In this video we discuss keyboardist Peter Gordeno as a replacement to Alan Wilder within Depeche Mode. Links: Alan Wilder back to Depeche Mode Facebook group: groups/23196...
DM songs were always very straightforward and (in some way) even simple, and Alan knew he had to maintain that style live. No need to shine as a musician on stage when the song alone does! This kind of modesty is one of so many points that has gone with Alan...
To me, he's like the guy your divorced mom marries after you're, like, 40 and long out of the house. Yeah, you're glad your mom is happy and able to maintain the lifestyle she's accustomed to, but to you he's just always going to be some dude that lives in your mom's house and helps pay the bills.
OMG he totally is THAT guy. I've heard him say he's in Depeche Mode while out on tour and I'm like "Excuse me, sir?" I dead ass stared at the side of his face. I'm like you're a session player, nothing more!!!!
Alan was an explorator who worked hours in the studio (while the others were having a great time), not to mention all the live concerts stuff (programming, syncing, etc). Peter is a keyboardist who does what he's authorized by Gore. Depeche Mode ended in 1995. Long live to the Basildon Trio.
He really was embarrassingly overlooked and underappreciated by his bandmates for way too long. He began as a replacement key board and developed i to a Engineer, keyboardist, composer, developer, producer and all for same cost of fletchers single keys and clap. He deserved so much better by them. It saddens me almost as much as it pisses me off...almost
@@resofactor indeed ..im actually frustrated i cannot enjoy RECOIL more. Depech was so much better as a whole of them all...and Alan is more enjoyable as a whole for me at least durring his Depech years. Recoil does rock..BLOODLINES is wicked good. But seeing Alan in a rave with a hipster bouncing up and down like a crack addict next to him on turntable..just seems sad to me. Like a famous ex boxer doing a depends commercial. But if hes happy im cool with it. Is he happy?
You are so spot on. I thought I was the only one who felt this way about DM. DM without Alan is not DM. They have gone from producer to producer (Bell, Hillier, etc.) trying to compensate for his musical absence. I met Gordeno at the Borgata. He’s a nice guy. Great studio session guy but no Wilder who is a visionary.
Alan helped Martin develop and bring life to the songs that started out as cassette demos. He chose instruments, he helped Flood & others producers with the arrangements, he played on the albums, he helped with the sequences, he recorded the ARP 2600 arpeggios used on 'Waiting For The Night' and loaded them into the sampler during the original recordings, he gave us the version of 'Enjoy The Silence' that we all love and Dave doesn't sing during recent concerts, he can play keyboards and he can play drums. And he toured with Emulators and EMAX's. Peter plays keyboards during the concerts. He interprets the songs that Alan did with DM because that's all he's able to do... because he wasn't there during the creative process.
@@Esperluet No doubt, Peter is a fantastic musician. His playing is flawless and I can hear his individuality in the live shows I've seen. But to me he's like a session musician... a hired gun. I'd love to hear his own music to get a sense of why Depeche chooses him for all their shows.
I love your channel and thank you so much for sharing your amazing talent and for letting us know so much about one of our favorite bands Depeche mode.
Imagine a press conference at Tate Modern museum in London: A full reunited DM shows up - all the original members including Vince Clarke(!) announcing they’re about to finish a full album and will tour the world. VCMG worked very well together just a few years back so this isn’t entirely wishful thinking. If they all get on professionally it could very well still happen. And OMG it would be exciting!!! Mr. Gore, Mr. Clarke, Mr Gahan, Mr. Wilder and Mr. Fletcher if anyone of you happen to read this... please make yourselves a nice cup of tea and pick up the phone 😊 Just listen to what the kids says: YOLO.. Sincerely A fan.
Peter Gordeno is a great musician, he's just a session musician on DM, but he has classical training and also his dad was a great actor and dancer, he apppeared in Gerry Anderson´s UFO Series on the 70's as Captain Carlin aboard the Sky Diver. Peter Gordeno Sr. died in 2005, but Jr. is a great add to DM, maybe some day they'll give Peter a best place in the band not as Alan Wilder, but a different and well earned place as musician and composer on Depeche Mode.
