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Dvořák: Piano Quartet No. 1 in D major, Op. 23, B 53 (with Score) 

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Antonín Dvořák:
Piano Quartet No. 1 in D major, Op. 23, B 53 (with Score)
Composed: 24 May - 10 June 1875
Performance: Busch Trio, with Miguel Da Silva
00:00 1. Allegro moderato (D major)
14:42 2. Andantino (B minor)
26:25 3. Finale. Allegretto scherzando (D major)
The Piano Quartet in D major, completed in a mere eighteen days, is part of a group of works appearing in the first half of 1875 which now fully established the composer’s distinctive compositional style (including the first series of Moravian Duets, the Piano Trio in B flat major and the Serenade in E major). This was also an unusually productive time in Dvořák’s career, since he had been granted a state scholarship for the first time in January of that year, and was thus able to focus solely on his work without worrying about financial concerns. The quartet had to wait more than five years for its premiere, which was held in Prague in December 1880 at a concert organised by the artists’ association Umelecka beseda. In February of the following year the work was performed for the first time outside the country, in Amsterdam, through the enterprising endeavours of violinist Jean Becker, founder of the famous Florentine Quartet. Thanks to Becker, the quartet soon found its way to other cities (Leiden, Deventer, Mannheim, Graz). The quartet was published in the year of its premiere, 1880, by Berlin-based firm Schlesinger.
antonin-dvorak.cz
(www.antonin-dvorak.cz/en/work...)
International Music Score Library Project (IMSLP)
(imslp.org/wiki/Piano_Quartet_...)

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29 июн 2024

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Комментарии : 7   
@johns.4708
@johns.4708 11 месяцев назад
Seemingly effortless invention, bar after bar, Dvorak's distinctive voice, already firmly established. Light, yet profound at times. Superb work, superb performance.
@citizent6999
@citizent6999 11 месяцев назад
I was spellbound. The middle movement of variations was completely new to me - what a surprise! Such a clear performance throughout this quartet.
@andrewtrovato1828
@andrewtrovato1828 2 месяца назад
Dvorak is truly amazing, there is so much for the modern composer to learn from him. So many subtleties of development, form, renewal, music that is overflowing with life.
@manuelsalgado4723
@manuelsalgado4723 11 месяцев назад
Since a couple of years ago, I decided that my musical heart was with duos, trios, quartets, quintets and sextets (strings with piano). Symphonies are much too grandiloquent, and I feel form and thematic material are best treated in this kind of ensemble works. I still have many great symphonies in my audio archive like various by Allan Pettersson (the last that I downloaded was the first movement of Michael Tippett 2nd symphony and a lot of time before that some symphonic work by Ter Tadevosyan). When it is a work before the First world war, I keep the rule of only works in minor tonality; until today, Dvorak has been the only master composer that has attracted my attention with works in major tonality. Although for me the tonality of his piano quartets and quintets is continually shifting and at times this gives a kind of schizophrenic feel to them, he always has some interesting passages worth keeping (I am downloading all of them) Thanks for sharing and kind regards, MSM
@elin9906
@elin9906 8 месяцев назад
Why is the beginning of the piece not at the right octave for the cello ?
@DM-xs7oo
@DM-xs7oo 4 месяца назад
Dvorak used to write tenor key as the violin one trasposed down an octave, like for choirs... don't know why
@don_juan88
@don_juan88 Месяц назад
They often write cello part in G key, implying it must be transposed an octave lower. Especially in chamber ensembles and orchestra
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