Drum EQ Basics - Warren Huart: Produce Like A Pro

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➡️➡️Learn more about Drum EQ Basics here: bit.ly/36BcEgC
➡️➡️Download the multitracks here: bit.ly/2C7VYiy
In today's video we will be going over Drum EQ Basics! We also have the multitracks for you to download, so you can follow along and mix them yourself!
EQ is one of the most powerful things you can do to make a drum kit jump out of the mix. Today, we will using a very simple drum recording: there are two kick drum mics, two snare mics, a hi-hat, rack, floor tom mic, overheads, and a stereo room. I will be showing you how to get really quick, simple results from nearly any type of drum recording.
First, we will be working on the inside of the kick drum. This one is a little bit clicky as it is picking up some of that snappiness of the beater hitting the head. Let’s apply a stock EQ plugin to get us started. Most of you know the principle of finding ugly areas and getting rid of them. To do that I am going to make the Q narrow and give it a boost, and once I find that ugly area, I will widen the Q. With that wide Q, I am going to do the opposite and cut that, which gets rid of some of that unwanted excessive bleed that you hear, as well as getting rid of that ugly mid range. Now, I am going to cut and widen it a bit more, and this cut exaggerates the clickiness more and that low thump below. Even on a kick drum, high-passing is not a bad thing, so I am going to make the slope a little bit more aggressive here.
With EQ, we often do compression, reverbs, delays, and more, but many of you have asked me to keep it simple! Watch the video below to learn more about drum EQ basics and see the changes I made to get this cleaner sound!
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28 сен 2024

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Комментарии : 281

@Producelikeapro 4 года назад

What are your go-to drum EQ tricks?

@Kevin-vq6rv 4 года назад

Boosting the fundamental tone of the kick & tomtoms by 2dB while cutting that fundamental on the other shells is pretty much a go-to for me. Still, I find it quite an exercise to EQ a tomtom groove correctly so it has punch, tone, dynamics, and sustain when the drummer uses his/her kick, snare (snares off), Tm1, Tm2, TmF1 & TmF2, well, the whole nine yards actually.

@iwantappledumplings6187 4 года назад

Cleaning up the tracks with High Passing just like you did!

@ricolync 4 года назад

High Passing, Boost and cut on unflattering areas and Low passing too! And I have done what a mastering engineer told me to high pass from the lowest instrument (usually kick for me) from around 30hz...

@Am6-9 4 года назад

I recently learned to not be afraid of drastic EQ moves, if necessary. Go ahead an cut/boost by 10dB, why not, if it helps. Cutting a bit of ~500Hz is something I regularly do on the overheads or room.

@Producelikeapro 4 года назад

@@Am6-9 I agree 100%!! Talking with so many amazing Mixers they will do whatever it takes to make the tracks sound good!

@drmedwuast 4 года назад

2:17 Kick In 5:02 Kick Out 6:28 Snare Top 8:46 Snare Bottom 10:56 Hi Hat 12:11 Toms 14:56 Overheads 16:24 Room Mics

@Producelikeapro 4 года назад

Thanks ever so much!!

@derrickbaranowsky5715 4 года назад

Of all of your videos Warren, this should be a "sticky" at the top of the list! So many non-pros get this wrong, yet there is not much real world, simple demonstration such as what you have done beautifully here. Watching someone demonstrate this concept a few years back was THE biggest boosts to my self taught mixing. One note to those starting on this concept, be mindful of trying to make things sound good soloed individually like you are hearing here... it's more about getting rid of what's not needed or adding what's missing then sounding good individually soloed. I thought the EQed floor tom sounded wrong in this video, but when Warren played it in the full drum mix, it was brilliant! What sounds great soloed isn't always what works best in the mix and vice versa.

@matthewhonnor 4 года назад

Couldn’t have uploaded this at a better time. Just about to start mixing drums for my bands single! Cheers dude

@Producelikeapro 4 года назад

That's amazing to hear!! So glad to be able to help!

