It's too bad so many people think that this pedal is just a gimmick. It's very musical. How is this any different than any other effect? Distortion is just an effect as well. Thank God people are making these kinds of pedals. Open up your mind and experiment people!
@@nicolashunter4131 I could totally hear some talentless hack like Robert Fripp or Adrian Belew using this. I mean the best they could ever do was a guitar gig in some band called King Crimson.
For me, these kinds of pedals are the best because it has very strange and almost alien or otherworldly sounds, I would say the only drawback with these pedals is that it takes sometimes quite a while to learn them but it is worth it. At the moment I only have two effects pedals and it is amazing the sounds I can get from it. The pedals I have is the Count To 5 and the Snazzy FX Tracer City, I got the Count to 5 pedal probably about a year ago and it still manages to amaze, Through my experience I have discovered that the pedal is a delay - looper also it can reverse.
@@nicolashunter4131 I guess you would just have to get more creative with these pedals, Personally I love this pedals but I understand if you are not keen on them.
EHX's Ring Thing is the most similar to it . As a matter of fact it's more versatile and does more with it, but doesn't do that square wave fuzz as nicely as the Data Corrupter
That's a Shelton GalaxyFlite: reverb.com/item/5204907-new-shelton-electric-instruments-galaxyflite-aged-charcoal-frost-offset-mastery-bridge-jazzblaster
Now we need EDevices to make a cool filter with its own ASR envelope and LFO and maybe an envelope follower to pair with this and make the ULTIMATE microsynth
Pass on the news to keyboard players with Techno sounds in mind and composers of avant-garde classical music (!) I'm not kidding. It's a matter of being able to twiddle knobs while playing a keyboard having it on top of the case, live on stage, or plugging in line audio in the studio. For a potential v2: patches, remote control by pedal board and MIDI / USB.
Devi Ever had pedal that's sort of rare now called the super soda miser (&was reissued by Acidrain Pedalworks called the Super Soda Jerk) & I own one but basically the Data Corrupter is a more out of control doper version of it
It's a Shelton GalaxyFlite. Maybe this one: reverb.com/item/5204907-new-shelton-electric-instruments-galaxyflite-aged-charcoal-frost-offset-mastery-bridge-jazzblaster
Monophonic so it will only track one note at a times, but you could try a V power chord and I've seen someone on another vid play chords through it with a synth with interesting results.
With the egregious omission of a wet/dry knob, I find I seldom use this. I never dial in anything which sounds 4% as interesting as anything I've heard via these demos. It's various flavors of wall-of-vagueness. Synthy, yeah, but nothing as clear and well-defined as this demo. Yes, I roll off the low end; then I get less muddy atonal (and not in a cool way) synth vagueness. This is a toy.
This is pretty neat! But it's a gimmick pedal, like you are going to use it on 1-2 songs, and it would be one heck of a thing for a jam. But for the rest, a traditional fuzz would be more effective for a gig. But it looks hella fun! Great review btw.
It's like they designed a pedal to recreate those sounds from 90's multi FX units which no one ever used. Like those silly presets after #100 which were always ridiculous, and sounded like the designers were having a laugh. The fuzz at the beginning was ok though.
To modify the sound, but if you want to sound like a shitty synthesizer get a shitty synthesizer lol. Don't destroy the signal until you can't even tell it's a guitar anymore.
