Desert Charm (Remastered)
Experience the majesty of the desert with soaring Sufi vocals, driving percussion, and the enchanting sounds of desert strings, flutes, and snake-charming pipes. This unforgettable musical journey will transport you to the heart of the desert's charm.
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Tracklist:
Wake Maharaja (Maharaja Re Thodi Ninder li) 00:00:00
Tears in The Sand (Ashq Sara Kyoon Lage) 00:05:44
Ladi Loomba Loomba 00:13:30
Nomad's Flute 00:18:59
Ambawadi Lagoni 00:22:39
Desert Charm 00:30:46
Saahiho 00:36:44
Kesaria Bana 00:43:16
Vocal: Anwar Khan Manganiar, Chanan Khan Manganiar, Barkat Khan Manganiar, Kachri Khan Manganiar, Bundu Khan Langa, Samdar Khan Langa
Kamayacha: Sidque Khan Langa
Surnai & Pungi: Ghevar Khan Manganiar
Khadtal: Pempe Khan Manganiar
Khadtal & Dholak: Gazi Khan Manganiar
Dholak: Kheta Khan Manganiar, Firoz Khan Manganiar
Satara & Murli: Fakira Khan Manganiar
Sindhi Sarangi: Karim Khan Manganiar
Morchang & Surinda: Habib Khan Langa
Production:
Location Engineer: Derek Roberts
Assistant Engineer: Krishna Shirgaonkar
Produced By: Derek Roberts
Mixed and mastered in the UK by Derek Roberts
The vast unending expanse of burning hot sand that makes up the Thar Desert of Rajasthan hosts one of the most vibrant and evocative music cultures in the world. The heady, hypnotic combination of rhythm and melodies sung and played by the Langas and Manganiars is part of the eternal appeal of this mysterious and wondrous land.
The soulful, full-throated voices of these two music communities have filled the cool air of the desert night for centuries, in a tradition that reflects all aspects of Rajasthani life. Songs for every occasion, mood, and moment, stories of legendary battles, heroes, and lovers engender a spirit of identity, expressed through music that provides relief from the inhospitable land of heat and dust storms.
The Langas and Manganiars are groups of hereditary professional musicians whose music has been supported by wealthy landlords and aristocrats for generations. Both sing in the same dialect, but their styles and repertoires differ, shaped by the tastes of their patrons. The monarchs of the courts of Rajput and Jaipur maintained large music and dance troupes in an environment where the arts were allowed to flourish. Though both communities are made up of Muslim musicians, many of their songs are in praise of Hindu deities and celebrate Hindu festivals such as Diwali and Holi. The Manganiar performers traditionally invoke the Hindu God Krishna and seek his blessings before beginning their recital. At one time, the Manganiars were musicians of the Rajput courts, accompanying their chiefs to war and providing them with entertainment before and after the battles. In the event of a ruler's death, they would perform at the ruler's vigil day and night until the mourning was over.
Langa literally means ‘song giver’. An accomplished group of poets, singers, and musicians from the Barmer district of Rajasthan, the Langas seem to have converted from Hinduism to Islam in the 17th century. Traditionally, Sufi influences prevented them from using percussion instruments. However, the Langas are versatile players of the Sindhi Sarangi and the Algoza (double flute), which accompany and echo their formidable and magical voices. They perform at events like births and weddings, exclusively for their patrons (Yajman), who are cattle breeders, farmers, and landowners. The Langa musicians are regarded by their patrons as 'kings'.
The Sindhi Sarangi, used by the Langas, is made up of four main wires, with more than twenty vibrating sympathetic strings that help to create its distinctive haunting tones. The bowing of these instruments is a skillful exercise, often supported by the sound of the ghungroos or ankle bells tied to the bow to make the beat more prominent. Another remarkable bowed instrument is the kamayacha of the Manganiars, with its big, circular resonator giving out an impressive deep, booming sound. The music of Rajasthan is driven by pulsating rhythms created by an array of percussion instruments, the most popular of which is the dholak, a double-headed barrel drum, whose repertoire has influenced other Indian drums, including the tabla. This recording also features the double flute, satara, and the hypnotic Jewish harp or morchang.
This CD brings together some of India’s finest Langa and Manganiar musicians and singers performing together. It was recorded with producer Derek Roberts at a special overnight session after their live program at the Ahmedabad Saptak Festival 2002. The quiet night in the early hours seems to add its own particular energy to these single-take live sessions. It is a highly spirited performance of traditional songs, reflecting a vibrant music tradition that is deeply ingrained in the hearts and souls of its people.
Notes: John Ball
#DesertCharm #RajasthanMusic #IndianFolk #LangaMusic #ManganiarMusic
31 июл 2024
