Johann Strauss Jr. DIE FLEDERMAUS - "Overture" - Monaco di Baviera Nationaltheater 1987 - Live Direttore CARLOS KLEIBER (1930-2004) Orchestra di Stato Bavarese.
Nell’ascoltare questa musica e questi grandi direttori mi convinco sempre più di quanto la musica sia un importante nutrimento dello spirito e della conoscenza dell’animo umano
Kleiber finishing a phrase in the existing tempo and style with one hand while simultaneously prepping the next phrase in a new tempo and style. Both done impeccably. It’s easy to forget how hard that is because he makes it look so easy.
you are right about the "elephant " thing. because when elephants show up all the other "beasts " get out of the way. is the same in the...cunducting world🤣🤣🤣🤣🤣
@@ionutzamfir5794 Not at all, because we are not in the jungle, but in the holy garden of Brahms, Beethoven, Bruckner ... and the elephant is one of the most incompetent conductor of all times, and an impostor. Fat show-off of pseudo-inspiration.
Preparation is everything. The conducting of the actual performance is just to get the orchestra to remember what was prepared and not actually react to what the conductor is showing them.
I was repeatedly attending his performance of Die Fledermaus between 1983 and 1988, perhaps 4 times. Every time his way of conducting the orchestra and singers was phenomenal. Weikl and Popp were among the singers.
Kleiber was truly a very talented conductor, always searching for that especial sound, transparent, elegant but full of expression and nobility. It is always evident that the works were much rehearsed but he still managed to give the performances (and even the recordings) that freshness and cheek that are also heard in this sparkling Fledermaus overture. Close your eyes and it seems he is conducting the New Year's Concert, right?
I saw this Operetta few times and always enjoyed it . But this performance was the best . I never saw any conductor who enjoyed conducting this Overture like Maestro Carlos Kleiber did . He was the best . Sehr Gut . Danke . Molto Grazie .
Música para a alma k não apanha vírus k só nos trás bem estar e cuida da nossa saúde mental grata a todos k no passado nos deixaram esta herança deslumbrante
Vedere e sentire Carlos è una cosa unica e rara: il dominio grazioso e autorevole sull'orchestra, la gestualità e il modo con cui la bacchetta si muove sono uniche e ci fanno rimpiangere la sua scomparsa , con pochi filmati lasciati alla nostra ammirazione. Brunello Veronese
Si, si, ma oltre l'ouverture del Fledermaus non andava...poteva applicarsi anche ad altri autori piu' interessanti e profondi che ad una ouverture carina ma quasi da birreria.
@@fabriziomariagarzi5534 Ci sono interpretazioni sue di grandissimo pregio in contesti più "alti": R. Strauss, Weber, certo Brahms e Beethoven... se mai non è una questione di autori ma di ampiezza del repertorio
It is an arrangement Kleiber used ONLY for opera. For concert performances, he insisted on having the second violins at his right, opposite the firsts, with the violas, celli and winds in the center. Probably there wasn't room to fit that arrangement into a cramped orchestra pit.
Was gibt es bei Strauss schöneres als Kleiber? Trotzdem: es sind dann eben doch nicht die Wiener, mit denen spielte er noch besser! Und leider hat der Oboist einen gruseligen Ton. Aber: ein Genuss, Kleiber zuzusehen!!!
So they only recorded the Overture? Shame on the Rai ! Yes, this orchestra REALLY understood his every gesture because it was his home band. One could only wish, in hindsight, that he could have dealt with the politics of an even grander orchestra to achieve such seamless results. (Berlin, Vienna or Concertgebouw come to mind.....) These people play their heart out for him.
Dell' operetta Die Fledermaus con Kleiber e' uscito da molto tempo il DVD dell' intera rappresentazione al Nationaltheater di Monaco di Baviera nel 1987
This is the overture from the complete performance released by DGG on DVD and still available today.. Yes, Kleiber had a very close relationship with this orchestra (he once called them "our sweet Bavarian band"). But he worked with all the other orchestras listed here, with distinction. His videos of Beethoven's 4th and 7th with Concertgebouw and his New Years Day concerts with the Vienna Philharmonic are on DVD and online. As for the Berlin Philharmonic, when von Karajan stepped down as conductor, the orchestra invited Kleiber to become the next music director, but Kleiber declined, and the BPO turned to Abbado instead.
He loved Bavarian State Orchestra. but he once demanded a fully loaded Audi and his fees from them! They did and he played! He was ways in pain Muti said. Never really sick And never really well! my guess is fibromyalgia and it's a good one, I watched my erratic dad produce more radio then any man in history and he had it, as do I, so I know what it looks like! I think Judy Garland and Oscar Levant had it they had pain and discomfort all the time, not surprising they loved pills! You will do anything to allay pain that never leaves you! I believe Stanka was his magic she held him together he killed himself shortly after she died!
Me parece horrible que quiten por ganar dinero todos los vídeos de kleiber y no lo podamos veer como antaño. Que pena que un genio de su talla sea olvidado por no verlo, por la avaricia de unos cuantos
