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Dvořák - Symphonies Nos.7,8,9 "From The New World" (reference recording: Constantin Silvestri) 

Classical Music/ /Reference Recording
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Antonín Dvořák (1841-1904) - Symphonies Nos.7,8,9 by Constantin Silvestri
🎧 Qobuz bit.ly/3EJzwLZ Tidal bit.ly/3EwhQmJ
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🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本...
Click to activate the English subtitles for the presentation (1:23:26-1:25:27)
Symphony No.7 in D minor, Op.70 *
00:00 I. Allegro maestoso
11:20 II. Poco adagio
22:28 III. Scherzo: Vivace
29:56 IV. Finale: Allegro
Symphony No.8 in G Major, Op.88 **
38:52 I. Allegro con brio
48:12 II. Adagio
58:14 III. Allegretto grazioso - Coda: Molto vivace
1:04:24 IV. Allegro ma non troppo
1:14:10 Carnival Overture Op.92 **
Symphony No.9 in E minor, Op.95 ‘From the New World’ ***
1:23:26 I. Adagio - Allegro molto
1:32:22 II. Largo
1:46:00 III. Scherzo: Molto vivace
1:54:08 IV. Allegro con fuoco
Wiener Philharmoniker *
London Philharmonic Orchestra **
Orchestre National de la Radiodiffusion Française ***
Conductor: Constantin Silvestri
Recorded in 1957-60, at Vienna, London and Paris
New mastering in 2021 by AB for CM//RR
Painting: Max Švabinský (1873-1962) Chudý kraj / The Poor Country (1900)
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
When Constantin Silvestri died in a London hospital on 23 February 1969 at the tragically early age of 55, he had truly achieved an iconic status in the British seaside resort of Bournemouth, where in the eight years of his music directorship he had single-handedly transformed the Symphony Orchestra from a good but fundamentally locally known group into an internationally acclaimed ensemble of striking flexibility and virtuosity. At a time when, with the notable exception of Sir John Barbirolli's Hallé players in Manchester, orchestras in the British provinces were on the whole rightly or wrongly considered somewhat vin ordinaire, Silvestri's impact and influence in Bournemouth brought its orchestra a level of brilliance, sonority, charisma and discipline that was felt to be unprecedented in the town.
Musicians, critics and audiences marvelled at the kaleidoscopic range of expressive colours, intense dynamic contrasts, virtuoso articulation, and - usually - outstanding precision of ensemble, all delivered within a perfectly integrated and immaculately tuned homogeneity. Silvestri had fanatically pursued these elements in his meticulously demanding rehearsals, but most significant of all was that for the audience they were the channel for interpretations of vivid imagination, white-hot temperament and deeply poetic artistry sometimes controversial but usually electrifying.
He had created a very strong impression when he made his British debut conducting the London Philharmonic Orchestra, in Vienna, at the direction of the Wiener Philharmoniker and he had also made a great impact in Paris conducting the Orchestre National de France in concerts and an EMI Classics recording of Dvořák's Symphony No.9 ('From the New World'), which won the Charles Cros Academy first prize.
Antonín Dvořák PLAYLIST (reference recordings): • Antonín Dvořák (1841-1...

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7 авг 2024

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Комментарии : 44   
@classicalmusicreference
@classicalmusicreference 3 года назад
Antonín Dvořák (1841-1904) - Symphonies Nos.7,8,9 by Constantin Silvestri 🎧 Qobuz bit.ly/3EJzwLZ Tidal bit.ly/3EwhQmJ 🎧 Amazon Music amzn.to/3qaAu0H Deezer bit.ly/3zvOTnq 🎧 Spotify spoti.fi/3hLD5Y8 RU-vid Music bit.ly/3oAoYLU 🎧 Apple Music - SoundCloud bit.ly/45HCI8k 🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本... Click to activate the English subtitles for the presentation (1:23:26-1:25:27) Symphony No.7 in D minor, Op.70 * 00:00 I. Allegro maestoso 11:20 II. Poco adagio 22:28 III. Scherzo: Vivace 29:56 IV. Finale: Allegro Symphony No.8 in G Major, Op.88 ** 38:52 I. Allegro con brio 48:12 II. Adagio 58:14 III. Allegretto grazioso - Coda: Molto vivace 1:04:24 IV. Allegro ma non troppo 1:14:10 Carnival Overture Op.92 ** Symphony No.9 in E minor, Op.95 ‘From the New World’ *** 1:23:26 I. Adagio - Allegro molto 1:32:22 II. Largo 1:46:00 III. Scherzo: Molto vivace 1:54:08 IV. Allegro con fuoco Wiener Philharmoniker * London Philharmonic Orchestra ** Orchestre National de la Radiodiffusion Française *** Conductor: Constantin Silvestri Recorded in 1957-60, at Vienna, London and Paris New mastering in 2021 by AB for CM//RR Painting: Max Švabinský (1873-1962) Chudý kraj / The Poor Country (1900) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr When Constantin Silvestri died in a London hospital on 23 February 1969 at the tragically early age of 55, he had truly