FilmImpact.Net hands down has my favorite transitions. I use them in every video. Use my code PREMIEREGAL10 to get 10% off any plugin: bit.ly/GalTransitionPack4
I've watched tutorials on this topic and Premiere Gal is the only one that has the right steps to use the Update. Before clicking the button, COLOR CORRECTION IS ESSENTIAL! Thank you PG!
About to try it, but is there any difference if I'm preparing multi-cam edits and need to match different cameras on different timeline tracks, not just different cameras on the same track? I have a feeling that this is not a great question, but asking anyway. Thanks.
is a specified version required to use this feature ?? cause i can only see color wheels option, i am not getting the option to match .. could you please help me out. it would be really helpfull
Gal, this is a keeper! I exported a still from my video of me yacking and quickly color corrected it in PS just using Brightness and Contrast. When I came back to Pr I found there is no Brightness control and Exposure doesn't give the same result so I am guessing that Brightness is more complex and adjusts more than just Exposure. I tried using your method in your video How to Color Correct and Grade and that didn't do the trick so I went to this video and it worked. Oh BTW did I say I am red/green color blind?? My green eye rods aren't working correctly. so I have avoided doing color work on my YT vids knowing that at some point I will need to figure out a way until I can afford to pay someone to do it for me. The video I just recorded yesterday turned out bleached under gray skies so it became time to learn enough to get this video up. Thanks. I enjoy learning from you.
I am happy that I have found your channel. It helped me a lot to speed up my video editing process. I love to make painting videos but I do not really like the editing. It takes too much time.
It would be cool if you did a video like this but it’s like if you shot a narrative short with two different cameras and made the shots all match together. If that makes sense.
That's so useful. I was literally considering buying a second of the same camera brand as my main camera because I couldn't get the colour to match! No worries now! Thanks gal.
This is great - thank you! Hopefully this will help as most other videos doing this assume the cinematographers used a color chart to help out us poor editors :D
I have two of the same camera, the AX53; I just did a shoot and had help on running cameras but unfortunately didnt notice the exposures on the cameras were not the same. I dont think the difference is too dramatic but it's certainly noticable. One is nicely bright lit while the other is more damp dark. I'm going to multicam these(potentially with a third DSLR camera I took short clips on and the color is good and bright). How do you recommend matching clips from the darker damp camera to the clips from the brighter camera ? Is it best to color match and export first, or go ahead and sync up my multicamera and attempt color matching the nested clips ?
There's not a way I know of -- this can be done in production, use a wide angle lens. I found this for After Effects, but never tested it, let me know if it works: www.techwalla.com/articles/how-to-make-someone-thin-in-after-effects
So a problem I have with these tutorials (and many like them) is that you assume too much. I'm here because I've never had to do this before. and when you say "you can see when I turn on comparison mode...." WHAT? What's comparison mode? How did you turn it on, and how did you see both clips side by side. I found the button, but I'm not seeing both clips. Please don't assume people know the tools that well - because if they did, they probably wouldn't need this tutorial. Now I'm off to find a different tutorial.
