Creative Cribs -  

Find somebody that looks at you the way she looks at the CS80

I was lucky to be chosen by him to take part in his 3 days workshop and to get to know him in person a few months ago. He's a really great and extremely kind person who is absolutely in love with his job

Great words of wisdom and tips! A compliment to Homay for being a good listener and letting thoughts get completed in words without constant interjection, refreshing.

great interview..she knows how to keep it flowing..

I chose Daylight over Sound Proof too. It’s a pain at times but I’ve no regrets.. yet lol. Great episode, thank you Spitfire & Homay for putting this together

I'm binge watching these cribs episodes and I practically yelped with delight when Michael pronounced 'ondes Martenot' properly.

I love the gearlust/drool look that crosses her face when they go to the main work position with Logic & ProTools :O) VEry interesting, but then this whole series is SO interesting!

Top episode! What a lovely guy Micheal Price is with so many insightful comments.

Brilliant episode. Michael comes across as a really nice guy!

Great guy and wonderful composer/artist. Love what he and his team are doing with Contemplative Classical

He's a great person and composer and she's a great composer as well!!

Awesome interview, thanks Spitfire!

brilliant insight!

I can relate. I have very fond memory’s of a system that I knew intimately, a Roland Sound Canvas SC-88 with an Atari Mega STE running C-Lab Notator. (The predecessor to Emagic Logic.) Despite having much more gear now, I find it impossible to replicate the excitement of the early years of discovery and wonderment, learning the flexibility of MIDI, through CC’s like expression, portamento and resonant filters, exploring the science (?) of chords, what chords went with what chords, the different types of chords, 7ths, augmented etc, and with just the one sound module, the SC88, discovering what sounds fulfilled what role, whether it be an OB String sound, or a more realistic, less synth string sound, or a percussive bell, (I loved SC88’s Music Box). I had a very objective workflow, I knew how to get what I wanted and exactly where it was. It was so exciting and I had a fraction of the gear I have now. Sigh...

Great space. If you are going to be spending a ton of time in the studio- Never underestimate the importance of windows.🙂

Heart expressed and heart felt ;). Amazing content. Thank you guys so much for these interviews. I know it comes from roots of passion its impossible it has not.

I love that the Orchestration book is now a make-shift projector stand.

Like the way he miked the Wurli... 🎹☮️🔥

I always find it funny to see these CS80's in studios - as far as I understand theres only a limited amount left and when i watch videos i keep seeing them - which says to me there are millions of CS80s around , cause I keep seeing them - which makes me think if I start going around the 2nd hand shops I will probably find a couple of them - its not true that they are rare - cause how come they are in lots of videos - it was never true they are rare - they are everywhere

Aw bless, thanks for the name check, Michael, you lovely man!

Seems like he's got it sussed. Good words of wisdom and nice job Homay

“…I’ve not killed them” 🥸

What a cute little Studio. Hey, keep on doing your thing, and, maybe, sometimes this music thingy he is doing will work out. You never know...! (That was irony. I have learned the hard way that too many people do not know the concept of this^^. What a cool gentle guy and an amazing workspace!)

Lol @23:00 - "to get a character that isn't too 'presetty'" Now that is a word if I ever heard one!

He seems like a nice bloke.

Nice one

Talking about his modular I now feel like the weirdo who knows the modules inside and out and read the manuals back to back hahaha

He also reproduces white noise 27:48

Fantastic video - thanks for sharing! Btw, the link in the description is currently broken

Never heard it called a Juno Ten Six before but hey…why not?

is that a Roland SH-1000 on the front right? That was my first synth.

Wasn't familiar with the composer, but could there be anyone with a better personality for Sherlock? Really cool interview.

Dude, you could have offered her a chair.

Who dislikes something like this? Come on...

Seen a few of these now, all these guys seem to have a Wurly piano sitting around - don't get it, had meself, glad to see the back of it tbh

Is the beard there to stay? Then I'll have to change your profile picture on your composer page. Nice interview btw that we now linked to your page on www.soundtrackportal.com

Great interview and crib and a lovely female host!!

5:48 ..... CS80

Who's the girl?

At least I pinned on the right country :)

This guy must be having a laugh.... Juno 10-6??? Touch osck? Surprised he didn’t call it a cs 8-0

Christian is less distracting.

Homay please visit my cribs.. it would be inspiring so much to me.

So many studios out there, yet so little good music! Seems like ever since people started building studios with windows that let natural light in, the music has suffered. So many studio tours with guys rambling about how it’s so great to have natural light - seems like these people would be better suited working for a tech startup than recording music. Music made in natural light = garbage.

This guy seems like he can’t be trusted.