Depeche Mode: Memento Mori - Initial Thoughts 

My initial thoughts after hearing Depeche Mode's "Memento Mori" album for the first time. What are your feelings on this album?

"Always You" was my favorite track from this album. Overall, I was very relieved that this album was pretty solid - I also didn't really care for Spirit, and they seemed to be on a downward trajectory, so my expectations were not high. I was pleasantly surprised.

I've heard the album in it's entirety twice, and select songs several times. With DM I've never really had to have multiple listens to know whether or not I like an album. I usually know instantly and this has remained true for decades. My initial reaction: Dave's vocals are back to form in a publicly released album. Having recently heard the delta machine demos it appears that Dave never stopped singing and production had a big influence on the end product ("Secret to the End" as a notable example). I used to wonder why Dave's vocals were so much better on side projects than on DM releases (question has been answered). Clearly, the vocals can make or break an album and Dave's voice unifies every track on the album in the same way it did on Violator, Ultra and Exciter (i.e. with more subtlety than on 80s albums and less grunge/power than SOFAD). Melodically every single track on this album is perfect, more so than even golden era DM albums (yes, I said it--even the greatest DM albums have tracks I can't stand, not the case here). PTA is the only other album where I've felt the same thing. As an album I feel it's cohesive and it flows and feels quintessentially DM. There isn't a "trying too hard" feeling I've felt at times in more recent albums. What I call the "DM quirk" is back, something I've missed greatly. SOTU, Delta, Spirit all had moments of quintessential DM quirks in the melodies/music for example [for example "Wrong" (in it's entirety) and the inexplicably excluded "Ghost"] but every single track on this album has "it" [except (sorry Martin) "Soul With Me" which sounds a bit too generic for my liking and what I would describe as futuristic-late-70s-lounge-music). Like others have said, it's the first album that's given me that "stuck in my subconscious" feeling. The last album to do so was PTA. Melodies just keep flowing in and out of my brain--whether I want them to or not. That didn't happen for the last 3 albums. I feel truly honoured to witness this moment in time because I never experienced BC, MFTM or Violator in real time and never thought I'd hear another album like this from DM again. A wish has been granted and a dream has come true. It's been a long time since I've written about DM. Need to get back to the forums!

I love the album. Their best since Playing the Angel. Being a fan since black celebration this album isn't the mode of old but is a return to form. I love the Kraftwerky tracks like Wagging tongue and people are good. The stand out ones are wagging tongue, speak to me and before we drown. I might go see them on tour on strength of this album. The Mode are back

If this will be last DM work. We could call it briliant ending. They could not do it better. In my opinion. Full concert halls are sure now

Our tastes are so alike. Before we Drown to me is the most if not the only stand out other than Ghost Again. Ever noticed how Dave's songs have been standouts on several albums of the past couple of years? Suffer Well, Should Be Higher, Cover Me?

Hi Vaughn. I think you had a very accurate sense in your review. Very quite what I was expecting. Incredibly, I also rated "Before We Drown" and "Always You" as, probably the very best tracks in this album. It's terrifying that the trio Gahan-Gordeno-Eigner came with a song that I thought it came from Martin. I swear to God I believed this was a Martin track. The lyrics is not very Gore... but the melody is. And I also agree when you said that if we are to rate this, and compare, you sounded pretty reasonable - best album since "Playing the Angel" (I also remember that very exact October 2005 on how that album was greatly anticipated) - and yes, we can't go farther like some folks had been saying "best thing since Songs of Faith and Devotion"... that is a little over the top, *and you nailed it* . Great review, my friend! - Just for an itch... *Memento Mori remixed by Alan Wilder* - Erasure did two or three spin-offs on "World Be Gone" (one of their best, by the way) and Erasure did quite a number of spin-offs on "The Neon" album... LP, EPs, Remixes, what have you. So I thought, if I were Daniel Miller... Depeche Mode could have this spinned off as well... 🙂

