La mince clameur de ces êtres iniques et inabsous Pleurant à la sortie du monde Se perd dans ce royaume d’effroi et de cendres Sinistre abscission Et la solitude du jardin de Gethsémani en partage !
@@JackoBanon1 the thin (or quiet) clamor of these iniquitous and unfaithful beings crying out at (the end of the world? the world's departure? their departure from the world?) get lost in this realm of dread and ashes (either they get lost or their cries are drowned out) sinister abscission and the solitude of the garden of gethsemane to share
I maintain that the Deathspell tracks which dabble in melody/clarity and usually serve as "atmospheric interludes" are actually the best Deathspell tracks. They're usually the short ones, which is a shame. I really think Deathspell's insistence on cleaving to black metal tropes is holding them back as an avant-garde metal band.
BakehousePictures well apokatastasis panton is melodic yet dissonant as hell, that's probably the zenith of the genre thus far imo, it's incredibly moving and beautiful, the sheer energy of it, the sentiment, it's amazing
Agreed. I love the whirlwind-of-guitars/machine-gun-drum headfuck sections as much as everybody else, but it's when they get into the more spaced out melodic sections that I actually feel emotionally engaged.
hear you there man. and its melodic yet dissonant and harmonically interesting, its not.. sugary, its just incredible, I'm in love with that track it's something that i've been aspiring to achieve the past few years
As good as it is, I don't think I could stay interested in a 45 minute album full of it. It's all the more powerful for the brutality and chaos that bookends it.
