2:00 - 2:13 is the best part, especially the added bass horns (I'm bad at identifying woodwinds by ear) at 2:07. Those few bass notes and the half second of almost silence afterward while it pauses adds a lot to it.
I dunno, I always liked the really old one from the 60s, and this version is essentially that version with an orchestral backing. I like it a lot because the root song is there, and it's just bolstered by the additions.
Anybody who can sit through this keeping perfectly still has some serious blood pressure problems. Hans Zimmer, John Williams, Jerry Goldsmith - this rivals, if not defeats them in its sheer epicness!!!