With all the well-deserved love for Momento Mori (every track is godhead for me!), I also want to stick up for their post-Ultra output: DM are a remarkably consistent band and each album only adds a glittering facet to this many sided jewel! I’ve been a fan since’85ish, too, and went to the fabled Masses Rose Bowl and Violator Dodger Stadium shows and have never been disappointed by any of their output. I was saddened when Alan left but very grateful that the Mode were still putting out quality work and tours. I never felt the need to compare one album or era with another and have always appreciated that the Mode march to their own drum. From the fans I’d interact with, the critical reactions to the latest albums (btw, all of their post-Wilder output gets generally favorable reviews; I’d definitely encourage people to read the All Music and Ned Ragget reviews: that guy knows his Mode!), and the celebratory feel around each tour, I always thought fans just had a “Mode have new material and I can see them live again? Hell yeah!”-attitude. Prior to maybe Delta Machine, I never read online forums (probably a good thing given some of the ridicule-worthy knobs that leave their comments and make me want to physically harm them for being such disrespectful, snarky, unappreciative lame asses-sorry, someone has to say it), so I was unaware that there were even fans that were operating from such a hypercritical place (and as previously alluded to, no, IMO, that does not make you a true fan; it makes you myopic and obnoxious). Some DM fans seem to place such unreasonable expectation on new material and have to get so annoyingly nerdy about every musical decision, they don’t just let the music breathe and work its magic. Also, I feel like certain electronic fans tend to be very close-minded regarding what an artist does in studio or live and, for me, DM have never been a traditional electronic band like say Erasure, Pet Shop Boys, or OMD. Some of these electronic nerds seem to have trouble reconciling that. But whatever. I’m glad I enjoy everything the band has done and look forward to where they go next. I also love all the side projects, whether it be Soulsavers, Recoil, or VCMG. Thank you for all the great work and sharing your heart and soul and putting your bodies on the line for us, DM! It is appreciated

Im obsessed with this album❤❤❤

I've listened to the whole album about 4 times now. I have to say, I'm really loving it and I think DM have done an excellent job on this one. It doesn't feel rushed to me, in fact quite the opposite. There's plenty of feeling and emotion in it for me. Don't Say You Love Me, Before We Drown, People Are Good and Ghosts again are standout tracks for me. That is until other songs reveal themselves - if you know what I mean. I would love hear your take on it in say a few months time. Cheers Vaughn.

I’m really looking forward to your thoughts as I think you analyse the albums perfectly. I have prob listened to it 4 or 5 times and initially I was a bit underwhelmed as I was hearing that it was their best since SOFAD/ultra but it has started to grow more on me as I hear new sounds and it is different to their last few albums in feel. I’m yet to hear it on headphones as it’s only been in my car. I think Daves singing is superb in it. Having said all of that it is my favourite since Ultra.

A thorough and fair review. Agreed, Dave's voice is amazing on this record.

Caught DM the other night in San Antonio, Tx. Great show overall, but you could tell the attendees hadn’t listened to the any of the new songs. Even Ghosts Again didn’t get the reception I expect. But the rest of the classic were well received - especially Waiting For The Night duet. As far as the new album, I agree with you. It will take a few listens to bond with some of the songs.

Finally! I have waited for ages)

All these song take me to places in my past and bring me to present. Many of these places are dark.

Speak to Me definitely has a similar sound to David Julyan's soundtrack to the movie Memento directed by Chris Nolan. And then I remember the movie is based on a short story by his brother Jonathan called... Memento Mori!

This is definitely one of the better albums if you're looking at anything post-Ultra. The only one I prefer in that space is Playing the Angel. There is still a distinct lack of M.E.L.O.D.Y., but nothing like the last few albums because Memento Mori actually has melody - YAY! Some of the songs are a bit irritating, HOWEVER, seeing them live in Las Vegas blew me away. Songs I did not particularly like on Memento Mori, sounded fantastic live, and it actually gave them new life to me. Not a fan of the repeated lyrics, but this is a good album.

Since Ultra 1997 the best album, Bravo 👏👏👏 I am very happy about this fresh well produced album with excellent synths sounds and nice melodies and less blues A perfect album guys really 😃👍😃 Got tears in my eyes during the listening - saw them first time live 1983, a fan since 1982 🇩🇪 Happy an exited to see them live in Düsseldorf 2023. My Ranking after Alan Wilder left the band: 1. Ultra 9/10 2. Momento Mori 8,5/10 3. Delta machine 6/10 4. Spirit 5/10 5. Exiter 5/10 6. Playing the angel 4/10 7. Sound of the universe 3/10

Good point about the sounds not jumping out at you, VG. To me, that is a significant detriment; and I believe it to be the direct result of not having Alan Wilder in the mix.

