Cyberpunk 2077 Phantom Liberty extended DLC OST, that plays as battle theme against in quest "The Killing Moon". Composed by: P.T. Adamczyk, Jacek Paciorkowski.
I love the fact both endings are complete polar opposites, one is a horror sequence where you are powerless, and this is where you are literally slaughtering an entire corporate army
One makes you a living legend defying all odds, and the other leaves you a snivelling coward left to scamper in the dark. It's like the game's telling you that protecting So Mi is the right choice.
Sorry for Reed, but Alex and So Mi deserve their "happy" ending. Myers can go to shit. And V getting his Blaze of glory in Arasaka tower in the Don't fear the reaper ending. Thats the best outcome for me.
This music..made this part in the game a moment ill never forget. It’s one of those perfect symmetry moments that is etched in your brain long after it’s gone. One of the greatest moments in a video game I’ve ever experienced.
What a fucking banger, the techno part starting at 2:00 fking slaps, gonna play this shit at a rave, legit someone could play this at Berghain and it would fk hard
Seriously, thank you so much for extending this incredible tune and making it even better! It's an absolute banger and my favorite battle theme in CP 2077!
Argue about the morality of So Mi until you're blue in the face, but only one ending lets you punch a hole through a fed's chest with gorilla arms while this song plays. So I think we all know which is best.
I didn't remember feeling like surviving. The "Grey fox" build i made made me almost impossible to kill even while taking bullets. It was insane how much i slashed people here. I felt like the Doom Slayer, and they were the mortally challenged people.
@@DrCoomer_1 V is arguably on a level higher than Smasher, if only barely cause the games objective canon requires him to beat Smasher in Saka tower like... 7/9 times
@@gruntskome366 and keep in mind he's pretty much half dead and Brain scrambled when he fought Smasher, and that was after he rampage thru arasaka grunts
Finished Phantom Liberty yesterday, and jesus christ, this song is a blast. 2:59 this part makes me go crazy, it fits so well with the "situation" you're in.
I like how the recurring beat drop nods towards Atlantis OST, considering how both missions have smth in common: - Never Fade Away: Johnny is hunted by Arasaka elites and their support helo, massacres his way out - Killing Moon: V and Songbird are hunted by the NUS elites and their support helo, massacre their way out
I'll never forget the sound of my V laughing as she activated the sandevistan and unloaded the Ba Xing Chong explosive smart shotgun at point blank range. Watching every spec ops soldier turn to meat as the missiles hit them in slow motion, swapping to the byakko and slicing people into ribbons at warp speed while this song played with the 'edgerunner' perk constantly being triggered giving V fits of cyberpsychosis. No one left that terminal alive.
Me with a Militech Apogee Sandy, Optical Camouflage, Mantis Blades and fully Legendary Cyberware as well as Tech, Cool, and Reflexes maxed out. NUSA Black Ops: "Who the hell are you?!" V: "Death." *Mantis blades to the gut.*
This whole track just kicks so much ass! As much as Somewhat Damaged was amazing, and horrifying and scary, I am glad this was the ending I chose. Everyone already talks about 2:00 onwards, and yeah that is amazing. But to me, the riff at 6:14 that plays when SoMi is tapping into the Blackwall is unfogettable. You really get the sense in doing that, you are crossing an incredibly dangerous threshold out of pure desperation.
One thing i wanted from CP that we never got in full,.... i wanna personally go and explore the net. The Blackwall, and beyond, and face things there. I wanted that sooo bad. Words fail to describe it.
2:04 after a brief talk with So Mi, that sure as shit felt like a brief moment to prepare for the real fight, this drop hits you hard. And when it drops, just say thanks to yourself in the past that he/she chose to make a melee sandevistan build…
so this moment for me was like imma hiding with ma heavy sniper rifles and just banging everyone moving around and avoiding bullets. that was fuckin incredible.
I just want to imagine the face of President Myers when she walks in the spaceport station and see it full of the dismembered bodies of her soldiers. Low tier Merc my ass. V is THEM.
i got the casino ending... and after going through this mission and its music.. it felt fitting, v - took on the best of the nusa (and potentially a casino in orbit)
So classic of Mayer's to sit in her AV and sip champagne while hundreds of the most well-equipped trained spec ops NASA has to offer get slaughtered like cattle by the god emperor of cyberpunk, aka V.
@@GWTC14 I want game version. When I found on Spotify some of the tracks I was a little bit confounding its not the same ;). Gate K9 ingame are deeply awasome and fit to the mission soooo good
Gotta say ost for this game sucks ass. I'd rather listen to some game rips on RU-vid. Not to mention how gate k9 ost version missing so much cool shit.
So i used a mod to get the DarkNet weapon before this fight started. Using it while it was playing it was awesome. Made the last part of this fight even more epic.