achieved an iconic status in the British seaside resort of Bournemouth, where in the eight years of his music directorship he had single-handedly transformed the Symphony Orchestra from a good but fundamentally locally known group into an internationally acclaimed ensemble of striking flexibility and virtuosity. At a time when, with the notable exception of Sir John Barbirolli's Hallé players in Manchester, orchestras in the British provinces were on the whole rightly or wrongly considered somewhat vin ordinaire, Silvestri's impact and influence in Bournemouth brought its orchestra a level of brilliance, sonority, charisma and discipline that was felt to be unprecedented in the town. Musicians, critics and audiences marvelled at the kaleidoscopic range of expressive colours, intense dynamic contrasts, virtuoso articulation, and - usually - outstanding precision of ensemble, all delivered within a perfectly integrated and immaculately tuned homogeneity. Silvestri had fanatically pursued these elements in his meticulously demanding rehearsals, but most significant of all was that for the audience they were the channel for interpretations of vivid imagination, white-hot temperament and deeply poetic artistry sometimes controversial but usually electrifying. He had created a very strong impression when he made his British debut conducting the London Philharmonic Orchestra, in Vienna, at the direction of the Wiener Philharmoniker and he had also made a great impact in Paris conducting the Orchestre National de France in concerts and an EMI Classics recording of Dvořák's Symphony No.9 ('From the New World'), which won the Charles Cros Academy first prize. Antonín Dvořák PLAYLIST (reference recordings): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE--TyBSH4B6pU.html
@DavidPerez-wd6tx
@DavidPerez-wd6tx 2 месяца назад
Magnífico repertorio musical de Antonin Dvorak, exelente director Constantin Silvestri en las obras de esta compositor y las orquestas de primer nivel..❤ muchas gracias.
@classicalmusicreference
@classicalmusicreference 3 года назад
When Constantin Silvestri died in a London hospital on 23 February 1969 at the tragically early age of 55, he had truly achieved an iconic status in the British seaside resort of Bournemouth, where in the eight years of his music directorship he had single-handedly transformed the Symphony Orchestra from a good but fundamentally locally known group into an internationally acclaimed ensemble of striking flexibility and virtuosity. At a time when, with the notable exception of Sir John Barbirolli's Hallé players in Manchester, orchestras in the British provinces were on the whole rightly or wrongly considered somewhat vin ordinaire, Silvestri's impact and influence in Bournemouth brought its orchestra a level of brilliance, sonority, charisma and discipline that was felt to be unprecedented in the town. Musicians, critics and audiences marvelled at the kaleidoscopic range of expressive colours, intense dynamic contrasts, virtuoso articulation, and - usually - outstanding precision of ensemble, all delivered within a perfectly integrated and immaculately tuned homogeneity. Silvestri had fanatically pursued these elements in his meticulously demanding rehearsals, but most significant of all was that for the audience they were the channel for interpretations of vivid imagination, white-hot temperament and deeply poetic artistry sometimes controversial but usually electrifying. He had created a very strong impression when he made his British debut conducting the London Philharmonic Orchestra, in Vienna, at the direction of the Wiener Philharmoniker and he had also made a great impact in Paris conducting the Orchestre National de France in concerts and an EMI Classics recording of Dvořák's Symphony No.9 ('From the New World'), which won the Charles Cros Academy first prize. 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
@user-on5lb9ew9x
@user-on5lb9ew9x 3 года назад
Thank you from the bottom of my heart !!!
@user-cr4rm4wo8h
@user-cr4rm4wo8h 3 года назад
Доброе утро,друзья.Слушаю дождливым утром после грозы.Красиво,гармонично и порывисто.Дворжек волшебен)))
@cathyb1273
@cathyb1273 3 года назад
I really wonder how this channel is not getting struck by the YT bot ? This channel is an endless treasure chest. Thanks for posting 😁
@Cunhacomposer
@Cunhacomposer 3 года назад
Thank you for uploading such great recordings of Dvořák's late symphonies.
@alina-sandracucu9331
@alina-sandracucu9331 3 года назад
Unfairly underrated and mostly forgotten conductor. What a joy... thank you for posting this!
@eporze
@eporze 3 года назад
Excelente interpretacio´n del Largo de la Sinf N 9. Pausado,delicadamente pasando,etereo , lleno de nostalgia.Y de pronto la explosion de sonido,volviendo a lo etereo y al sentimiento que penetra a lo profundo del Alma.Gran Director!!!!!!