@matthewhonnor 4 года назад

Produce Like A Pro your videos have helped a lot. Would love to work with you at some point in the future 🤘🏻

@skuthepoo 4 года назад

I have a simple array of drum mics.... *imagines kick, snare, overhead pair* ...2 x kick drum mics, 2 x snare mics, rack, floor, 2 x overheads, 1 x hats, 16 x room mics, 2 omni anbients in the next room, individual crash, ride and crash ride, a mono behind the drummer low down near the floor, 2 x PZM’s on the wall, etc. 4 channels = simple. Over 6 = complex...

@Producelikeapro 4 года назад

Yes, indeed! If you follow the video all the way through you'll see I use 4 mics quite often to show the drum sounds!

@collideherscope 2 года назад

Awesome Vid. Thanks again Warren

@Producelikeapro 2 года назад

Thanks ever so much

@chrisibbetson 4 года назад

I was thinking but what about people with only 1 mic on BD, SD.And then you demoed just using one mic. Great Stuff Warren! I love your back to basics videos. Even for more experienced mixers there's always great tips here. What a great community this is! Many thanks for your hard work!

@Banditman 4 года назад

Drums in your clip here remind me of "Hurts So Good", particularly kick and snare. Sounds really good, nice to hear you talking about concepts like this that are super helpful to allow us to understand that sometimes the answer isn't an expensive plug in, but using what you already have in a better way. Thanks!

@fredfox3851 4 года назад

@@pare4918 Good one! : )

@Producelikeapro 4 года назад

@@pare4918 Haha nicely done! Hahaha

@Producelikeapro 4 года назад

@@fredfox3851 Haha indeed!

@Producelikeapro 4 года назад

Thanks ever so much Brian for your kind words my friend!

@smoreshaunted 4 года назад

This was extremely helpful! I had thought that I had my perfect snare sound and then I messed with EQ just for a few minutes and realized my "perfect" snare could've been so much better! I was also experimenting with subtracting with one EQ and boosting the same freq with another style EQ and I couldn't believe my ears, I definitely discovered something. Thank you for these videos Warren, love em.

@humhead08 4 года назад

Hey Warren, I do much the same(with the same EQ) but I usually make the LF band a bell setting. Doing that instead of pushing a low shelf against the hi-pass feels a little more intuitive(the freq. setting seems more precise in my mind). Great stuff, none the less. Keep sharing the knowledge!

@quentinjames981 7 месяцев назад

Massive value Warren 🙏

@emach07 Год назад

I'm a little late to the party but wow!! Invaluable information! And man did I need this. Thanks so much 🤩

@samchoate1719 2 года назад

Killer video. So simple and it sounds great. Nuff said!

@Producelikeapro 2 года назад

Thanks ever so much

@techbit7607 4 года назад

thank you soo much Warren

@drummerjeroensimons 4 года назад

Great job Warren!!!! As eq is related to tones, I suggest any drummer to do solfeggio, so their tone/pitch is developed, so you can tune your drums (beside the handy tunetools nowadays). Psp Audioware has a handy plugin for use it on not so well tuned drums:PSP hertzrider...;)

@drummerjeroensimons 4 года назад

You can also duplicate the overheadstrack and cut the toms out with nice fade in fade outs...Or in another phase of your mixingprocess: add samples than on those tomtracks and even tune them to the original...:)

@deanmoore7239 4 года назад

As always Warren, a great, informative video. Thanks for all the time and energy you put into your uploads. As a newbie to mixing all this info is like gold dust. Been many years on the other side of the glass, and left this side to the experts....lol. Again, thank you.

@johnvcougar 4 года назад

The only thing I'd highlight is the practice of sweeping the eq: I agree with Mike Stavrou who deems that sweeping is confusing to the ears: make sure that you always A/B any eq setting by switching it in/out for the selected frequency, and try to avoid the sweep where possible. You will develop a better feel for the freqs to boost/cut if you avoid sweeping. There is an argument for "sneaking up" to a frequency, but make the movements very small when you're doing that...

@SouthShine01 4 года назад

Killer man thanks!!

@Producelikeapro 4 года назад

SouthShine01 thanks ever so much my friend!!

@steve_matin 4 года назад

This is really good -- totally saved my kick and toms!

