series (1892 and 1894) 

Rollo Paterson - The Last Impressionist
Подписаться 6 тыс.
Просмотров 2 тыс.
50% 1

Rouen Cathedral (Monet series)
The Rouen Cathedral series was painted in the 1890s by French impressionist Claude Monet. The paintings in the series each capture the façade of the Rouen Cathedral at different times of the day and year, and reflect changes in its appearance under different lighting conditions.
Date
The Rouen Cathedral paintings, more than thirty in all, were made in 1892 and 1893 in Rouen, Normandy, then reworked in Monet’s studio in 1894. Monet rented spaces in Rouen across the street from the cathedral as his temporary studio. In 1895 he selected what he considered to be the twenty best paintings from the series for display at his Paris dealer’s gallery and sold eight of them before the exhibition was over. Camille Pissarro and Paul Cézanne visited the exhibition and praised the series highly.
Historically, the series was well-timed. In the early 1890s, France was seeing a revival of interest in Catholicism and the subject of one of its major cathedrals was well received. Apart from its religious significance, Rouen Cathedral -built in the Gothic style- could be seen as representing all that was best in French history and culture, given that it was a style of architecture that was admired and adopted by many European countries during the Middle Ages.
Painting Light
When Monet painted the Rouen Cathedral series, he had long since been impressed with the way light imparts to a subject a distinctly different character at different times of the day and the year and as atmospheric conditions change. For Monet, the effects of light on a subject became as important as the subject itself. His Series Paintings, in which he painted many views of the same subject under different lighting conditions, are an attempt to illustrate the importance of light in our perception of a subject at a given time and place.
Technique
Painting the cathedral was a challenging task, even for Monet. Michael Howard, in his Encyclopedia of Impressionism writes:
"As always, the pictures gave him intense difficulties, which threw him into despair. He had vivid nightmares of the cathedral in various colors - pink, blue and yellow - falling upon him… [Monet wrote:] ‘Things don’t advance very steadily, primarily because each day I discover something I hadn’t seen the day before… In the end, I am trying to do the impossible."
Monet found that the thing he had set out to paint - light - was, because of its ever-changing nature and its extreme subtlety, an almost impossible thing to capture. He was assisted, however, by his ability to capture the essence of a scene quickly, then finish it later using a sketch combined with his memory of the scene. For these paintings, he used thick layers of richly textured paint, expressive of the intricate nature of the subject. Paul Hayes Tucker, in Claude Monet: Life and Art writes:
"Monet’s sensitivity to the natural effects he observed are just one factor that make these pictures so remarkable; the way he manipulates his medium contributes to their majesty as well. For the surfaces of these canvases are literally encrusted with paint that Monet built up layer upon layer like the masonry of the façade itself."
The subtle interweaving of colors, the keen perception of the artist and the use of texture all serve to create a series of shimmering images in light and color-masterpieces worthy of the grandeur of their subject matter.
en.wikipedia.org/wiki/Rouen_C...)
Text & images:
www.wikiart.org/en/claude-monet/
en.wikipedia.org/wiki/Claude_...
es.wikipedia.org/wiki/Claude_...
commons.wikimedia.org/wiki/Cl...
artsandculture.google.com/
www.philamuseum.org/
www.mfa.org/
www.metmuseum.org/
poulwebb.blogspot.com/2013/10/...
art-monet.com/1873.html
www.flickr.com/photos/pamelai...
Music:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical
7:17
Kevin MacLeod
Clásica | Feliz
Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (creativecommons.org/licenses/...)
Fuente: incompetech.com/music/royalty-...
Artista: incompetech.com/

Опубликовано:

 

14 сен 2018

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии    
Далее
How Renoir Revolutionised Art
52:54
Просмотров 264 тыс.
Schoolboy - Часть 2
00:12
Просмотров 1,8 млн
$15m Russian helicopter destroyed by Ukrainian drone
00:11
Survive 100 Days In Nuclear Bunker, Win $500,000
32:21
Bahar  Akrilik Boya  Landscape  Painting
25:52
The Profound Meaning of Plato's Allegory of the Cave
16:43
The History of Scotland
26:57
Просмотров 1,6 млн
What Is Qabalah?
20:30
Просмотров 15 тыс.
Yorkshire Crafts: Meet the drystone wallers
7:59
Просмотров 424 тыс.
Schoolboy - Часть 2
00:12
Просмотров 1,8 млн