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Closer Look: Constable's "White Horse" 

The Frick Collection
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In this episode of “Closer Look,” Kennedy Winslow, Ayesha Bulchandani Education Intern, explores John Constable’s “White Horse,” on display on the fourth floor of Frick Madison. Kennedy unpacks this faithful rendition of the English countryside, a love letter to the land in which the artist grew up and lived most of his life. This is the second episode in a series of three, featuring the Education Department’s 2023 summer interns each taking an in-depth look at one object in our collection.
To view this artwork in detail, please visit our website: collections.frick.org/objects...
0:31: Ramsay Richard Reinagle (1775-1862), “John Constable,” ca. 1799, oil on canvas, National Portrait Gallery, London
1:01: “River Stour,” photograph by Keven Law, courtesy Encyclopaedia Britannica www.britannica.com/place/Rive...
1:51: “Willy Lott’s Cottage,” photograph by Rowland Shaw, 2005, courtesy Wikimedia Commons
7:21: John Constable (1776-1837), “Cloud Study,” ca. 1822, oil on paper, The Frick Collection
8:11: J. M. W. Turner (1775-1851), “Cologne, The Arrival of a Packet-Boat: Evening,” 1826, oil on canvas, The Frick Collection
8:30: Turner, “Harbor of Dieppe: Changement de Domicile,” dated 1826, oil on canvas, The Frick Collection
9:08: Jean-Baptiste-Camille Corot (1796-1875), “The Lake,” 1861, oil on canvas, The Frick Collection
Producer: Kennedy Winslow
Director: Lisa Goble
Editor: Courtlin Byrd
Director of Photography: George Koelle
Audio Production: Sean Troxell
Research Assistance: Isabelle Fernandez
Editorial: Noah Purdy
© 2023 The Frick Collection

Опубликовано:

 

4 сен 2023

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Комментарии : 17   
@patricial1225
@patricial1225 5 месяцев назад
Lovely presentation. Thank you very much from Buenos Aires.
@lordtherapeutics
@lordtherapeutics Месяц назад
Thank you for an enlightening exposition, so helpful.
@user-wc8gi7bp6q
@user-wc8gi7bp6q 10 месяцев назад
Great presentation. Thanks from Australia.
@a-complished4406
@a-complished4406 10 месяцев назад
I am obsessed by Constable. That painting is a gem at the Frick. Thank you for presenting it so beautifully.😊
@zoobee
@zoobee 10 месяцев назад
a wonderful explication. I wish to visit the Frick collection one day when I visit America. Thank you very much
@rebeccale6012
@rebeccale6012 10 месяцев назад
Very nicely presented, thank you Ms. Winslow! I've been aware of this painting for a while, it was wonderful to hear about all the details of its composition.
@shirleystrickland4343
@shirleystrickland4343 10 месяцев назад
Thank you Ms. Winslow. Lovely presentation. Next time I'm in NY, I'm heading straight to The Frick.🦋🦋
@SeanMarkham
@SeanMarkham 10 месяцев назад
Beautifully presented well done!
@pattersondsmccd
@pattersondsmccd 10 месяцев назад
Wonderful presentation! Thank you very much! I love this painting, and I love the Frick! In my next life, I'm coming back as an art historian!
@jo-annayres5254
@jo-annayres5254 10 месяцев назад
Thank you, very informative! Love this painting.
@andrewwhiting1145
@andrewwhiting1145 10 месяцев назад
Very informative description of this lovely painting. Thank you very much.
@mch12311969
@mch12311969 10 месяцев назад
Thank you for this wonderful examination of this beautiful painting. I particularly liked the comparison between Constable and Turner.
@andymorrall
@andymorrall 10 месяцев назад
Good talk. Thank you. Next time please use more depth of field so that both the presenter and the artwork are in focus at the same time.
@peterlbrookes7761
@peterlbrookes7761 10 месяцев назад
Thank you very much. I hope you have been to Flatford or plan to visit one day
@crazyherisson6500
@crazyherisson6500 10 месяцев назад
In England, we pronounce Stour like "power". It's important !
@monsieurbertillon9570
@monsieurbertillon9570 10 месяцев назад
It's actually pronounced both ways, largely dependent on the region you come from.
@monicacallesarenales5865
@monicacallesarenales5865 10 месяцев назад
This is a good explanation but I prefer a more informal way to talk with viewers...not so frontal and memoristic, but in a dialogue with the painting...
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