Crash Course on Script Supervising 

fabroney glad to hear! This was when I was still in school. Thinking about doing a digital version soon.

@@ProvoElite Great, let me know when the digital version is available. Thanks

@@ProvoElite Hi Briana, happy new year to you. When recording timings of each shot, should the clock start from the Director shouts Action or when sound etc shouts rolling

@@fabroney5780 so there are two different timings I do, one is for every take and that begins when the editor can actually use to footage until when they can’t. It isn’t based off of action or cut because sometimes weird things happen like a bogie or whatever so you’re actually timing usable footage for the editor. The second timing I do is for production and that is when we start setting up for a set up until when we complete that setup. This helps with reshoots, say we shot a scene and it turned out to be too dark, now we can look back and see “ok we shot this from 7 to 8:15 it was too dark so we need to do that earlier”

@@ProvoElite Thank you for the info. Much appreciated

Shanik Ramirez there are Facebook groups online that can be super helpful. I recommend ‘Digital Script Supervisor’ and ‘Script Supervisors! ‘