I am so glad, that MM is so atmospheric and dark. It reminds me not only to Black Celebration and the other dark staff. I am having some recycled Recoil vibes, and some Nine Inch Nails - The Fragile vibes as well. My guilty pleasure is Caroline's Monkey, that have a weird, moody. "Lynchian" vibe to it. The lyrics are provocative and fitting as well. This is an album i can believe, that is made by the authors of Violator and Songs of Faith and Devotion. The thing i miss the most on this album are the melodies. The melodies that defined the sound of Mode in the XX Century, and are a trademark to a good synth-pop.

The fascinating thing for me, is that this album feels like the end of a trilogy. Sounds, Spirit and Mori all have a similar tonal ground they're working with, that hyper fixation on analogue synth sounds. It's been apparent for years that they no longer need to make pop hits and take the route a lot of musician minded auteurs do where they focus on the emotion and feel of the track in the same way Nine Inch Nails has pivoted. Approaching that album on that level then, I find that the soundscapes they created here are still fun. Their consistent desire to counterplay humanity in the vocals and guitar with the lock step drums and bass. All of that leads to some really great moments throughout the run time. To me this album feels like Construction Time Again by way of Speak and Spell, except with the budget and maturity 40 years can bring you. 7/10 a solid DM album.

Pleasantly surprised. I skip Caroline’s Monkey as it’s just not for me, but of the remaining songs, I am happy to listen to them all repeatedly (with 3 or 4 standouts). Dave’s voice sounds great and I like the overall theme of coming to terms with ones own mortality / the passage of time. For me it feels appropriate after Covid and lockdowns - as the past few year seem to have gone missing and suddenly we are all older.

I didn't like this album at first, just like the last Arctic Monkeys album. But the second time it has got me as emotional, touching work and it is something different from the last 23 years of their repertoire. My favourite songs from the album are: People Are Good, Speak To Me, Ghosts Again.

After a few good listens to MM . I had to go back and review everything after ultra. In case I missed something. Exciter 3 Playing The Angel 7 Sounds Of The Universe 4 Delta Machine 5 Spirit 2 I realised exciter threw me off the train Playing The Angel is actually a good album and Spirit is the worst DM album of all time. Memento Mori is DM at their best again. 9/10 . Nice work on 1984 Vaughn ✌🏻

Amazing and professional review! thanks for your job!

My two cents - I haven't heard the entire album, but i can speak to Ghosts Again. Its melody is haunting and it stays with you long after you've listed to the song - a rare quality IMO. However, how much i love the melody, i wish the lyrics were more profound. Their simplicity seems unlike Martin's typical lyrics, which are very interesting and give unique to DM its unique sound. Regarding Dave's voice, from what i've heard in concert clips posted online, it's noticeably softer with subtle variations in tone and inflection. My initial thought is that he's protecting his vocal cords in order to maintain his voice throughout the tour. I'm curious what others think about this.

This is an exciting album. Ear candy

This is their greatest album since Ultra, as they went back to the synths and synthetic beats with less guitar. Plus, the songwriting duo of Gore-Butler is amazing (less Dave). Saw them in San Jose and it was an amazing performance but honestly Memento Mori should have been featured more on the Setlist. That said, given that the album was just released, as the tour “matures” there will definitely be more MM featured this tour.

First orf all, I love this album. "People are good" is like ab big big question: you ask yourself a question... and you answer it yourself... only you are not sure if the answer is correct

whats your opinion of Made Of Rain by psychadelic furs? their last album was incredible

Another great video, thank you! Be really interested to know how you feel about the album after 10+ listens. Personally, I think "People are Good" is the best mode track in 20 years.

Better then spirit.... on par with delta machine and playing the angel which I still love..all in all not disappointed

before we drown should be on a soulsaver album

The closest we’ve been to Alan Wilder quality since SOFAD. I do not like Caroline’s Monkey or Soul With Me. I’m 9 tracks in and only dislike 2 which is more songs than I’ve liked from the entire post wilder collection. Eigner has reeled his shit in and, thank god. Nobody asked for a rock drummer. Ever. I didn’t find him as utterly intolerable as I always do. A very welcome change. If the last three tracks close off the album without me hating them, it’s going to be divine intervention. This album could have slipped in after SOFAD. I only watched one performance and David spins at quarter speed now, but he still has it. I love this album, all others I turned off. They did not grow on me. I look forward to finishing it. A lot of thanks goes to Marta for sneaking off and listening to old DM. I hear WIMS, ABF, MFTM, ETS on this. This is the album fans deserved. I love my band again. They set the bar so high that anything less than that was just…less. Very excited to see the live show.

