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Essential Gear for Cinematic Car Scenes on a Budget 

Luc Forsyth
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🚨🎥 Only one week left until the doors close on Documentary Cinematography: Professional Foundations. With more than 12 hours of in depth cinematography lessons across 75+ videos, if you’re ready to take your cinematography seriously this year, this is the course for you:
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If you want to film documentaries for the long term, you’ll need to learn how to work with cars-both interiors AND exteriors. In this video we’ll look at essential gear that documentary DP’s can use to get the best car exteriors possible without a huge Hollywood crew.
🎥 *WANT TO LEVEL UP YOUR CINEMATOGRAPHY? JOIN MY DOCUMENTARY CINEMATOGRAPHY: PROFESSIONAL FOUNDATIONS COURSE*🎥 bit.ly/3YkuBcL
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🔗 LINKS FROM THIS VIDEO
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iFootage Spider Crab Mounting System:
US: www.ifootagegear.com
EU: eu.ifootagegear.com
CHAPTERS
0:00 - Intro
0:45 - Big announcement
1:40 - Shooting car scenes, what you need to know
2:23 - Setting your GoPro the right way
6:00 - How to rig your GoPro to your car
9:21 - Stepping in the car and filming
11:51 - Using a ND Polarizer filter with your GoPro
15:22 - Advanced techniques, using a camera rig
18:02 - First camera position in the car
23:27 - Reviewing the results
27:22 - Second camera position in the car
29:01 - Conclusions
🎥 🔥 📷 GEAR I USE
MY ACAM: amzn.to/3CsrOoy
MY RU-vid CAM: amzn.to/3TcW12m
BEST DOC TRIPOD IN THE WORLD: bhpho.to/3VD3Gsn
MY FAVORITE CAMERA BACKPACK: bit.ly/3yTAJPh
EXPEDITION BACKPACK: bit.ly/3MEkco2
RU-vid LENS: amzn.to/3CuSl4x
PRIME LENSES: amzn.to/3CuVrWk
CURRENT DRONE: amzn.to/3VUUiQk
KEY LIGHT: amzn.to/3MzpsJn
SHOTGUN MIC: amzn.to/3hVwVnL
COMPUTER: amzn.to/3HXNwlE
CRAZY GOOD POWER BANK FOR FILMMAKERS: www.omnicharge.co/luc
Some of the above are affiliate links, but all are personally vetted and recommended
✋ SAY HI
Email: luc@lucforsyth.com
Web: www.lucforsyth.com
IG: @lucforsyth (BTS content, but I’m TERRIBLE at DMs - sorry!)

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6 июл 2024

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Комментарии : 63   
@GriffinConway
@GriffinConway 4 месяца назад
Nice video Luc! To respectfully add to the conversation on tips for hard mounts: 1) turn off lens stabilization when on bumpy roads, it will ruin your footage by distorting and warping the footage to try and compensate for the micro-vibrations. 2) Try and use non stabilized camera bodies (FX3 and R5c are great) 3) Adding a top mounting point to the camera helps stabilize longer lenses 4) If it’s too shaky, wide lenses show less vibrations and you can always stabilize in post with better results than lens stabilization. Thanks for sharing!
@LucForsyth
@LucForsyth 4 месяца назад
Great tips!
@Robert.DeCorah
@Robert.DeCorah 4 месяца назад
Love your channel, but there are some unsafe practices here I’d like to point out for anyone watching. This is not only for the safety of your gear, but everyone on the road. 1. Suction cup mount rigs should never be attached to glass only. You should always include at least 1 body panel if the glass fails. 2. You should ratchet strap your rig to a body panel, and not a suction cup. Suction cups lose suction over time, and again, if glass fails, nothing is saving your rig. Cinemilled makes a product called Gutter Straps that will secure it to your wheel wells, hood, trunk, or you could use regular ratchet straps and go through your cars door jams. Not throwing any shade. There have been many accounts of suction systems failing and going into traffic.
@LucForsyth
@LucForsyth 4 месяца назад
Great info, thanks! I’ve personally never had them fail, but that’s absolutely not to say they can’t…I would also not do this on the highways, which I should have definitely made more clear! Appreciate the feedback!
@Robert.DeCorah
@Robert.DeCorah 3 месяца назад
@@LucForsyth I'm super appreciative for this channel, and glad my comment didn't come off the wrong way. I'm currently in an Atlanta hotel after weather delays coming back from the start of a 6 month Honda Motorcycle documentary. Watching your channel has been a resource for this project!
@DavidHaverty
@DavidHaverty 3 месяца назад
8:31 Also... when using a magic arm... even for just a GoPro make sure the weight of the camera is on the RIGHT side of the magic arm main joint. Not the left. One bump and the joint will loosen. Just like C-Stand etiquet. Weight on the right of the joint. It will self-tighten on bumps instead of lossen.
@ryansubjective
@ryansubjective 4 месяца назад
Haven't watched this yet, but if the video is as good as the thumbnail, I'm gettin the popcorn!
@LucForsyth
@LucForsyth 4 месяца назад
I can only hope, as that thumbnail took AGES to get right!