Hi I like your idea. It's strange how the let Peter contribute songs but dont allow him in the studio to help with production . Glad to have you onboard !! Cheers V :-)
i really love depeche mode and it melts my heart when i watch your videos and see how much you enjoy the subjects you’re speaking about. thank you very much
Thank you for continuing to produce segments about one of my all-time favorite bands. I appreciate your efforts and I hope you take pride in knowing that your channel is one of the first things to come up when doing a RU-vid search of Alan Wilder (this is how I discovered you). I would like to offer my heartfelt praise and appreciation for Peter Gordeno. His talent as a musician and singer is rivaled only by how much of an enigma he is. As a touring member of Depeche Mode I think he has a very intriguing stage presence. He is also an incredibly witty and charming person. I find it a shame that too many fans feel a need to place him in Alan's shadow rather than appreciate his contributions to the band for the past twenty years. To those who regard him as little more than a "hired gun", I think you gravely underestimate his significance and undervalue the bond he shares with Martin. His longevity in Depeche Mode speaks for itself. There are very, very few people out there qualified to play in a band as amazing as Depeche Mode. The degree of skill, talent, intuition, stage presence, stamina and commitment can not be understated. I am very grateful to Peter for his continued success with the band. I am happy you touched upon the important distinction between his role in DM and Alan's former role. While I possess no inside knowledge of the band, I think most of us musicians with extensive experience playing in band situations can intuit what the dynamic is with Peter's role in DM versus what Alan's role used to be. In the peak of their success Alan was very well known to be instrumental as both a stage performer and a key contributor to their music production. After Alan's departure, I am inclined to believe that Martin was more interested in acquiring a skilled and competent stage performer who could seamlessly integrate without the heavy baggage and growing resentment that had unfortunately built-up over time with Alan. While Peter is undoubtedly a well-spring of talent in his own right, I do believe that Martin prefers the unfettered joy and freedom that comes with having ultimate control over his music. One thing that is very consistent in the history of interviews I have found is that he gets tremendous enjoyment and satisfaction seeing his music come to life in the studio. While he is a very generous and giving collaborator when working with DM's production team, he is ultimately the boss. Dave and Fletch are still an integral part of the process and there is much hard-earned love, respect and appreciation between them, but Martin has a long and storied history of surviving, persevering and remaining true to himself as a visionary artist. That requires a degree of tenacity and conviction that only the rarest of the rare possess. In music, he needed to find a way to carry on after Vince Clark's departure, then he needed to do so again after Alan's departure. When Peter joined the band, I have a feeling Martin (with possibly the help of ambassador Fletch) wanted to make clear to Peter what was required of his role: to facilitate the music during their live performances. Over the years I think Peter has been given some degree of creative input on the production of their albums, but to what degree I do not know.
Thank you for this brilliantly written and heartfelt message!! I really appreciate your kind words and support of my channel!! Please do consider joining the "Vaughn George Facebook group" where you can continue the discussion with many like minded fans!! VG:-)
What I love about Alan is that while is an extraordinary player who could rip up and down the keys, he chose to keep it "simple." We know that "simple" playing isn't so simple. Less is often more. One more thing....I'd like to see more of you playing.
It is well known that Depeche updated their sounds at a certain point as they thought them to be out dated. There are a few gear talks where this is mention.
Hi Vaughn, Sadly I am unable to comment on Gordino since I am not all that familiar with DM’s work post Alan W. Liked your singing and piano version of “But Not Tonight” on this video. Would have liked to hear more. Looking forward to the upcoming videos you have in store for us. These are all the bands I used to listen to back in the day. Congratulations on the growth of your channel. It’s going to be a very fun hangout!