I have the perspective of a particular fan group. Born in ‘72, aware of DM via Mtv but never bought an album, was blown away on a Goth Night dance floor by “Enjoy the Silence,” and rested on that level of knowledge for twenty years. Somewhere in that time I favorited a live performance of “Enjoy the Silence,” which was my introduction to the band on stage. I met my wife in 2012. She has very few “things.” Depeche Mode is her one thing. Through her I’ve heard every album, watched live shows spanning their career, and saw them on the Delta Machine and Spirit tours. In short, I was a casual fan turned latecomer devotee wannabe. So, Delta Machine and Spirit were my first new Depeche Mode albums I was able to hear upon release. I rather enjoyed them, more so than my wife and other die hard fans. Just an observation there - without the history and levels of expectation, the tracks from recent albums sit beside their catalogue perfectly in my mind. It’s all Depeche Mode. I love the duality of their album presence vs. their stage sound. I’m still learning which album is which and couldn’t name all 16. I appreciate the Clark and then Wilder years but scratch my head when modern fans moan about a 20-year-old split. My wife and I will see them twice this year, maybe three times with their added dates. All of this to say - listening to Memento Mori for the first time and every time since has been a sublime pleasure. I don’t care where it ranks or how it compares. I’m thankful that I’m here to receive it. Remember that we must die and enjoy every lick and phrase the boys are able to produce while we’re all still here.

Before we drown. First time I heard that track I loved it. For me one of the standout tracks of theirs since Violator for me. In fact the final half of the album is so strong.

I love this album...not sure is because of the stage of age and adultness I am at this point in life...but the music voice and lyrics just match...they go along...like dancing with each other...DM did a very good job on this album...I can't stop listening especially Soul with Me...such a powerful song...

Best album since Ultra. My only gripe is some of the songs are too short ie before we drown should/could have been a 6 minute epic

To be honest enjoying it much more than anticipated. Really enjoying it

First album since ultra that’s had this intoxicating effect

Memento Mori is a fuc*** time machine ! its so good! Fresh and new and at same time all those 80's sounds and feelings are back ! Nobody expects that to happens again !

I like the new album as a whole. The playlist is very well conceived. It flows smoothly, it could be easily a soundtrack for a movie. A kind of emotional journey, something you can experience with their most successful albums. Even if this is not their best, I think it s a great work for a band that is still here, after 42 years, re-inventing itself after all what they went through. And also, please stop to compare these days with 80's and 90's. World has changed, they aged, we aged as well, youngness can't come back ❤

It’s not a question of age, when I listen the music of the groups this age (U2, The Cure…) I feel they’ve lost something…. And DM as you said perfectly where into ´innovation’ each album because it was a time of creativity and we’ve never heard all those incredible sounds (even the synths ones). Now nothing new when I listen to the sounds…. And the mélodies, sorry, but they don’t appeal me that much…. So I maintain : there is a problem. One day Martin said « we could easily make another Speak & Spell but we’re not interested in it ». Yes Martin we understand the meaning but just for one shot : do some DM ‘dancing’ album with catchy melodies…. I dream I know but it’s something I wanted to say Vaughn. Thanks for your great job. ❤

It's the best album in years. Just say it

I actually love People are Good. I love the lyrics and I love the music to it. Over all love the album. I was pleasantly surprised with it. In every song I hear glimmers of tones of previous album sounds

Listening this album again and again, it feels like a kind of time machine to me.... Each song seems to be extracted from differents DM albums, from mid-80s till mid-2000. I loved it so much!

Isn’t this album less compressed as all previous albums after 2001 Exciter ?

I agree with you, I think its the best album since PTA and will stand alongside it. My favorites right now are GA, Never let me Go, Soul with Me, Speak to me and my favourite, Before we Drown. People are Good gives me a lot of kraftwerk vibes. The downside is at times I feel the songs dont develop much. Alan gave them that touch that made listening to a song from beginning, middle and end the feeling of being on a journey, storytelling, if thst makes sense, while in this one sometimes I expect it to have some big change or climax but it never comes. But its still a pretty enjoyable album and its great to see them going out of their confort zone and letting more people contribute.