@Starcrunch72 4 года назад

I've been going kick, Beta 52 (just inside), and single overhead, C1000, for years

@joshrainbow-IceTenor 4 года назад

Fantastic video Warren, thank you for your always amazing teachings and free samples --Josh

@firmans12 2 года назад

Cool. I only record drums with 4 mic. Sample is saving my life with no toms mic just edited from Overheads mic and trigger it into toms

@gbashari 3 года назад

Thank you so much!

@dwaynearthur1476 4 года назад

Thanks Warren ! My sanity is back together again .

@davetbassbos 4 года назад

Awesome!, I just got a drum vst that has pretty much the same microphone options for the samples, thanks!

@TheRealWillGeronimo 4 года назад

Hi Warren love the channel! Do you have any tips on how to get that Simon Phillips big bass drum sound?

@chrissoderlund1383 4 года назад

Is the boost and cut same areas idea working similarly to how a pultec would work but just with the stock plugins or is there something different in how the different EQ'S effect the sound when doing that?

@CraigFlowersMusic 4 года назад

Now let's EQ them sideburns.

@AnotherAnon 4 года назад

Hi Warren, what's your opinion on gating each drum to get rid of the bleed?

@Producelikeapro 4 года назад

Another Anon if it’s necessary then yes, of course!!

@AnotherAnon 4 года назад

@@Producelikeapro It probably works best in the context of rock and metal, if you want those huge pounding hits (:

@gregahunt 4 года назад

warren, are you using a D112 for both the mics on the kick drum, or just the one inside? what microphone are you using for the outside kick drum? also- what mics for the snare top and bottom?

@resington 4 года назад

Amazing!

@Producelikeapro 4 года назад

Thanks ever so much my friend! I'm glad to be able to help!!

@lahattec 4 года назад

What a coincidence. I just heard "Would" by Alice and Chains on the radio and notice how really out front and obvious the snare is, and wonder how that happens.

@Producelikeapro 4 года назад

Yes, Dave did an amazing job with Alice In Chains!!

@robloyst4514 Год назад

On some of that stuff Dave actually ducked the overheads keyed by snare I think.

@ManojKumar-ng3ny 2 года назад

Should we mix same in electronic drums.... Or does the formula change

@CugnoBrasso 4 года назад

Do you think it could be useful to use gates in this case?

@qlqnen 4 года назад

Would it make sense to make an EQ send for low cut at around 40-50 hz instead of doing that individually for the channels where applicable?

@MikeMastropierro 4 года назад

Drum compression next drum compression next drum compression next!!!!

@patkelly3966 4 года назад

Do the Pultec

@abelieversperspective9595 4 года назад

Oh you British guys are so cool. "But I don't LIKE spam!" I love your videos though. Hell yeah.

@pravo. 4 года назад

Whats the name of the eq you use sir

@JUD2784 4 года назад

Id there any delay in milliseconds between the in and out kick micraphones, and top and botom snare mics? Can you adjust for that if there is?

@Yohahn 4 года назад

woosh that is a lot of ride bleed in the snare top mic... 😮

@SatyajitKhairnar 4 года назад

why dont you use the wurst mic?

@gabsauvage 4 года назад

I got to say, in your Mixing tutorials something is missing: a LOT (did i say a lot??) of the music those days is made with electronic drum samples (drum machine type, mpc type), and i never watch you talking about how to mix theses types of drums, all i see are rock drums...

@patkelly3966 4 года назад

Youi can put a pillow or two in a kick drum

@JohnathanHawkins-p9w 8 дней назад

Thompson Ronald Smith Linda Harris Maria

@duncansmith69 4 года назад

Bad hair day Warren?

@Producelikeapro 4 года назад

Always!! Luckily I'm not a Hair RU-vidr, just teaching recording and mixing!

@duncansmith69 4 года назад

@@Producelikeapro And a damn good teacher I'm learning a lot from watching your videos.

@brianhughes5528 4 года назад

Dude, you are like the embodiment of "You don't get paid for your time, you get paid for your experience". The ease with which you clean that up and get it banging, even without compression etc.. Awesome.