Lady Neptune well hello to you young lady and so good to hear form you again!! Glad you liked the singing and I will do more of it soon!! Thank you for your kind words and support as always. V:-)
Love your brief renditions of Shake the Disease and especially But Not Tonight, and I agree those are moments where Peter really shines and works well with what DM are trying to do with the material
No question that DM lost something when Alan left. His percussion and production skills in Violator and later SOFAD took DM to it's peak. It's such a shame that his Recoil project never quite reached the same levels. I really wish he could find people to collaborate with so we can hear more of his work at a level that he achieved before with Dave and Mart.
I look forward to a series of videos on one of my favorite electronic bands DEAD OR ALIVE. I've loved some of the stories of how Peter Burns started out and how Dead Or Alive progressed or changed over time.
I forgot to say that I love when you don't remain on topic. LOL... Always a pleasure to me hearing you talking about my heroes. Peter and Christian aren't involved in the studio like Alan were, that's why they are not attached to the sounds or/and the melodies, that's why Alan had the samples. When you create something, you tend to consider that as your child and I'm pretty sure you know what I'm talking about. Just someone in the DM crew has to understand that this works the same way for the fans. We are all orphan of old dear DM arrangements. I like Somebody and Shake the Disease with Peter at the piano... just to remain...on topic ;)
hahahhaha hi Christian and thank you for your inspiring words!! I like your saying "We are all orphan of old dear DM arrangements". That is spot on!! Cheers mate. V:-)
Are you familiar with the stuff alan released under the name RECOIL? He started with "1+2" and then 'HYDROLOGY ", both specifically to re-use the depeche mode samples that had so much effort put into them. Recycling ! 😁 check them out, it's great to spot the sounds! 😁 The follow up album "BLOODLINE " is brilliant, but more of a proper full album .
@@theodorecupier5920 Thanks for the tips my friend, I actually know all the works of Recoil (aka Alan Wilder) till his last album Selected and you are perfectly right cause, spotting DM sounds, sometimes hide and sometimes well on the spot, was my favourite sport especially in those albums you mentioned. I'm have some kind of addiction for everything DM related. But I can happily see that I'm not alone.
Newest greatest channel, talking about Depeche Mode because I've got so tired of listening to politics on youtube, this is new leaf to listen to great history on my favorite band, Depeche Mode
CTM hello my friend !! On this channel we refrain from politics and the troubles of the world . So happy to have you on board my friend and thanks for your kind words!! V👍😎
With Gordeno the dark side of DM is gone. He is a good musician but belongs to a different kind of band, definitely not to Depeche. As well, I don’t understand why the band keeps changing the sounds and with this, the songs sound different. I really hate today’s DM period.
Piano & Keyboard Artist Hi!! I pretty good thank you. Just laying in bed watching your video. Nothing against Gordeno, he is a magnificent pianist,it’s just I don’t like his touch for an electronic band as DM. But better him than Andy “the clapper”..😆😆
Peter brings probably more soul when backing Martin. The band can't be the same today than it was 30 years ago when sampling and arranging was a tough work. What would Alan bring today ? Just hearing MG's last personal album brings a respons.
I really like it when you change the subject, it feels like chating with a friend and I can't talk about DM or have more profound discusses about music with them 'cause they don't share my passion. About the main subject, for me it's really difficult to like different versions of the songs of any band that I like because I'm used to attach very personal feelings and situations with those songs, not only the lyrics but also the melodies, they are like lyrics in a different language. Alan's remixes or live versions tended to keep the spirit and produce the same original atmosphere and I believe this is why fans always like them but when Peter does something different he adds layers to that song and they lost the relatable atmosphere and we are not so fond of it., but he is a geat musician, very competent and we can see that, some versions like Somebody for example, sounds very good. Looking forward to see the next video and aproach different subjects besides DM.
