The shrill three-horn triad Creature Theme whenever he appears was composed by Herman Stein. It was what the film music insiders called "mickey mousing" because it telegraphed the action to the audience along with the visuals, and contributed to the "scary music" in the movie. Stein was having fun, and it actually enhances the movie. A different time then, with today's composers preferring underscore over heavy graphic music. One reviewer cleverly noted that "the music scares you before the Creature does". Ha!
Thanks garethbramley1. That happens to me quite a bit as well. I start working on a music extraction project which makes me want to watch the film. But before I can get to it I'm working on something else and want to watch that film instead. Usually I never seem to get around to watching any of them.
Thanks. Yes, the simulated stereo conversion absolutely gives a mono recording a lot of depth and spatial sound. Glad you liked it and thanks for letting me know. Wasn't sure if people would like it or not. While it gives the music more depth it also adds a bit more Reverb then I would like. But it's part of the process and can't be removed entirely.
Buen fondo de música mi esta época no hay música igual los años cincuenta 50 tienen razón decir época de oro y para mí es la mejor época no la viví sus películas música todo son únicas nada que envidiar a esta época los cincuenta es época unica
Such a great score, instantly recognizable and memorable, by the way fishman, i don't want to assume but I have to know... This fellow a relative of yours?
Hey, can you try to extract the score from 1933 King Kong? I'm aware it has been released, but all the releases are re-recordings and don't have the same charm to them. The original, raw recordings from the film done by Max Steiner have never been released.
I already tried uploading the extracted music from King Kong 1933. Unfortunately it was heavily copyright-protected and could not be uploaded. Sorry. By the way my username is Fish Man, not Hey. Thanks DaikaijuX. :-)
