Drumbrute Impact Techno 

this

True, but still u needed a sherman for that.. :D

@@Turbo_TechnoLogic i still need a sherman with my jomox and rytm brother. Everything needs a sherman except my mpc5000 thats a sherman on its own

@@moralrevulsionLive Everyone needs a Sherman

No velocity is a big let down and weak midi in general. I get they want it to be a performance tool, but it could have made so much more versatile.

@@reecedeyoung6595 it could. But on their price range it couldnt. The idea of the drumbrute is simple. Brute...raw. naked. As for the rest you can Add a t resonator by jomox and ya good to go mate. I have a rytm a jomox and a 909. Drumbrute is shit ahaha but trust me when i tell you on a sherman and a t reso. Man. It kills em all. Like.. all. It has the dirtiest kick on the market im talking bout the original drumbrute .impact is tard more hifi. I feel arturia could have made the best possible drum machine out there if they wanted to but they choose to aim their weapons having easily the best mono and one of the most versatile polys ever made. They french they like simplicity on drums on a deep huge modulation of everything else

That's awesome! The DBI really is an amazing performance machine. Thanks for the support!

I used to play a lot of classical instruments, and this is definitely a whole new ball game. I view it more like constructing a musical algorithm to be interacted with, which I find to be a gratifying intersection of musicality and technology. It feels more like conducting to me, than playing. That being said, I think a lot of it is pretty overwhelming too haha

@@RickHowell that’s an awesome way of looking at it, I’m always coming at like playing an instrument but that’s not what it really is exactly I’ve played in rock bands for a living my whole life but I’m over guitar based music now…..would love to start a little electronic act, just my knowledge of the gear is holding me back at this point I’ll keep at it, and again, your video was very inspiring….thanks a bunch and good luck!

Yo! drumBRUTE impact is one of the most instinctive gear; everything make sense and no menu diving. You should give it a go 😎@@magneto44

Pro with samples? being pro is doing it without samples

@@felipegarcia8400 Dude, come on. Thing is, the sounds on the Impact get boring very quickly. In my case it was a month or so. Either have more parameters per sound, or, or rather AND, have the opportunity also to use samples. That's why it's Pro cos both options.

@@felipegarcia8400 Oh and I assume all Octatrack users are also losers with their lame samples lol

@@felipegarcia8400 Stop being such an ignorant snob bro.

@@Turbo_TechnoLogicthat’s where FX come in 👍

me too!

Crazy enough this is the only instrument! All the sounds are coming from the Drumbrute Impact. I posted a video like directly before this one where I talk about some theory in programming a techno track on the thing if you're interested in that too

Hell yeah

I was just using Valhalla Supermassive for the delay / reverb on everything

pardon me , I intended Garden Of Linmiri : ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-L7tdyj8LgoY.html

Hey man believe me, trying to sync this with my daw and record midi is a nightmare. This was meant to be a low stress jam haha I did run the DBI through reverb delay and compression, but the sound source is only the DBI. I'm using the color kick setting and pairing it with low toms for the bass

@@RickHowell Phenomenal to say the least.

It does sound like good tool for Ambient Techno subgenre.

Definitely a hefty amount of post processing in general. I'm using the Valhalla Supermassive here

Absolutely. That might be the only motivation to go into hardware at this point haha. There is a problem that many people with hardware find in that it can be a creative outlet to the point where people won't publish any music, because the process of recording definitely breaks the 'creative flow'.

Of course I don't remember specifics but it mostly came down to a ton of compression from FL Studio's Maximus and heavy reverb from Valhalla Supermassive

Only hardware would be a little tough, but if you send a kick drum through a reverb / delay, low pass, and compressor, you can get the rumble. Run that in parallel to the original kick, and compress the hell out of both of them. That's what I did here, but in software.

No tengo una mc 505, pero puedes con efectos de audio: el compresor, la reverb, etc.

If you hold down a step (on the 16th note pad), you can then use the step repeat slider to enter rachets per step

@@RickHowell mind blown! How did I not know this.

@@ZacharyRizer Haha, there's always some cool new tech to learn with these synths

I actually only have two channels on my ADC. One of the channels is the FM drum, and the other is the rest of the mix. I wanted to send the FM drum into a ping pong delay, which is why I split it like this. The rest of the mix is doing some weird multiband splits in my DAW so that I can process the lows, mids, and highs separately, but the source is still just the entire mix minus the FM drum

@@RickHowell Thanks mate, I received it a couple of days ago. I'm actually suprised by how good it is. I love the random feature, it breathes new life into beats. I have it hooked up to an original Roland MC 909 via 5 pin midi which are hooked up to an MC 707. All 3 are midi clock synced to an Arturia keystep Pro. I feel now that the DB impact has completed my drum rhythm parts, so easy to use, very quick to use, and that random knob function is nothing short of a God send. Excellent product for sure.

Here it's just some heavy multiband compression to be honest. Maximus is putting in a lot of work

It's definitely something that doesn't get talked about so don't feel bad for asking! But I actually use an audio interface and connect the audio output from my drumbrute into that in order to get synths into FL. Because the interface only has two inputs, I can only record two separate tracks at a time, which is why there's two audio cables sticking out of the back

Yeah, there's a lot of effects going on in general. Here I'm using Valhalla Supermassive (a free plugin) to give some reverb and delay, and compressoring the hell out of everything. I use FL Studio, and it has an amazing multiband compressor called Maximus I use all the time, which lets me play with the stereo separation on the lows, mids, and highs too.

Thank you very much you just made my day XD. I should also have fl Studio somewhere. I have to try that right away. Thanks again for your quick reply :). greeting Silent Synth

The only individual out I'm using here is the FM Drum. Everything else is just sent to the main out

You just hold down the step on the 16 step bar, and use the roll section to select the ratcheting quantization while the step is selected

I only have two analog to digital inputs so I sent the FM Drum to its own channel, and the rest of the mix into the other, and both of them have their own delays

Valhalla supermassive and very heavy compression with FL Studio's maximus

Thanks! And I'm just using a stock fl studio compressor and reverb. No pedal effects yet

@@RickHowell but the effects affect global channel right? I mean all output. Ty

@@nmcpcj I'm sending the FM Drum to its own channel, and all the other channels are combined.

@@RickHowell but where does it connect, a mixer? Audio interface? Thanks 🙏

Thanks man, and literally just some effects from FL Studio were accompanying this

I don't specifically remember, but the FM drum is going through a basic ping pong delay and reverb, and the rest of the kit is running through Valhalla supermassive. I'm compressoring the hell out of everything too