There is only one big problem with the album.... it is too short 🖤

It's growing on me. They'll Never make music like they did in the 80s and 90s. The recording process not the same. Dave loves guitar music and Martin writes songs on modular. My favourite album since ultra. Shocked they aren't playing Before we drown and People are Good. They were made to be played live. Maybe they will.

My 2 cents. This album sadly sounds tired, as if Martin and Dave are both physically and emotionally exhausted. Dave sings undertones and fails to convey the emotions that are usually his strong point. Do you remember "Condemnation" or "Suffer Well"? I refer to this. It's sad but some of Memento Mori's compositions are good but not *THAT* good: it always seems that something is missing in terms of strength of the composition and quality of arrangement that doesn't let the sense penetrate the listener. We are far from the times of "One Caress" in which the fact of being downtempo was compensated by a great emotional charge which here is reduced to mannerism. "People are Good" for me remains the most convincing episode, even if something is still missing and there is the feeling that most of the songs are B-sides of "Music for the Masses" or "Black Celebration". I had great expectations on this record but I'm a bit disappointed at first listens: the dark and gothic graphics remain an external fact for a record that is glossy and fails, in my opinion, to reach the emotional heights of the greatest Depeche records, or at least until "Playing the Angel". I may change my mind and excuse me but from George I learned to be frank. Far better than Spirit but 6/10 to me.

Thank you for your thoughts on the new album. I believe it's the best album since Ultra. However, it is still somewhat disappointing. I still remember the excitement I felt as a teenager hearing "something to do" coming out of the speakers the first time I heard it, and then Black celebration-the whole album was a masterpiece. I waited for months for music for the masses to be released after the singles "strangelove" was dropped. The same thing happened with violator, I fell asleep listening to that CD for at least 6 months. Obviously personal Jesus and enjoy the silence are incredible tracks. But the beauty of blue dress and sweetest perfection we're such incredible even though they didn't chart, they were so much more than filler. SOFD had at least 5 outstanding tracks, Ultra had about the same. I feel like with this album, I'm trying really hard to enjoy it and I like the sounds of some of the retro sense but it just doesn't leave through the speakers the way their old stuff used to. The last CD I bought of theirs was sounds of the universe. I would have loved to hear just two or three tracks on this album that I could not stop listening to on repeat. I don't know if it's me or the band that is getting old, probably a bit of both. I still maintain that from 1984 to 1996 Depeche mode was as great as the Beatles, led Zeppelin, or any other classic band that you want to put them next to.

I was at the concert last night here in Los Angeles and yes, you are right Christian has pulled back a little and it made a big difference. Dave still dances, a little less and slower but is now finding other ways to entertain the fans by engaging with them a little more. His voice sounded amazing almost like the albums. I dont know if it has to do with this only being the 3rd show so the boys are still fresh. Martin is still rocking. The set list was amazing. Very well thought out. had an amazing pace and great concert vibe. the song selection was very very good.

it is a very special, delicate and direct album, with good songs (too many songs from my point of view, 9-10 would be a perfect number) My cosmos is mine it is deep and boring but interesting in a certain way. Wagging tongue is a copy of Europe Endless by Soft Cell. i would skip it. Ghosts Again, it is poppy it is edm but it is depeche mode. good song, honest, true, beauty, simple. Dont say you love me. Another one that you can skip. My Favourite Stranger reminds me of Ultravox i don’t know why but great potential in this, though they haven’t developed to its best. sounds like a demo. Soul with me. Martin’s time. Not one of my favourites but sounds different. Carolines Monkey is a good song. Sometimes it is 80s George Michael, sometimes the obsession of Gore trying to resonate the word “Sometimes” (counterfeit 1), sometimes pop. Before we drawn, front 242 2000 pop. I love it. People are good. Copy of Kraftwerk’s “Computer World”. I like it. Infectious. Always you. It is growing more and more in me. The rhythm is so groovy. Is it the new Lie to me? I love the lyrics and Daves voice. Secret weapon. Never let me go. First listen, this one is good. More listens, mmmm maybe it isnt as good as i thought. Speak to me. Another level and great end. A forest, a day in the life, cover me, dave. Wall of sound. bright voice, direct