Hello! New subscriber here! TL;DR -- I agree with you on all your Wilder topics, you've stumbled upon a wonderful niche here in the DM & New Wave Alt umbrella, and look into doing some videos on Thomas Dolby, another underrated and underappreciated musician in a similar vein of Alan Wilder. Start of full comment follows: After some of life's hardships struck me recently, I drove over to my old college to play their baby grand they have for some "music therapy", and ended up recording myself playing "Judas" from SOFAD... then a few hours later happen across all your DM videos by sheer chance, and ended up watched them all to be up-to-date with your releases! Mr. Alan Wilder, Mr. Thomas Dolby, and the late Richard Wright (of Pink Floyd) are my main influences as a musician and keyboardist myself. On the popular Alan Wilder subject, I prefer the sound of DM WITH Mr. Wilder than without him, but I still like both eras... and it's not even a debate that the sound changed once he left. I still have seeing DM live in concert on my bucket list as I was supposed to see them in Tampa, FL in 2017, but then Hurricane Irma struck, and that was that. I'm glad that there's someone making videos on these DM topics...I feel like you have a good market share, especially when in comes to the Wilder topic, as there's many of us fans who would metaphorically sell their soul (or someone else's) to see/hear a album/tour with Wilder (with or without Christian and Peter) again. I think there's another crossover viewer market for some Thomas Dolby videos... his albums, technology innovations, etc, would give you a lot to discuss, and I feel if it seems us viewers are so interested in Depeche Mode, Thomas Dolby would be an interesting and non-sequitur next step. Best of luck, I'll for sure be watching!
Kornhaus yes you’re right !! He did contribute songs to the latest album but they don’t allow him to work in the studio with them which I feel is strange . V😎
Kornhaus he is a brilliant musician and keyboard artists but as I said, he is not a D.P member and he has no rights. He is a hiring musician from the D.P mempers trio for touring and session performing.
I am not sure it's fait to compare P.Gordeno vs. A.Wilder it is a question of sound producing and we kind of knew who was responsible for the sounding of DM in early years (you can take SOFAD live CD and read it was Alan Wilder and Steve Lyon). Do we know who makes decisions on which sounds to use and how to play notes? Or we could even suggest that Alan's sounding is not being used anymore because of copyright issues (do not think they are real legal issues but rather some kind of principles )
Sorry to say but over here in germay if you want to hear "original sounding" DM you go and see a concert of "Forced to Mode" rather than the real DM. Well, I see both anyway! ;)
I am enjoying your videos a lot! I hope you get a chance in the future to talk about Richard Wright and Tony Banks maybe even Keith Emerson. Keep up the great work!
Pet Shop Boys... wooohooo… and all the great topics about DM... nice! Oh and Talk Talk, hope you don't forget Alans production work on the tribute album :)… Oh and I would love if at some point you also talk about Recoil, which is a VERY perfect produced project by Alan.
Glad to hear someone mentioned Talk Talk, the colour of spring, awesome album...DM, talk talk, Ultravox, visage, all were a iconic part of my youth as an American in Germany. New Wave forever.
Liking your videos a lot, going to be a. very interesting channel. Depeche Mode are a phenomenon in music and discussing them has probably been the reason why you have had so much attention early on (meaning no disrespect) They have become huge all over the world but remain as you said loved/hated and not so popular here in the UK. Looking forward to your other subjects very much (Erasure, OMD etc). Please keeping playing on the channel, love watching people play piano/keyboard,
The reason that I fell in love with the music of Depeche Mode during the late 1980s was due to the complex arrangements built up of specific sounds and samples. The timing of each song was of the upmost importance to me too. The drum track to the 101 version of Everything Counts is crisp and punchy and a joy to dance to. I became increasingly frustrated and disillusioned by the fast and loose 'rock sound' that Dave advocated on his return from touring 'Paper Monsters'. Not only have more and more guitars been introduced over the years but the original songs have suffered from a more natural approach. I would be happy for songs released after Violator to be played by Christian on traditional drums but the timing has become too loose on many of the songs up to Violator. I've always loved Dave's performance but far too many Elvis and Jagger impersonations have crept in since Devotional. I think the final straw for me was hearing Stripped sound like a death metal song. However the rot has set in much, much earlier with 'the nearest approximation' sounds being used. I have always blamed Peter Gordeno for the sound choice, even though he is probably part of a much wider production team. To be fair to Peter, I think that Martin should take some of the responsibility for the stage sound. What I loved about Alan is that although he wouldn't always remain true to the album version, he would create live versions that used aspects of the remixes that all the fans were familiar with. The breakdown in the middle of Enjoy the Silence would send me into ecstasy but nowadays it has mutated into a sloppy loose mess.
