Edit Infrared Photography in Lightroom Classic 

Thirty minutes with these Profiles, and I am hooked. Amazing.

Nice use of the new LR masking tools, thanks!

Thanks. Just got my converted camera. Loving the videos.

Great video, Rob. Merry Christmas!

So glad I found your channel and bought your book 'Colour Doesnt't Exist' Really enjoying the book thus far! not a huge was through it but so far its been great! as informative as your RU-vid videos! Thanks again! :D

Your video is really easy to follow for a long one. Thanks!

Outstanding, Beautifully transformed that image Rob. Best IR channel on YT. Merry Xmas and thanks for sharing.

Great piece Rob. Thank you so much. I generally don't like the false color aspects of modern IR, but after watching this, I think I need to try some of what you have done here. I have recently converted my old Nikon D800e to FS, and have only used 950nm. I'm going to need to invest in a few more filters.

Brilliant, just what I was looking for. Thanks.

Really nice image Rob!

I learned a lot from this video. Thanks for posting.

thank you rob great video as always

Very helpful and clear instruction.

Another great tutorial! Lots of opportunities to play and explore and grow brain cells.

Rob Shea, you are a legend

I love the trees … win win

Wonderful!

If you want to select the whole landscape, you can duplicate the sky mask and invert it

I own several Nikon D200's converted to various wavelengths that have served me well over the years. I was fortunate to have been trained by my mentor Mark Hilliard when he introduced me to digital infrared photography back in 2010. My experience over the years has given me a good understanding in acceptable lenses in the Nikon F mount family. In 2017 when I converted an Olympus OM-D e-M5 I experienced the most fun I've ever had photographing in the IR spectrum. I've since sold my OMD system as it became cumbersome juggling 2 camera systems. I've owned a Nikon Z6 since it was first introduced and really enjoy the benefits of full frame and mirrorless equipment. I've been pondering a Full Spectrum conversion of my Nikon Z6 and was wondering what information you can share as to the quality of a converted Z6 but more importantly the hot spot influence and lens quality of the Nikon Z mount lenses. Thanks for your input.

Hey Rob, this isn't really related to the video, but I thought about the Monochrome conversion that's possible for at least some cameras. I was wondering if you might consider that and what you might think. It's more expensive, at least to make a Monochrome full spectrum camera. It is possible though, that a camera can be a Monochrome IR, Monochrome UV, and Monochrome Visible. For the Full Spectrum Black and White conversion, the camera sensor is able to resolve more detail but also can be much more sensitive to each of the spectrums of light including UV, IR, and Visible. I myself was thinking about doing such a conversion, but doing so at home might be dangerous because of how risky it is to the sensor. The extra light sensitivity is a means of not needing to use quite as long of a shutter speed as might otherwise need to be. In effect, you can get less grain. It's a reason for why many Astrophotography cameras have been Monochrome. In theory, it is possible to use a specific method for making three identical photos using such a camera to later merge in post processing using a specific program, for the creation of a color image. It would probably be very interesting to do so using a camera such as an SLR and compact camera, for landscapes. Then you might compare the output to that of a Color-balanced image from a Full Spectrum camera which can initially see in color. Interestingly, not only is the sensor of a Monochrome camera better at resolving detail, but the process of stacking individual photos, each one at a different wavelength, can at least in theory make for better resolution.

Excellent video Rob, thanks! Seems in most of your photography you use the 590nM filter instead of the 720nM. Is that because you have a modified camera? I want to use my Z8. I have the 720. Should I also consider the 590? Thanks.

Hi, having great results with your IR colour swap LR profiles. I appear to be getting a circle of darker colour on photos which I presume is a hotspot (with lens not known for a problem). Sure I watched a previous video that dealt with hotspots but cannot find it. can you point me in the right direction or if it was addressed in part of other tutorial. Thank you

I have a kolari pocket, and I believe you can't make a dng color profile out of it, am I right? If so, how can I properly set my white balance?

Fascinating video! I have seen some infrared images that peaked my interest in infrared photography. Question (and I mean this in the most respectful way) I was under the assumption that infrared photography captured the infrared spectrum and it was specific colors (the look). Excuse my ignorance but now it seems that it’s open to artistic interpretation (color balance, color swapping of your choice etc) I respectfully inquire…why not just take a regular photograph and swap the colors to what you want and make it “look” like infrared? I know I’m missing something here in that taking infrared photos produces a look you can’t get through processing or something. Any thoughts or advice is appreciated. Thank you for your time!

I know this isn’t really related but can you colorswap and all that fancy stuff in photoshop C5

Hi Rob Great video. Can I clarify one thing - I gathered that if an IR swap LUT profile is used it is unnecessary to set a white balance in LR (or presumably in ACR) is this correct or should I set the WB before using the LUT profile. I tend to set a custom WB at the taking stage and tweak if necessary so would this affect the procedure. Any news on you e-book that I look forward to studying. Great site contents too. Best Eric

I want to buy your color swap profiles however you don't seem to take PayPal? I don't like giving out my credit card information. Do you by chance take PayPal?