I’ve been looking forward to hearing your review! I feel the same about Before We Drown too., instant goosebumps emotion. I really love the album. I only discovered Depeche Mode in 2018 hearing Enjoy the Silence on RU-vid 🎶 Now Im a fan girl/devotee from Australia 🇦🇺 I watch your channel regularly and value your opinion 🎶 I love sooo many of their songs from past 40 odd years. I’d love to see them live!! 🎶

A very moving album , initially thought best, since PTA,but now leaning towards best since ultra...daves voice sounds more like the old days, instead of the electro Elvis,of recent years. ,Some really beautiful melodys,and sonic soundscapes,that were so lacking in spirit. Never let me go,is a real old school banger

The melodies are back! Really enjoy this album.

To me, Memento Mori is the 2nd best post-AW album, after Ultra. It's really well produced. The songs have melody (sorely lacking on Spirit). It's lyrically good. I was very pleasantly surprised with this album. Looking forward to San Antonio and Dallas this year.

“People are good” is the best track from the album. “heaven help me” line is so good!!

I was so letdown with Spirit. Try as i might i just didnt like it. Memento mori is excellent..a real return to form. So happy right now

The more I listen to this album, the more I like it. Pulls me deeper and deeper in, discovering nuances and layers I missed before. So happy DM have come through with such a lovely release. If this should happen to be the last -not to suggest it is or anything - album they make, it is a worthy close to a fantastic legacy.

To be honest, I find it a very monotone album, no ups or downs. Not one exciting track that grabs me. I'm a long time fan and I have great feelings about Constructing Time Again up until Exciter ... and even though the last 4 albums before this one not really were my thing, they all had a couple really good tracks. Up until now. Sorry but no.

I think it's the best since PTA, but not better than PTA. But I rate PTA much higher than most fans probably do. Speak to me is probably my favorite track, and their best closing song since insight imo.

Can't wait for Vaughn's interview with Marta 😉 MM is epic!! Best for years.... the guys are back indeed !!

So, I fully expected to hate it. I really did. Instead, Ghosts Again really got me excited. Which is a perfect word because, this album is very similar in vibe and flow to Ultra/Exciter. Less obvious guitar, more melody, or, actually, less, perhaps, vocally, which all ended up being my favorite album from Mode since Violator. That’s big. To me…standard for me for nearly every DM album…love 80%, ignore 20%.

Soul With Me live with just Martin singing and Peter playing piano was amazing at the show the other night.. it sounded a lot better than the album

MM is the best album since Ultra, all the albums from Some Great Reward till Ultra are better of course, you cannot beat those ever again, but this one is the best since Ultra

Wow, what a band. All songs are great, maybe only Wagging Tongue is too simple but it is the best album since Ultra/PTA, naturelly. Voice, experimental melodies, lyrics. Martin's songs are stronger then ever (People Are Good, Always You, Never Let Me Go), Daves songs are tipical DM style, but Speak to Me gave us that epic. Very good, immediately loved this record.

Better album than the previous ones, but no strong, uptempo , vibrating songs. Nice smooth songs, room songs with great lyrics. Also in live shows is very nice to hear Dave's voice without exaggerating anymore, he doesn't need this.. ALAN WE STILL MISS YOU

'People Are Good' has a very Kraftwerk-esque sound. Reminds me of The Model in parts. (Also, Before We Drown sounds similar to the Enjoy The Silence chorus a little bit, to my ears.)

Always You is BY FAR the best song on the album next to Ghosts Again & Before We Drown

Violator sounded sparse at first listen, then over time she reviled her secrets. This album does the same. Put on headphones and discover why MM is DM’s Vocal Masterpiece! Martin is in every song and the way he and Dave play off one another is amazing. The more I listen the more I hear. And all the synth stuff is in there as well, not buried, but out of the way of the vocals. I keep hearing comparisons, but this album is its own thing. My Cosmos & Before We Drown are my new favorite songs. Thanks to Never Let Me Go we know what a DM James Bond theme would sound like. Wagging Tongue is strait up Kraftwerk. And People Are Good is as good as Strange Love. I know this because it made a grown man dance in his bedroom.