Martin has been more involved in everything lately, although I think he should be even more involved yet. That said, I'm not sure how much it would help in this case because to be able to do these kinds of practically ground-up re-orchestrations successfully takes a certain kind of "ear" for what gives these songs their character and the ability to translate it to another style with different instruments (mostly synth patches or samples in this case) that sounds different but renders the original songs recognizably. Alan could do this expertly, as he did in several tours, particularly Devotional, in which the style difference was far less subtle. Another example is how Vince Clarke programmed the set of synths he brought on the Phantasmagorical Entertainment (AKA The Tank, the Swan, and the Balloon) tour. Using only a limited, fixed set of synths, he completely re-orchestrated (and often re-arranged) every back catalogue song they played to match the style of their _Chorus_ album, and in my opinion he maintained the spirit of every track even though they used completely different sounds that allowed them to meld smoothly with the new songs from _Chorus_ . Anyone else doing this would have made Erasure sound like a tribute or cover band, I bet, and the same principle applies to Depeche Mode without Alan, in my opinion. Erasure sounds like Erasure no matter what the style may be because of Vince, and to me DM sounds like DM largely because of Alan--I can sort of hear them behind the sounds they use, if that makes any sense. Has DM merely evolved, or have they become their own tribute band--this is more of a matter of individual perspective than anything else, I suppose, but for me they are missing a crucial member and his particular mind and his skills, so to me they are their own tribute or cover band now, and concerning their post-Alan albums they are a different band, just like they became a different band after Vince left and Alan joined.
@@Liquidmuse3 I'm sure he is doing his best to give the band what they collectively want, which apparently is to finally sound like a "real" rock band. So that's it, guys, DM have "grown up" or "graduated" from their silly synth-pop phase and are now bona fide (and geriatric) rockers, or so we're supposed to believe. Why, this is what we've all wanted all along but just didn't know it! ;) Right.... Remember, this is Dave here, and we know a few things about this guy by now. He doesn't imitate others because he doesn't have his own ideas, he does it because he tends to embody what he thinks he is, and in his mind this eventually involves every archetype, stereotype, and cliché you can think of, taken, in steps, to the nth degree eventually. That's what the whole heroin overdose phase of his life revolved around, and while he's over that and too scared to ever do that again, he's still trying in every other way to become the "rock god" he has probably dreamt of being since the beginning. Maybe it's just me, but I'd even rather have the stiff, nervous Dave of 1981 back--that's not the best Dave, but I'd take this over his current antics. His singing has developed in positive ways, but the rest of his performance seems more derivative than sincere (the same goes for Martin sometimes, but I think he's just caught up in Dave's fantasies), and the whole live attitude of the band doesn't match the DM I know. And what's funny is that the drummer is out of time. How can that be when the drummer customarily establishes the tempo and rhythm of the whole performance? It's because this is DM and they still rely on prerecorded backing tracks--the equipment they use is different (no more "Start the tape" in a literal sense), but in effect it's the same. This is not exactly a new thing, though. DM (not just Dave) have been struggling with their identity from almost the beginning, always talking about incorporating more guitars or whatever, and in a weird, confusing sort of way. It's difficult to explain, but I think many DM fans would know what I mean. It went along with being defensive about what they did with synths at first (with Alan being the main advocate), and evolved into wanting to be like "normal" rockers. Look, to me a guitar is just an instrument that makes a certain sound, and can be incorporated into music with other instruments, including synths which are cool because they can make so many different sounds. What's wrong with that? Nothing, and for example even synth virtuoso and former DM member Vince Clarke often plays a guitar on stage for some visual dynamics and makes no big existential deal about it because it isn't one. He's even used other acoustic instruments (with session musicians) such as trumpets and other brass sometimes in his recorded music without a comment--if it makes a sound, it can be used for music. But with DM and guitars it's like a much bigger deal instead. They speak of guitars not just as instruments but as part of a different sort of identity, and indeed their identity has seemed to evolve with their increased use of and/or identification with this particular instrument. To me they're being weird about it. It's just an instrument--you don't have to become stereotypical rockers just because you occasionally use guitar sounds. Not that I have anything against rockers, myself, but why did DM, who were pointedly different and in some ways unique from the start, have to become what they never were and join the crowd?
