Eli Yamin and Tom Dempsey Discuss Comping on Guitar with a Full Band 

Thanks for the video. Suggestion: show close-ups of the guitar neck so guitarists can see his voicings. Thanks

You guys are just great. How I wish you could offer classes online.

I agree with Paul Gibby: this is a really useful demonstration and would be so much moreso with a close-up of the fretboard so we can have a go.

Also, another tip is how I've noticed in how he's playing them voicings: When he switches to the rootless voicings, its not the same finger positions as how he played the barre chords just without the root; he's probably using the same voicings, yet move the finger positions around, keeping the same notes but only moving where the notes are on the fretboard if that makes sense. This can be applied through: Playing the progression in about the same fret positions, Playing the progressions only descending, Playing the progression only ascending, etc. Playing this way moves the notes around through the use of inversions and more interesting octaval placing. It's what one can do when having to comp limitedly

Super lesson! 👏 Makes a lot of sense. Thank you very much for sharing! 👍

PLEASE. I NEED MORE

great videos, really cool

Great stuff!

Nice subtle guitar voicings....

This is good stuff for all musicians including producers.

Freddie Green th,at's all.

why is it always the guitarist who has to compromise lol

Also trading comping with the pianist or asking the pianist to simplify what they’re doing

Great video

Love the 3-7 voicing thanks!!!

Very usefull discrete information for the one is looking for something in the field. I found what I was looking to create a digital animation of traditional jazz via MIDI... I love you guys ❤