@Producelikeapro 4 года назад

Aw shucks thanks ever so much Brian! You Rock!

@neri24 4 года назад

Great video Warren! are you recorded this drums with some compression at the begining? what is you process chain to record drums? filter-compression-EQ? or compression-Filter-EQ? THANKS!!!!

@davidsklubal 4 года назад

Hi Warren, I have followed along for many videos in your mixing basics series and your longer discussion videos. I am happy to say my mix for a brand new song is sounding great, between you and Rick Beato my passion for music and song writing has been restored after a long depression. Thank you.

@stephenzeagman9985 4 года назад

Thanks Warren, great video.............unrelated to drums, but just bought a Sansamp DI Bass Driver V2 and wondering if you use one, and if so what setting you prefer

@necrodogs 4 года назад

I watch this and go "yeah makes sense". Do it to my own tracks and it sounds like 80s synth on long wave radio 😂

@Producelikeapro 4 года назад

I'm sure you get great results my friend! It's good to be crucial of yourself, but also good to cut yourself some slack as well! You give great advice here and help so many people!

@necrodogs 4 года назад

@@Producelikeapro Well, I've been struggling with a live in the room recording of a full band and the singer in the booth for 50 hours and it sounds like clear vocals in front of an AM radio. Time to be less gentle with the EQs and gates...

@Producelikeapro 4 года назад

necrodogs I hear you! Sometimes you have to do drastic EQ to make it all work!

@andthensome512 4 года назад

If you listen to the kick drum in Dragon Attack by Queen, isn't the whole sound of his kick in that ugly mid-range? Or Alex Van Halen's on Diver Down?

@spitfiremusic3997 4 года назад

Fantastic! EQ Basics!

@Producelikeapro 4 года назад

Thanks ever so much!!

@MartinLuxen 4 года назад

Just while I'm mixing drums, this video pops up! This can't be a coincidence! I always wonder... When would you decide to use samples? Is that before mixing or during mixing?

@odin21415 4 года назад

Hello Warren, thanks for this great video.Very well described. But do you remember what other microfons were used? Thanks.

@lahattec 4 года назад

Warren, do you ever do with the kick what you do on the bass, i.e., have a 'high' track and a 'low' track, so you can process them differently? For example, in this case you have the click from the inside mic, but you still boost the 60Hz on that, even though you get lows from the outer mic. Thanks!

@sidawonsofficial6738 4 года назад

He did it. Go check his channel out for more!

@edwincrain986 4 года назад

I'm always looking for tricks on live drum mixing. So thanks for more great tips!

@jjhams7023 4 года назад

Great Video! Could you please make another thats shows how you would compress the tracks? I'm also curious if you gate your kick and snare.

@Producelikeapro 4 года назад

JJ Hams definitely! Wanted to do very basic steps!

@joetamburro3665 4 года назад

Do you always do your eq first in the chain?

@trollstjerne 4 года назад

Awesome video Warren! Drums sounds great! Those cuts and boosts really made a huge difference. Thanks for sharing!

@parachuteman4 4 года назад

Excellent tips ! Thank you Warren !!

@veryhairylarry1036 4 года назад

nice

@Producelikeapro 4 года назад

Thanks ever so much!! Glad to be able to help!

@SatyajitKhairnar 4 года назад

hey Warren. have you tried the FabFilter Pro bundle? what do you think of that?

@RockVoice4Real 4 года назад

Thanks You ROCK \m/\m/

@sebastianalfredogutierrezf5495 10 месяцев назад

hello why you boost the same freq you cut with the snare? whatis the theoretical reason? thank you. Greetings.

@Producelikeapro 10 месяцев назад

Marvellous question! If you boost the low end for instance at 150hz and then high pass at 150hz then you will create a very aggressive low end boost that doesn’t have too much extra low to interfere with the kick

@andrewbolam4346 4 года назад

Wow, really helpful, nice to see that you can and should be brave enough to make cuts and boosts so extreme where needed. As ever Warren you open my eyes to what is possible. Great!!

@Producelikeapro 4 года назад

You're very welcome Andrew!!