@joellepodwysocki9558
@joellepodwysocki9558 3 года назад
Merci Classical Music c'est sublime. J'avoue que les symphonies Nos 7,8,9 d'Antonin Dvorak font parties de mes préférés ,les autres aussi bien sûr .💝💖
@cedericocosantorini8013
@cedericocosantorini8013 2 года назад
Dvořák, un de mes compositeurs fétiches ! Merci ! :)
@lukelombardi1059
@lukelombardi1059 3 года назад
Brilliant performances, what a gift! Thank you!
@Rwsegee
@Rwsegee 3 года назад
You guys are the best. Thank You for these great recordings.
@classicalmusicreference
@classicalmusicreference 3 года назад
^^
@guilldrmobritos3551
@guilldrmobritos3551 3 года назад
Estupendas interpretaciones de Dvorak la 8 es un enfoque muy romántico y surge comparar con Szell y Karajan en el mismo repertorio y ambos resultan aunque más brillantes en la ejecución orquestal se tornan por momentos aburridos. Silvestri le da una maravillosa vitalidad a sus interpretaciones difícilmente imitable
@user-fu6tt8qq4v
@user-fu6tt8qq4v 3 года назад
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎻📯🎺🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
@han-kt6nt
@han-kt6nt 3 года назад
Best Dvorak symphonies 😊
@rodolfoaleman1372
@rodolfoaleman1372 3 года назад
Solo puedo decir: Gracias. Una maravilla.
@samitobribiesca6320
@samitobribiesca6320 3 года назад
SENSATIONS, PRODIGUX ENCHANTÉ SANS PAROLES MERCI ENCORE !
@dejanstevanic5408
@dejanstevanic5408 3 года назад
Such a great morning! Thank you CM/RR.
@classicalmusicreference
@classicalmusicreference 3 года назад
:)
@JohanHerrenberg
@JohanHerrenberg 3 года назад
Utterly sensational. Kudos!
@thor-2344
@thor-2344 3 года назад
Wundervoll...Amazing
@ilirllukaci5345
@ilirllukaci5345 2 года назад
Thanks.
@diariodiunmusicistamusicologo
@diariodiunmusicistamusicologo 3 года назад
Bellissimo!!!
@BalbirSingh-gr2qk
@BalbirSingh-gr2qk 3 года назад
Wonderful.
@jacobmorgan3289
@jacobmorgan3289 8 месяцев назад
1:54:27 Stimpy's Invention
@alfredoechevarrieta7512
@alfredoechevarrieta7512 3 года назад
Mi agradecimiento a Classical Music.
@gildemarlealresano3810
@gildemarlealresano3810 3 года назад
Belíssimo, posso fazer uma sugestão, porque não com Heitor Villa-Lobos. Obrigado
@senhueichen3062
@senhueichen3062 3 года назад
Anyone please tell me the painting?
@wenedsday
@wenedsday 3 года назад
Painting: Max Švabinský (1873-1962) Chudý kraj / The Poor Country (1900)
@senhueichen3062
@senhueichen3062 3 года назад
@@wenedsday Thank you!!!!!
@notaire2
@notaire2 3 года назад
Wunderschöne Intrpretation dieser drei ein bisschen ethnisch doch perfekt komponierten Sinfonien mit gut phrasierten doch perfekt vereinigten Tönen aller Instrumente. Der unvergleichliche Dirigent leitet die drei weltklassige oder ausgezeichneten Orchester in verschiedenen Tempi und mit möglichst effektiver Dynamik. Die Ouvertüre klingt echt lebhaft und spannend. Die verbesserte Tonqualität ist auch ziemlich hoch als originale Aufnahmen von mehr als sechzig Jahren vor. Schade, dass der vielsprechende Maestro so früh gegangen war!
@spokur9
@spokur9 Год назад
Hier spricht jemand, der es vielleicht gut meint, aber mit amateurhaften Formulierungen nur schwafelt! Dadurch wird man diesen herausragenden Aufnahmen nicht gerecht.
@kaanasker4914
@kaanasker4914 3 года назад
The painting is as good as the music, please add paintings to your other videos too rather than putting the photo of the artist.
@classicalmusicreference
@classicalmusicreference 3 года назад
Both are important: without performers, there is no music, only paper with dead notes.
@isaiahestell4840
@isaiahestell4840 2 года назад
anyone know who painted this?
@MiguelJoaoFerreira
@MiguelJoaoFerreira 11 месяцев назад
It's poignant how John Williams literally stole Jaws main theme from Dvorak's 9th! (1:54:11)
@gerhardrohne2361
@gerhardrohne2361 3 года назад
sadly, none of these symphonies is played here by the bournemouth orchestra.
@royhowat9785
@royhowat9785 Год назад
They certainly were when Silvestri was its chief conductor. His very last concert in 1968 before he went into hospital ended with what was reported as a terrific performance of the 9th.
@queenelizabeth9050
@queenelizabeth9050 2 года назад
2:05:01
@miltonderezende7906
@miltonderezende7906 2 года назад
I dont undestN WHY THE GIRL.
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