Film noir is a genre often enhanced by the shabby, disreputable trappings of the B movie, so it’s no surprise that some of the finest noirs of the studio era were produced at the notoriously budget-conscious Columbia Pictures, which made something of a specialty of the genre during the forties, fifties, and early sixties. It was there that Gloria Grahame and Glenn Ford rose to stardom and auteurs like Fritz Lang and Jacques Tourneur realized pulp-poetry perfection in classics like THE BIG HEAT, HUMAN DESIRE, and NIGHTFALL. And it was also where lesser-known filmmakers could overcome budgetary constraints through sinister, shadow-splashed atmosphere and directorial vision in genre gems like the gothic MY NAME IS JULIA ROSS and the brutally hard-edged crime procedural THE LINEUP.
Head to the Criterion Channel to watch our Columbia Noir series, plus an extended introduction by film critics Imogen Sara Smith and Farran Smith Nehme: criterionchannel.com/columbia-noir-1
30 сен 2024