@briankingart 4 года назад

Love your fabulous style!

@AudioReplica2023 4 года назад

its funny when you mentioned the 220hz which is Neve frequency very used on snares...I use a plugin called PSP Classic Q which its basically an emulation of the 1073 ...and even if try another eq points on snares ..it always comes down to that freq. area. 7 out 10 times end up using Psp classic Q just for that. Very interestingly most of the albums I love where mixed using 1073 eqs, so we can say thats the sound im always aiming for.

@Producelikeapro 4 года назад

Thanks Isaac! Yes, I love those Neve EQ points! So musical!!

@AudioReplica2023 4 года назад

@@Producelikeapro Yeah they are. I tried using the Waves API for some time and the only use I could give to the 550a was on some Rhodes and specially toms. But the Neve eq points never has failed for me. That type of eq , plus a pultec style eq and I can mix an entire album very confident.

@twtobin941 4 года назад

Thanks, Warren, great tips as always. Your process, and especially the sequence you go through (starting with kick, snare, toms, through to HH and OH) are exactly what I do every time with drums. I was interested to see if you would address the "other" technique of using the overheads as the primary picture of the kit, only using close mics as reinforcement as necessary. You essentially began to step into that near the end, but would be interesting to hear your thoughts on 'overhead-dominant' versus 'close-mic dominant' techniques. I've never had a large drum room to record in, so in my well-damped live room I tend to use close-mic strategy (often with a room mic and maybe a 'wurst' mic for character). Might I be correct that the overhead-dominant technique would only work well in a large drum room where you can take advantage of good acoustics to get a good, balanced full kit sound in the overheads?

@CreativeMindsAudio 4 года назад

not sure what you did warren, but video quality on this video is insanely awesome! new lighting? or new camera? or Glenn's help? or just filming in 4k now? in any case great job! in any case great tutorial as always!

@harmonystudios1182 4 года назад

Yes I thought thew same thing

@ronnieamighetti8499 4 года назад

Ctrl+shift and you can solo each band (hpf and lpf too) in the stock Avid EQ plugin. A very handy feature. Much better than sweeping with boost or cut applied. My 2 cents. PS: it also works with bandwidth too... PPS: you can do the same "trick" with the TDR Nova eq, a very nice plugin with lotsa features (dynamic eq etc) and its free

@robertgray2301 Год назад

great insight Warren. i have had an issue with harshness on drums but quality of mics is prob also a factor. akg session ones. 1 kick, 1 snare top, OH pair, toms. going through ada8200 into RME digiface input to ableton. stock eq8. thanks for advice given here.

@mrfitz6367 4 года назад

Should you EQ tracks in solo or together? For example, EQ'ing a kick by itself or with the rest of the drums/percussion. I've heard arguments for both sides. What's recommended by experienced mixers?

@WhaleBluePRS 4 года назад

I use snare top/kick batter/kick front/stereo overheads (5 tracks total) and am really happy with what I'm getting. (Ludwig maple drums/Remo heads and Zildjian A Custom Cymbals). I copy the overhead tracks and edit out everything but the tom fills. Blended with the rest of the original tracks, I find I can really get the toms to cut through and process them however I want without affecting any other instruments. Best part is minimal mics gives me minimal phase issues.

@blund69 4 года назад

Hi Warren - great video, great technique - so the question I have is would I apply this "focused" or "surgical" eq before I compress or after. I know and understand the arguments for pre or post compression but I have had really great eq'd drums when soloed but get buried when full band comes in; without compression. Also, if I apply compression after EQ it, of course, changes the sound of a finley EQ'd set. Thoughts?

@MrKrummelumme 4 года назад

Hi Warren do you also mix dance music like trance house etc.? i doubt i'm the only EDM producer watching your channel for a few tip and tricks on mixing, so in case you do mix EDM maybe you have a few tips on that specifically :-) Thank you

@gagsmedia 4 года назад

Warren, My drumkit is in the corner of my double garage studio...will this effect the sound in negative way? Thanks!

@TheGaryHughes 4 года назад

hey Warren, I would love to hear how you go about archiving sessions post release as well as keeping backups of projects as I find it can get overwhelming. Also, thanks for your videos!

