The goal of this session was to explore sequencing with the Ornament 8 using the Lyra 8 and Microfreak.
•Ornament 8 cells 1-6 used to create melodic loops on the Lyra 8. Cells 7-8 function as a clock for the Microfreak. Ornament 8 patches are a bit complex to explain in words, but essentially there are four loops happening. The number represents the cell and the → represents the direction triggers or signals are flowing
1→ 2 / 2→ 1 (Root trigger loop)
1 → 6 → 3 (F Loop)
2 → 4 → 5 (C Loop)
7 → 8 / 8 → 7 (Clock loop)
The root trigger loop alternates back and forth between the F and C loops depending on the length and polarity of each cell. Cells 1&2 also send CV→ output to cell 8, creating fluctuations in the speed of the clock signal sent to the Microfreak.
•Lyra 8 tuned to F minor scale. Playing Fm7 in fifths (F C F C)(A♭ E♭ A♭ E♭) Lots of delay and drive, sharpness to taste on some voices. Lyra 8 is being processed through Moog Matriarch filters in dual lowpass true stereo mode with CV cutoff modulation, as well as lots of delay.
•Microfreak in paraphonic mode with the oscillator set to waveshaping. Osc parameters modulated by LFO and Cycling Envelope in run mode to create morphing timbre variations. Cycling envelope's fall and hold times are also modulated by the LFO to create more variation. Cutoff receives modulation from LFO, Cycling envelope, and pressure in varying amounts. Microfreak audio processed by Source Audio Nemesis delay in tape mode and Eventide Space in hall mode.
Audio recorded direct into iPhone XR via iConnectAudio4+ interface. I know the Microfreak clipped a bit, sorry :(
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11 сен 2024