After hearing the entire album at least 30 times so far (absolutely love all the songs, and so hope this is not the last one they release), track 10 (Always You) is definitely my favourite, as it was after my first listening. It's simply otherworldly, futuristically-atmospherical and unbelievably powerful. Not so complex harmonically like many of their other songs from 40+ year repertoire, but probably the most beautiful they ever made, just superb. I liked that you said it reminded you of Talk Talk (who I still like very much and listen often), because it was exactly who this song reminded me of too as soon as I heard it. And lately Caroline's' Monkey is my 2nd favourite (it wasn't at first), then Before We Drown and Never Let me Go still my next favourites.

Probably one of their best work in the last 20 years. Surely not as good as their peak time but overall sounding good. In some songs Dave's voice sounds finally again as "himself", the Depeche Mode singer we loved but unfortunately not live. The production is good not over saturated, sound are pleasant and there are some good vibes here and there. My favorite track is "Before we drawn". Overall ok but no brilliant. Probably their last work that we must enjoy. I am still stuck in the SOFAD, Violator, Music for the masses, Ultra, Exciter for "when the body speaks", Playing the angel, after I am done.

I enjoy PTA but this album is a much richer, textured album. There are some duds on PTA. There are none on this one. PTA is a feast or famine type album. The songs are either great or bad. In my opinion, MM is the best DM album since Ultra.

I had read that when Mark Bell produced Exciter, he's the one that told Dave he could do much more with his voice. Mark Bell had worked with Björk and encouraged Dave to modulate his voice in different ways. IMO, that's when Dave started to change his singing style, incoporating more grunts, rasps, throat growls, and Elvis's crooner style. I love DM, and like all their albums to a certain point, but I blame Mark Bell for the "updated" Dave. 😆 (But I really like Memento Mori, and the textured, layered, melodic sound on the album has a lot to do with it. Before We Drown is my favorite.) Edit: Funny synchronicity moment. As I'm listening to your review of the People Are Good track, it starts playing on my sound system in the background... although the song is part of a 5 CD shuffle rotation. 😄

I have now heard the album probably 20+ times, and I had similar feelings as you after the first listen. But after a second listen, I wanted to listen again, which led to a 3rd, and so on. That's the thing I found with this album that is similar to albums their classic albums (before Ultra). The more I listen to it, the more I can't wait to hear it again. it's been so long since I've had a DM album that made me feel like that, I had forgotten what that felt like. Sonically and technically, I don't compare it to any of the classics, you just cannot compare- those days are gone. But it does grow on you, and listening enjoyment is there for me and it has brought back some of the same feelings that made me love the classic DM albums.

Saw them last week in Sacramento and again last night in L.A.. Crowd was a lot better last night. They sang Condemnation instead of Waiting for the Night and it was incredible. Dave still dave. Love these guys. Took my 10 year old son for the first time to a DM show. He was amazed. Seeing them again tomorrow in Vegas...Great show BTW😊😢

I think you hit on a very important point Vaughn. It’s the choices made for production. The drums on this album are (again) all these TR 808 derivatives and they can’t seem to get away from that sound for the last thirteen years! The production choices are what nag many of us…

It's no Music For the Masses, but it's their best work since Playing the Angel. "Ghosts Again," which we already knew, is the best track on the album, but I feel like the average song quality is higher than most of their recent albums. Not sure if "Ghosts Again" is going to rise to the level of their really iconic top tier songs, though. In all, after many years of disappointment, this was better than I expected. Then again, I wonder if my expectations were even reasonable anymore.

DM music has never been the same since Alan Wilder left the band.

The album has an atmosphere that gets better as you listen. My favorite track is "Don't Say You Love Me". I got a SOFAD vibe on this track.The use of live instruments is very nice.Melancholic and dark. I wish they'd say it live

you havent really felt comfortable doing this video :))) I feel the same about this album.....some sounds resemble with the old DM but they never finalise....no synthesiser burst....just noisy technology

My take on the album as a whole. I agree with you, it is very consistent, the theme is constant, it is deep, dark, developed, and to compare it to food or drink, I’d say it’s like a layered decadent dark chocolate cake. Or a very fine aged wine. Honestly, I don’t think we’ll ever get albums again like black celebration, MFTM, or Violator. Those are absolutely cohesive and flawless. We are just blessed to have gotten a few perfect albums. And I love SOFAD, ultra, PTA, SOTU, even Exciter and of course the earlier ones like a broken frame, construction time again, etc. I honestly don’t know how to rank them. Spirit I didn’t like much, and Delta is growing on me. This album MM is certainly a GOOD record. Very solid.