@kramelot 4 года назад

Hi Warren , thanks for share your knowledge, for me is very useful. I have a question, do you use gates in the drum Mixing? for example to eliminate sound from hi hat and kick in the snare mics? Greetings from Colombia.

@philfyphil 4 года назад

15 people can't spell EQ! Warren, would you pretty much stick with how the drums are when using something like Superior Drummer 3, or would you treat them in much the same way? I understand there may be some tweaks needed to get them to sit in the mix but are the sounds pretty much perfect EQ wise as delivered? I would love it if you could do a session using some of their samples, and how you would approach a mix.

@fxandmeow 4 года назад

Thank you for this great channel mr. warren. i have a new music production tutorials . you're most welcome to follow.

@michaelfrye7792 4 года назад

And 2 great free plugins by Sonic Anomaly: transpire and Bass Professor Mark ii can help you shape the drums and Bass together after you get them properly eq'd. These are 2 of my favorite plugins, and I often use them on the Drum and Bass busses to either help me get that kick/bass solid punch in a mix or sometimes to add a little more dirt to the Bass. The transient button on Bass Prof gives a nice finger punchy sound on Bass VSTi's also.

@gaborzajzon 4 года назад

Very nice!!!!

@thecrankedamps 4 года назад

Hi Warren, great vid. do you recommend using the presets in the 7 band eq?

@michaelorourke5848 4 года назад

Love these videos.Thank you Warren!

@Producelikeapro 4 года назад

Thanks ever so much Michael!!

@revol40 4 года назад

If anything getting rid of the cardboard low mids around 350hz. A good start, unless you want that cardboard sound for effect.

@davidjonathan3854 4 года назад

never hurts to go back to basics.. Thank you Warren.. Cheers!

@Producelikeapro 4 года назад

Thanks ever so much David!

@michaeldruce6929 5 месяцев назад

I love these videos. Very helpful. Thank you, Warren.

@pf3330 4 года назад

Snare Top at 411 Hz has a sound that I really dislike ... uh-y-y-y-y. I cut it)))

@sebastianalfredogutierrezf5495 11 месяцев назад

basically, is correct to remove arround 300 Hz within all the drum set.

@carolinacuero3759 4 года назад

Warrent from colombia i dont speak english . But i traslated with traduct and are good you tutorials greet congratulations from bogota colombia

@Raul-yy9dq 4 года назад

Great video! I'm wondering how to use drum samples on mix when mics have taken the whole of a drum on a song.

@edwardlee6516 4 года назад

why do you not clean the tracks first before you eq I hate blead in bass drum snare toms etc ill get plenty of it in overheads and room mics

@tobyburchdrums 2 года назад

What is the key command / way to toggle and turn on and off all inserts and processing on pro tools? Thanks

@saardean4481 4 года назад

Do you always highpass so gently? Like 6db/octave in this video ?

@SlinkiestTortoise23 4 года назад

Warren, what’s the latency like on the Audient? Is it bus powered?

@MichaelMoore-nx5ue 3 года назад

What your opinion on the order of plug-ins on a track ?? EQ before compression or vice versa ??

@TheReal_Dicey 4 года назад

Subjective question: Why do you and so many people have the Hats before the Toms in the track order? Always made sense for me have my toms after snare and before hats, have a split between shells and cymbals, but I see so many put Tom tracks after hats and I don't know why. If you were to spot mic the other cymbals, would you place them between hats and toms or between toms and Oh's?

@alesnovak2906 4 года назад

Maybe because kick,snare and hi-hat are the base of a rhythm.Toms are played only occasionally and as such are not a part of a sound.

@stevegeorge7773 2 года назад

I noticed in this that some of the beats don't fall on the transient line. Would you beat detective this before doing the EQing?

@Mickey_McD 4 года назад

At San Francisco City College the instructor there didn't let us boost anything -- it was only cutting allowed. So, it was boost, sweep, and cut with the parametric EQ, and cutting with the low and high pass filters. This was an intro course, of course, and really didn't cover much about mixing, just basic tracking.