@@rbrtck I have to agree that Alan is superb in the orchestrations. Martin I feel has done a great job considering he was quite lazy in studio whilst Alan was around. The thing I miss most about Alan is his ability to human the performances and how he blended the movement of each song to feel organic. Martin has interesting rhythmic choices, but lacks real groove.
About the "less is more" thing: Just compare the piano part of "Somebody". Gordeno is playing absolutely fine. But he always has to ad some fancy stuff here and there. Then look at Alan in 2017. Almost always looking at Martin and doing the job to let Martins voice shine. Nothing fancy. Just the piano part. Nothing more. Nothing less. If they would say they fire Gordeno and take Alan with them on tour ..... Will never happen. But a man still can have dreams! ;)
@@estateofcondondavid6297 To be honest, I feel they still butchered IYR, even in its allegedly original form. Eigner didn't bother to play the toms, and Gordeno played a HORRIBLE synth line (I think on a Moog) instead of the iconic sampled guitar line that it's the backbone of the jeep rock mix of IYR.
You're right about Gordeno's piano jamming on Never Let me Down Again. Nonetheless, Alan did that a bit too on the Music For The Masses Tour (87/88) and World Violation (90) : at the very end of the song, he played full chords instead of single notes. You can clearly hear it on the "101" live album. But it's nothing compred to Gordeno's style, indeed. - Interesting video by the way. The technical details in DM always facinated me and it's cool to hear your pro comments about that. -
Thank you for your analysis. I think you said exactly how it is with Peter Gordano. As you said the sounds and details from Alan's era are so iconic that it is hard for us to accept the "new guy''s work on live setting. I am a depeche mode fan since the 80's and some live performances have been great and some just ok but still fun and beautiful in its own way. One example is maybe the bass synth solo Peter does in Enjoy the silence is a really cool one.
Depeche Mode is quite literally the soundtrack to my life...I've grown with them and am still missing Alan. It's great to see them live but it is not the same since he left. More videos and I second what another viewer suggested, a video on US the DM fans!!
Just found these videos, absolutely brillinat , and as you say for geeks, they are brilliant - i love all the live stuff sounds, and I can totally relate to the behind the wheel nasal sitar sound :)
@@VaughnGeorge I already have! Going through them one by one, fantastic insights and breakdowns, ive been a fan since 1983 and can completely relate to every bit of geekyness, i also bought a synth back in the day to play all the little riffs .... please keem them coming Vaughn :)
Great vids, keep up the great work. Stumbled on your channel and glad I did. I wouldn’t say to stop the DM content, but just a few suggestions maybe for me would be Kraftwerk, Brain Eno, and maybe Camouflage if you have ever appreciated them? Awesome channel and you got a fan for sure 👍
I have just watched this video and felt compelled to comment. I am 51 yrs of age and I have been a Depeche mode fan since 1983. It was not until 88 when I finally saw mode live on the Music for the Masses " tour. I have seen this band develop through the years into a global force that has a following so devout it defies belief. Even with the transitional period when Wilder left and eventually Peter G took over the masses have continued to grow with every tour. I get the feeling that a new audience of at least 50% if not more are witnessing this band now that never saw them live back in the day. I can only agree that as a band back then the music live with Wilder they were definitely more intense and musically superb to watch.....anybody who witnessed live MFTM , Violator and SOFAD will forever have these three tours as the prime Depeche Mode ….simple as. I don't like the some of the melodic parts in classic Mode tracks reconstructed on tours that sound nothing like the original live performances...but!...someone seeing them live since 98 onwards will beg to differ. Lets face it the biggest mistake Depeche ever made was not recording a live official video of the "violation tour" ..I personally see this tour as the best Mode experience any fan could have....and yes Alan was there.