Playing the Angel was the down turn IMO. Ghost Again is a decent single but the whole MM album left me unimpressed.

Always you - is absolutely the best track, it's beautiful, subtle and touching... Sends shivers .. !!

Before We Drown ❤❤❤

"Always You" is just beautiful.🖤

My only criticism would be that wagging tongue sounds very under produced. I would like to hear a remix. Also it is the most satisfying album since PTA in my opinion.

I really like the record but I wish Vaughn could have been in the room with the band making this album.

It‘s a great album, I think. The best since Ultra. Great synth sounds and really good arranged. I want to listen to it over and over again. Caroline’s Monkey (for example) is a classic grower for me. I liked it not much at first listen, but now one of my favourites. There is so much to discover on this album. It is a return to their classic strengths!!! Brilliant job from DM, James Ford and Marta Salogni (I think she is the key for the beautiful soundscapes). ✌️🤙

To me, Memento Mori sounds like Dave and Martin were taking all the strongest elements from the albums after Ultra and compiled it into an overall satisfying record. The sounds from the previous albums are still present, but they don't feel distracting from the core songs, which are very good for the most part. It's just nice to hear a solid late-period album from Depeche, that is sincere and doesn't try to be much else than that. If Memento Mori would end up being their final album, it would be a more than worthy end.

Hi Vaughn, I think "Don't Say You Love Me" sounds a lot like an old song by the German comedian Otto Waalkes. Even the lyrics "You are..., I am..." are similar. Can that be a coincidence? ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-24QgRM5v-rg.html

Call me tribal...but the presence of Gordeeno/Eigner who insert themselves into my DM...but never appear on album covers/posters/merch...and who both look like they would fit into a Barry Manilow ensemble...leaves me cold...DM is a corporate machine these days...won't go to the concerts...too many grabbing hands....enjoy my silence...

Agree pretty much on everything - also immediately thought that Never Let Me Go is closely related to Lillian, almost like a postpunk version of it. My only concern with this album is the production, too bland and soft-sounding on most songs, and also with My Perfect Stranger - it sounds so demo-ish... Could have been much better if they have develovep it a bit further. But generally speaking this is a strong album, miles away from Spirit (also fully agree, they could have really skipped it) and a very decent last album should they choose to finish here.

Honestly for me this, aside from Ghosts again, this was just another “meh” drab Depeche Mode release .. nothing really grabbed me and held on.. mundane, boring, mostly lifeless .. ghosts again is a good song they need to do more of that . They need to stop worrying about innovating .. they’ve aged out of innovating and just need to put all their efforts into good songs with lovely Melodies I liked your 1984 preview clip way more than MM.. I’ll have to check that out

This album is very depressive. Twelve songs distributed in 50 minutes, can already tell how much contents the record has. It is basically Martin's demos recorded in studio, and unfinished. The vocals are laid out with the same volume as the instrumental, not to mention the distortion on the vocals and instruments throughout the album. There are no proper introduction and endings to the songs, the album is badly mixed and poorly produced. Maybe 3 tracks stand out, and mostly "Soul With Me", but they lost the opportunity to create a new "Home" with that beautiful song. Fans opinions are biased, and they love any crap DM releases, even a depressive badly produced album. They sing very well, but that was also ruined by a strange distortion. Poor record in terms of mixing, creativity and overall production. Like I said, it is commonly known that Martin is resistant to many changes to the demos, one of the reasons why Alan left the boat. That's been a sinking boat ever since, adrift and floating thanks to unconditional fan base.

I think Speak To Me is a stunning song. Lyrically it reminds me of Thirty Three by The Smashing Pumpkins and that’s no bad thing! Hoping to hear Speak To Me live at Twickenham.

It`s a good album but to be honest, after 6 years of unforced break I wish it was an outstanding album ! To be there, between MFTM, Violator and Sofad. But it is not. For me Exciter is a much better album than Memento Mori and Memento Mori is better than Spirit. Case closed.

I feel like the framework for My Cosmos Is Mine is good; but I don't like the finished product. This is what happens when Alan WIlder is not in the mix.