@HALCYONphoto
@HALCYONphoto 4 месяца назад
Here for the car content by Luc!!!
@VanguardArmament
@VanguardArmament 4 месяца назад
A hack you can do to fight the jitters is to film at a fast shutter speed. Stabilization in post works way better with sharp frames than frames that are blurring in all directions from the jitters. Then you can add a motion blur in post to simulate having a 1/48 shutter speed. It's a hack, so I'd really only use it if the jitters make the footage unworkable.
@regard321
@regard321 3 месяца назад
My favorite part is when you had the gopro mounted to the hood filming the A7 mounted to the hood filming you.
@OuterEastLLC
@OuterEastLLC 3 месяца назад
Lot of great info. Thanks for sharing.
@foreignhades6788
@foreignhades6788 4 месяца назад
Loved this, thank you so much!
@johnclay7644
@johnclay7644 4 месяца назад
informative content Thanks Luc.
@denischasse3567
@denischasse3567 26 дней назад
Merci Luc ! Très utiles ton vidéo 🎥
@kingmuhu
@kingmuhu 4 месяца назад
Oeeeeeh gear. Signed up to your course dude! Lovin it.
@LucForsyth
@LucForsyth 4 месяца назад
Glad to hear it!
@who2999
@who2999 4 месяца назад
Nice. One really big game changer for me when it comes to driving shots has been incorporating a gimbal setup, it doesn't help with stability as much as you'd think (it does help but micro jitters are still a thing) but the main benefit has been the ability to adjust/reframe shots on the fly or get more dynamic moving shots. I've had really good luck with a Ronin RS3 Pro for this as a good middle ground between weight and functionality, but you could probably scale down to something like a pocket osmo if you wanted to get a better than Go Pro result on a similar scale. Granted my favorite solution for driving shots is still mounting a gimbal to a jib in the back of a chase vehicle pickup truck, but that's going to require a scaled up crew to make it work.... and ... ya know ... a pickup truck... and a jib.
@LucForsyth
@LucForsyth 4 месяца назад
Very cool…did you suction mount it, or what was the rig like?
@who2999
@who2999 4 месяца назад
@@LucForsyth When mounting on the same vehicle I use a similar suction mount setup to what you're using (not sure what brand the one I was using was an ancient kit from the 90's that the station I work at had laying around when I started working here) basically three magic arms and high power suction mounts going into a ball head base, used the ronin expansion base kit to mount onto the triopod head and relocate the power grip/controls to reduce weight on the rig, then used a ratchette strap and a few safety chains to further secure to the car body. For the jib in a pickup rig I went from the expansion base to a Kessler pocket jib into a Kessler hercules tripod which we ratchette strapped to the back of the truck, then made an operator seat and some makeshift seatbelts in the back out of some more criss crossed ratchette straps. We've also done one (that was probably the easiest to use for a 2 vehicle setup in traffic) where we just ran a jib upside down from the roof rack of a van (secured with hose clamps) and attached the gimbal to the end of the jib, not as versatile as the pickup truck solution because the jib is motionless but the operator (me) was able to sit inside the back of the van and operate the camera so it worked better for highway speeds. Could also flip the jib around to shoot the driver in the same vehicle pretty easily (cam hanging off front) but we didn't really need that angle for what we were doing. Most critical part of either of the two vehicle options was a good communication solution for all the drivers and the operator. We had both drivers and myself on a party line via our cell phones, when I was in the back of the truck we used an old motorcycle helmet (full face shield) to cut down wind noise and make sure I could hear/talk to the drivers. Most of your control over the setup comes from being able to control where the vehicles are moving compared to one another.
@JeremyBotz
@JeremyBotz 4 месяца назад
Suuuuuuper excited for this course!! 😍
@LucForsyth
@LucForsyth 4 месяца назад
See you there!
@tuckergiambrone
@tuckergiambrone 4 месяца назад
this is the best explaination of a polarizer i've ever heard lol
@MichalOlender
@MichalOlender 4 месяца назад
Very cool! Thanks Luc.
@LucForsyth
@LucForsyth 4 месяца назад
Thanks!
@Menelik.videos
@Menelik.videos 2 месяца назад
Really good tutorial!
@FrancescoPaggiaro
@FrancescoPaggiaro 3 месяца назад
Love the tips Luc, this is something to try, maybe just for fun or to understand the better way to use it for work, when in the future we'll need it
@mattabeln
@mattabeln 4 месяца назад
Loved this style of video, out and about testing gear!
@LucForsyth
@LucForsyth 4 месяца назад
Was fun to make, glad you liked it!
@AndersBakfeldt
@AndersBakfeldt 4 месяца назад
Hey this was a great change in content type from you, great info, thx
@LucForsyth
@LucForsyth 4 месяца назад
Thanks, it was a fun one to make…but cold
@JJKoester
@JJKoester 4 месяца назад
To get some idea of how much GoPro footage will never look like your other footage, watch The Hobbit. Those were the best color graders in the world working with the best software in the world and it still looks pretty jarring.