I was at the second from last concert of World Violation, at the Birmingham NEC. It totally blew me away. No concert ever got close, including a couple of DM ones..... But Memento Mori. That DID get close. Maybe I'm swayed by World In My Eyes being my favourite song. Maybe it's my favourite because it opened World Violation.
You really hit pay dirt! This is my new favorite channel. I lost interest in DM around the time Alan left (although one thing had nothing to do with another), so Peter G. is all new to me.
Alan created their sound while Peter signed on to play on a Greatest Hits tour since 1998. Alan was at least running production of the albums! Huge difference in regards on length of stay.
I think they are criticised by many hardcore DM fans not because of their personalities (they are nice guys and without a doubt very good musicians), but because what they do is simply doesn't suit DM's music and style, especially the older stuff. I've been a huge fan for more than 30 years, but I must admit that I can hardly relate to and identfy with what they've been doing in the, say, 15 years, which makes me really, really said and disappointed. :(
Dude, don't sweat "staying on topic". You are the topic. You and what you have to say about whatever it is you are talking about. jmo Thanks for the interesting vids.
Another geat video! I share the same opinion on every subject you made. I believe this is just the beginning for you...in a few months you will be BIG with thousands of subsribers...at least I hope, cause you deserve it man ! And nice singing man :)
I like your videos. I tried to search on web where DM members got their musical education (which musical schools) but did not find any. Would be nice to know about that.
I just subscribed to your channel and am loving the content as I’ve been a DM fan since I first heard their music back in high school, circa 1986. Was wondering if you could do a video on The evolution of Joy Division/New Order
I’m definitely looking forward to the new videos, also I have an idea for a new video, the evolution of A Question Of Time it started off as a song that was all electronic and now it’s... definitely something else and uses a lot more guitar and as you were saying about the sounds Gordeno uses it doesn’t sound original. But besides that thanks for another great video.
Very professionally and politely discussed. I agree with you. It's like Depeche Mode have lost their identity by moving away from their iconic sound (s). I know musicians/songwriters want to create and try new things, but I also think that it's important to grasp what people really loved about the music you produced to know if it works or not. Because not everything works. No criticism of Peter Gordeno, but it's like he's jamming with someone elses band.
Hi there! I'm quite the huge DM Devotee. I have 150+ songs of theirs. However, I have yet to get into the music scene besides singing and I just performed at my school actually. Anyway, I have been wanting to learn piano/keyboard for an extremely long time now and I finally am going to get a Yamaha P125 to learn on. Any tips and tricks to help me as I learn to play?
Hello my friend !! I taught myself without any formal training !! You can do it too. If you have the love for it and are prepared to put in an hour everyday, you'll progress really fast . The beginning is always hard , but with persistence and regular practice you will be amazed what you can do. There are many great FREE tutorials allover youtube so there is no reason not to start now!! I wish you all the best with it mate !! V :-)
@@VaughnGeorge Thank you so much for the response! I do have the drive and excitement for learning how to play and it's very nice to know that there are tutorials all over RU-vid where I can learn. I hopefully, someday, will be able to play my own, for example, Enjoy The Silence in my own room. It'll be a dream come true. Thanks again!!
since Peter is a hired hand and not a 25% stake in the band member he does what he is told. One thing that strikes me when I see DM play with PG is how bored he looks, like 'I'm doing this cos it's the best gig I can get and will jump whenever something better shows".
Great job! Enjoying these posts! Wonder what you think of Wilders’ sound today with Recoil would look like today if he was in DM? Perhaps an episode with that?
