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Thanks a lot for the demo and review, always great to see your content. One thing though, regarding the Rekordbox update for stems: has it been pushed already or will it be in the incoming hours/days? Thanks in advance for your help ;)
Great video, 2 weeks before this release i upgraded to the flx6 from the flx4 for the extra 2 channels a little bitter but it was still 200 cheaper, I have mapped beat replace to my pads and replaced key change as I hate it. But the price increase I dont think its worth it. i am now saving for the flx10 which with the price increase DDJ-GRV6 i think its the better next step. lol and the branding is pioneer
@@priyonjoni I’m talking about controllers, not standalone equipment. The rev 7 doesn’t sound like an A9 or even like a S11. I doubt it holds the same sound card. I own a rev7 and it’s a good controller but the built is crap, all plastic. We don’t need new effect buttons😅
My apologies, I thought I was replying about the XDJ-AZ. It's been a lot of comments on both videos. The DDJ-GRV6 is a 24-bit audio card. While it has decent low distortion and low noise floor, you do have to watch over cranking it, or playing too quiet. Simply back to the rules of proper gain staging. As far as the REV7 vs. the A9 and the S11, yes they "sound different" because they are voiced differently. There is a huge misconception with "sound quality" when speaking about 32-bit floating point converters. When people say "oh it sounds good" or "I don't think my ears can pick up the difference" they might be misinterpreting the reason for sound quality is in the voicing. The result of 32-bit converters has more to do with the dynamic range. Lower noise floor and a clip point beyond the maxing out the gains into the red. This is important for front of house when a DJ who does properly gain stage, decides to play into the red, the engineer can simply lower or even pad his incoming signal and still achieve a clean signal. I am of the belief that the strength and durability of DJ gear has little to do with the outer casing, rather to do with the inner chassis. Your REV7 has a solid aluminum chassis, just like any professional controller. Because of that, there is no need to add the weight penalty for the superficially perceived "built like a tank" myth. And sometimes, the outer metal on some of the other gear is just plating on plastic. Anyone who I hear claims their gear is stronger for being metal has probably never done a real comparative drop test. Would be an interesting viral video though.
Why does no one ever do review on the cables they used or what does pioneer rec for there controller and mixers ? i was finding it hard to decide on some cable for Presonus eris E5 and I also have Pair OF E8 with a flex4
I used balanced TRS cables for the master, and a pair of RCA to quarter inch adapters to connect the booth. To be brutally honest, cables tend to be a boring topic whenever I cover them. Seeing the response of people not knowing that TRS can carry a balanced signal like XLR indicates how much the DJ community is interested learning about cables. It's best covered in comment sections.
No it won’t. New gear generally means there is a new version associated with it. So it won’t be compatible with previous versions before the date of the unit’s release.
Rekordbox finally upgraded there woeful Stems. The catch is you need to spend £800 on a controller to get them or pay for the Monthly Subscription ROLF
Both of those are incorrect. The new stems do not require the DDJ-GRV6 or a subscription to use. If you are currently using a "hardware unlock" device with rekordbox, the new stems quality setting will be available to you.
@@priyonjoni Ah ok i stand corrected. I thought this was the next shady iteration of you now need a subscription to unlock Rekordbox 7 for your controller you have already paid us for :) Looking forward to checking it out on my DDJ1000 then, been a long long time coming.
