Quanto vorrei che i giovani si a costassero alla musica lirica..... È una gioia infinita incredibile.... Che scalda il cuore.... Grazie per aver inserito questa bellissima opera con questi stupendi interpreti... Grazie ancora
I can’t believe I’m going to say this but here it goes. Garanca is fantastic in this role. I would travel to hear her sing it live. I have never been a fan, but damn she sings this so well. It’s a perfect combination on great singing and wonderful acting and I totally see her growing through this role as well. Congrats to her. She’s found another signature role.
Not in all her operatic roles I'm afraid. She is a good singer and her vocal qualities and acting skills are remarkable to captivate an audience when she uses them right. Nevertheless, she has taken on some roles that were inadequate and pushed her voice beyond reasonable boundaries, especially Verdian roles, where she is singing with perceived force and not with perceived ease. Still, I'd be happy if I had half of her vocal capacities.
A million thanks for ths wondwrful post! An ecxellent performance!A marvellous Elina Garanca! With a strong voice full of velvet and so touching dramatic tone! A superbe opera singer! A unique Santuzza!Year after year becomes better!Thank you Elina! She moved and play in first scsnes with a fantastic way! She was singing without voice!Bravissima! And the fantastic orcestra which sings with its own,special way!Bravo maestro!Alfio and Turiddu absolutly convicible!
Magnifica interpretazione di Santuzza da parte del soprano mezzo Elina Garanca e anche del tenore Yonghoon (Turiddu) in una bellissima produzione di Cavalleria Rusticana, la più grande opera del verismo italiano. Congratulazioni alla Staat Opera di Vienna per un'assemblea così preziosa
Information on the Performance Work Title: Cavalleria rusticana Composer: Mascagni Pietro Libretto: Giovanni Targioni-Tozetti, Guido Menasci Venue & Opera Company: Wiener Staatsoper Vienna Recorded: March 23, 2019 Singers: Elina Garanca, Paolo Rumetz, Yonghoon Lee Conductor: Graeme Jenkins Orchestra: Satatsopernorchester Wien Chorus: Staatsopernchor Wien Stage Director: Jean-Pierre Ponnelle Stage Designer: Jean-Pierre Ponnelle Costume Designer: Jean-Pierre Ponnelle Published by: Wiener Staatsoper Live Streaming Date Published: March 23, 2019
I absolutely love this production! I, first, should mention the wonderful camera work. The sets and costumes and lighting are amazing. Make me feel like I was there. The acting and blocking are perfect! The singing and orchestra are excellent.
@@arnoldamaral7406 en mayo de 2024 Elina va a cantar Santuzza de nuevo en La Scala de Milán alternando en el papel con Saioa Hernández, que lo debuta. Imagina el contraste cuando las notas graves de Saioa siendo soprano ya las quisiera Elina para sí como mezzosoprano. Mira que Elina no me cae mal y me parece que tiene buenos trabajos, pero para papeles completos, ni Verdi ni los veristas en general (excepto quizá Carmen de Bizet).
Garanca is amazing beautiful singing and great acting. I thought she is too beautiful for this role but her acting makes it forget you just feel the desperation of the poor girl.
Allí estuve, 18 de marzo de 2019, para escuchar a Garança en esta magnífica producción; y después Pagliacci con Marina Rebeka, que no hay forma de encontrar. Una noche de ópera grande.
Exceleeenteee...!! Un tanto apretada la escenografía.. te sorprende.. mas luego el hilo del drama y la magnífica Santussa de Garanca y mamma Lucía.. iluminaron la escena.. Coro y Orquesta espléndidos...!! Gracias por publicarlos..!!
Belíssimo espectáculo, de "Cavalleria Rusticana". Tudo a meu gosto, desde da execução da orquestra à interpretação de (Santuzza). Obrigado por estas magníficas interpretações. Parabéns a todos!
Que bueno hubiera sido que hubieran cantado LAS NOTAS escritas por Mascagni...y no hayan gritado cualquier cosa...claro, el publico no se dedico a escuchar ninguna grabacion de esa obra maestra y se traga cualquier bodrio...
