Designing DnB Bass with Joe Ford | Producer Masterclass | 1 of 2 

This comment. Just this comment man. Could not agree anymore

for real.. I started skimming the video simply because it was so annoying that I couldn't actually SEE what he was doing... focusing on the back of the head of this dude is a HUGE fail.... than no screen recording?... BUY our magazine!? .... mmmmm no. maybe if you would have shot a better video it would haven enticed me to check out the 2nd half but now im off to find other properly made tutorials on RU-vid. +1 for @splatsquatch...

Unity of Noise Maybe he didn’t want no screenrecording software on his computer. But even if so, the camera could have at least zoom in on his screen.

Agreed - possibly the worst ever tutorial type vid I've watched purely due to the lousy filming. Screen capture software anyone?

on Digital labz or even on Bassgorilla tutorials he used Screeen capture software no idea why it has been captured through desktop, be a dumb ass thing if CM asked could film behind him lol

oCam

There were technical difficulties with Joe's screen capture software.

at least have a second angle capturing his face so you can cut to and from, this is really hard to watch...

drumdragon Really? Sorry I don't want to sound douche but this is a detuned saw with phaser. This sound has been with us for ages.

1931 Camera Work

1970 camera work more like.

There were technical difficulties with Joe's screen capture software.

Great info still, sorry I commented before coffee.

hahaha, cute

@@ComputerMusicMag ...but all your videos are like this...

@@ComputerMusicMag yeah, sure. That is why its now an aesthetic of yours, right?

Great tutorial from Joe - but please - SACK THE CAMERAMAN!

Totally

only first track

Joe had problems with his screen capture on the day of filming.

@@ComputerMusicMag I like how Joes to blame! like he was the one meant to be filming! maybe you should of had the camera man actually focus on the screen rather than the back of his neck. screen capture has nothing to do with the camera man being lazy

@@amadjuk maybe you should use your ears and listen to what he's saying. At no point did he not explain his every move.

@@amadjuk bruh who's fault was that there were problems wit the screen capture? no one's right? whats your bullshit now

sadclownairraid looks like a second monitor behind him. I imagine he is using only one for the sake of this video. They probably wanted a screen capture recording to use in conjunction with the camera work, but something must have gone wrong. So one monitor to screen capture rather than two. Works better for this format (had the screen capture actually worked).

Check out BassGorilla.com - We have several Joe Ford courses and lots more

@@Bassgorilla Of course you do! Love your stuff, the podcasts taught me many tricks

Yep, to back up my claim from earlier, I remade the patch entirely in serum. I used the notch 24 filter, distortion with some built in high pass, and of course the built in limited (hidden in the compressor), although the OTT sounds awesome on this preset as well. I guess you can throw both on, and then you really do need a bit of post processing. but serum FX will have you covered, so you are, in fact, keeping the whole lot in serum. And instead of assigning things to the pitch bend, I assigned the "note" modulator to the values, so you can play it on a keyboard, rather than draw everything in. If you do that, don't forget to edit the shape of the note modulator to encompass just the notes within the range you intend to play, so you have full control over how fast things move. Over and out

Happy Guy all of them, actually. But I guess you're referring to the frequency shift one. All you need to do is fire up the 24db notch and move it around with an lfo. You get the same kind of effect. Of course you can do two notches, and have access to a second filter, doubling you possibilities

Happy Guy indeed. Its just that with the same instance serum that you are making the patch with, it's far easier to use lfos built in. No need for extra automation, or extra midi triggering. Plus if you want to do it live, like I do, you want as little post processing as possible. My rig has space for limited extra plugins, so this is useful for me. Also... Why show the example in serum? If you're going to use it...well the use it. Lots of people don't seem to know what it is capable of. It can do A LOT Ps Not everyone uses Ableton. So not everyone has access to erosion. No problem, seeing as you did that cool white noise trick (love it!), slap on ott (built in), and it will give a far more nasty result that erosion. Give it a try Pps Sound design is really about understanding what you are using. It's a bit redundant using extra plugin, when the main one already has that built in. It's all about learning your tools, not just going through presets. Those are other people's sounds

I think you need to watch the video. Erosion is in there. He shows and explains it for you...albeit, rather vaguely. Yes, you can use the Serum LFO to modulate noise, again, like he did in the video.

whatevers easiest for you ey

Ah, it's the Shogun Audio Studio! :)

Unfa! The linux music guy! Good to see you, bud.

Joe had problems with his screen capture on the day of filming.

@@ComputerMusicMag I guess it'd make sense to use one of the two cameras to record the display in maximum zoom then. Better luck next time!

Skisłem XD

Voxengo SPAN. It's free.

It would have blasted his mic lol plus they are open back

joe ford vibes ;)

Noisia, Audio, SPL eg Denied 2006 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-lo0K7tj1mPw.html

there are 1000 tunes with a basic up pitched reece. but the chorus and the frq shifter do the magic in joe's video.

Thank you I missed tf out of that

mate stfu

I think u meant, Shut DAW fuggupp..