They are both simply amazing. I watched this and their other rendition of Il Barbiere from Covent Garden so many times. And they make it sound so easy.
Does Joyce write her own cadenzas? Sounds quite a bit different from most Rosina roles I have listened to. Not saying it's bad, but not saying it's good, either...JDF is hilarious, as always.
+Vlad Ghita ... If you look for 'Joyce DiDonato Getting ready for the Proms' by Sinfini Music she explains how she varies the cadenzas - with permission from Rossini!
Hola, alguien tiene esta ópera completa, con subtítulos en español, que me pueda compartir, o compartir el link, la he buscado pero necesito justo esta versión y con estos cantantes, gracias a quien me lo pueda proporcionar.
Россини Сивильский цилюльник исполняет Мансеррат Кобаллье Я так безропатна простодушна вежлива очень очень паслушна и уступаю всем во всем Но задевать себя я не позволю и настрою я на сваем не перед кем я не орабею и все будет так как я хочу
(Anybody surpasses Callas anywhere), but this is the supposedly lost aria where sopranos interpolated their own choice. Also it is worth noting that in the three Barber-Figaro plays Almaviva is a cad and a s%^t.
@@rogerpropes7129Nobody surpasses Callas critics for lacking the emotional capacity to appreciate artistic depth over sweetly hitting the right notes in the right places.
@@rosemaryallen2128 Why, thank you. My three favorite singers are Roberta Peters, Rosa Ponselle, and Patsy Kline. I once saw Beverly Sills as Rosina in 1979. She interpolated 'Twinkle, twinkle, little star', played it for slapstick, which I didn't appreciate.
@@rogerpropes7129 Well, Mozart himself had fun with 'Twinkle, twinkle', so I suppose that is a reasonable precedent! But there is a fine line between fun and the off-putting. The most outrageous, yet effective, comedy I have come across is inserted in the serious Danish 'Giulio Cesare'. As to the off-putting, I'd rather not remember!