@@leonardoiglesias2394 y cuales fueron esas notas escritas en que aria o pasaje. He escuchado varias versiones y no logro identificar eso que ud escribe
Thanks for sharing. Elina sings and acts very well in this beautiful production. Especially love her regina coeli laetare. (Ok maybe she's a little bit too beautiful for this role though:))
There's nothing in the original story or the libretto to support the idea that Santuzza is pregnant. And I doubt Mascagni would approve of this nonsense.
@@remomazzetti8757 Still, it's not like she could get a doctor to prescribe "the pill." Even for a Sicilian, Santuzza's despair seems exaggerated if her boyfriend merely dumped her. Mascagni would have a lot more to complain about besides this production. Can you name any soprano character who got pregnant out of wedlock?
There was a production (with Monastyrska and J Kaufman no less) in which she has already had a child. I saw a production where she was visibly pregnant and clasps her belly when Turrido’s death is announced. There is nothing in the script that actually suggests she is pregnant; I suspect the audience of Mascagni’s day would have been scandalized.
This gorgeous--------haunting opening reminds me of " GF3" , where Frank DiAmbrosio, playing Anthony Corleone, gets to play & sing a key role ---------------------------WolfSky9, 73 y/o
I think that it is not true to say that Garanca has "no voice" for this role. She does much of it very well. Where she seems to lack the voice is in the choral sections [particularly the "Ineggiamo"] which is a key part of the opera. She certainly does the "Voi lo sapete" very well vocally and with quite a bit of emotional involvement. Perhaps she has taken on the role too soon. For instance, even Troyanos and Cossotto [two of the great mezzo Santuzzas] did not take on the role until quite late in their careers.
voce e interpretazione artistica con un drammatismo eccezionale in questa cavalleria rusticana perfettamente ambientata in una limitata coreografia di un palcoscenico. Elina come attrice e m.soprano dimostra essere insuperabile, oggi- Dire BRAVA e dir poco.
ll sentire siciliano del Verga un pò manca , d'altronde ANCHE MASCAGNI non era siciliano , quindi la profonda tragicità della nostra anima non può essere del tutto rappresentata, ma è sempre un buon tentativo e merita gli applausi dei siciliani. Grazie!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Multumesc pentru postare, Garanca este superba! Caut înregistrarea Cavalleriei din decembrie 2020, de la Teatrul San Carlo, cu Garanca si Kaufmann, poate dvs. o gasiti si postati...
Меня ты клоуном, шутом, Посмешищем ты называла! Я написал все восемь книг И новую к весне опубликую вновь! Мне интересна жизнь в любви, Гармонии. Устала. От моей пылкой нежности, От чувств живых и настоящих, От всего. Меня покинув, Птицей улетела, Туда, Где жизнь и ценности Совсем иные, Что ж.. Я отпустил тебя, Будь счастлива, Родная! А я продолжу Жизни улыбаться! Я встречусь с той, Что навсегда Останется со мной♥️❤️
I needed this. I just came from Met's production with a zero acting ability Santuzza. It's a difficult acting role, I understand, but 'emoting' for 90 minutes? Painful to watch. Garanca has it all (even a bizarre red wig...why?!) God, can she act! And sing!! Maybe not recent years' standard Santuzza voice type, but they used to have sopranos sing this role, you know.
Some sopranos have sung great Santuzzas, as long as they have wide vocal range with strong low notes and solid centre, it doesn't make them less apt for Santuzza, and it's better to use a spinto-lyric or dramatic soprano if the programme is a Cav/Pag so she can perform Nedda as well.
Some people in the comments seem not to get Santuzza's red hair: first, red hair is not so uncommon in Sicily; second, redhead women in Southern Italy have always been given a sexual connotation of "seductive sorcerers"
Lo scrivo da italiano, in italiano. Il regista di Cavalleria rusticana non ha capito NIENTE! L'intermezzo è momento di SOLA orchestra, non deve avere azione sul palco. Questo regista dei mie stivali è riuscito a togliere un applauso ai musicisti e al direttore.
Ma chi l'ha detto che non ci deve essere azione sul palco quando c'è questo intermezzo!!! Ma poi solo per questo dovrebbe essere un brutto regista, ma vai va'. Poi c'è pure un film di Zeffirelli che fa mettere azione sia nell'introduzione sia nell'intermezzo!