@itsapinecone7280
@itsapinecone7280 4 месяца назад
the desolation of smaug came out 10 years ago. i dont think its a very fair comparison to pit a camera on par with the galaxy s4 with cinema cameras. the gopro 12 with log and a good grade can actually look pretty nice, see waqas qazis video on gopros
@LucForsyth
@LucForsyth 4 месяца назад
This is very true!
@myvideoguy
@myvideoguy 3 месяца назад
i would've turned off the IBIS and then stabilised in post or lived with the bounce for the gritty feel (if it works for "a story"). personally can't stand that warping from the IBIS / and/ or rolling shutter. appreciate the video no doubt though, thanks for sharing
@Valleedbrume
@Valleedbrume 4 месяца назад
Great video,for budget shooting with the exception of the Go Pro.Maybe suited for adventure seekers but that’s about it.
@scottievee7467
@scottievee7467 4 месяца назад
Very cool. The GoPro wasn't as terrible as I thought it would be. I have one. Used it once. But I did like the GoPro shot on the roof of the car filming the other camera. It would have been cool without the other camera looking at the road and through the sunroof at your hands driving. That was interesting. I had a shot looking through a windshield at a women in the driver seat with a salesman on the outside of the car. It looked great because I had the H&Y ND/polarizer combo. Saved the shot. Not often needed but necessary to have. Great work.
@DavidHaverty
@DavidHaverty 3 месяца назад
I missed the brand and pack of ND you used for your GoPRo. I Hate using mine too and these may help me find ways of using it when a main camera isn't an option.
@ppcops
@ppcops 3 месяца назад
As always. Top video. Your wonderful rich sound of your voice. Is it lavalier or?
@PETERFRITZPHOTO
@PETERFRITZPHOTO 3 месяца назад
Really valuable video, Luc - thanks. I’ve had great success on cars using the DJI Action 4, and the Insta360 GO3. Because they’re so light, and their stabilisation so good, I can mount them with just a single or double suction mount, and still get great results.
@LucForsyth
@LucForsyth 3 месяца назад
That's great. I've used GoPros because it's what I have, but I've heard good things about the Insta360 action cameras. Thanks for sharing!
@MobileFilmmaking
@MobileFilmmaking 4 месяца назад
This is right on time as I'm working on a film similar to the movie , Locke (only in that the whole movie takes place in a car) so this is a great help
@LucForsyth
@LucForsyth 4 месяца назад
Perfect timing then! I’m comfortable risking my gear, but just make sure you’ve got safety backups!
@lennlen
@lennlen 4 месяца назад
As someone who is into both cinematography and cars I wanted to add that those suction cups and your haphazard way of using the wipes and rag will absolutely destroy the paint with micro swirls and marring. No it wont go through the paint, but it will require paint correction. A reasonable alternative is to suction to glass surfaces only. It isn't always possible for the shot you want, but glass is much harder than paint.
@bottledwaterprod
@bottledwaterprod 4 месяца назад
I left GoPro for the Insta360 One RS and so far don't regret it a bit.
@WhySteve
@WhySteve 4 месяца назад
Nice, this beats that time I made a yt short where I taped my dji mini 2 to the roof of my car 😅 Also, you're putting a LOT of faith into the Sony's mount for holding up that heavy lens.
@LucForsyth
@LucForsyth 4 месяца назад
Gotta have faith! In the type of work I do if I didn’t put gear in harms way I’d never what I need…just have insurance!
@WhySteve
@WhySteve 4 месяца назад
I put myself in harms way by doing the old school "hanging out the window" bit 😅
@thewellvideoproductions8244
@thewellvideoproductions8244 4 месяца назад
Hella nice thumbnail and of course vid;)
@jan-jans143
@jan-jans143 4 месяца назад
what does dp mean?
@RodrigoRodrigues-jy3kr
@RodrigoRodrigues-jy3kr 4 месяца назад
Hey! Thinking on getting one but I have a question on rigging - wouldn't it be better to have a baseplate with a dual rod system and a lens support to reduce forces on the mount of the lens? Still watching the video but decided to write to not forget! Fucking love your content! ❤
@LucForsyth
@LucForsyth 4 месяца назад
Hey! Yeah, probably would help, but for my work (docs with small crews), I often just need to be as fast as possible so I try not to build things up too much…it all depends on the kind of shoot and how much time you have!
@petesmith4601
@petesmith4601 4 месяца назад
The music … 😳
@darkphotographer
@darkphotographer 4 месяца назад
nice setup , but still i will not feel very confidant putting a multi thousand camera and lent on car , specially if is my only camera probably opt for cheap dslr and cheap 50mm or 35 still go pro will cost abaut 500 , and you can get used dsrl for same price and have better footage ,
@evangpunia9082
@evangpunia9082 4 месяца назад
Finally First 🥳😂
@vn6047
@vn6047 4 месяца назад
This is really unsafe advice here. You should always strap down these suction cup rigs. Run it around the bonnet, it's really easy and simple. With roof rigs you can open windows a bit and run the strap around the roof. Very surprised that you didn't know that!
@andreibordeianu
@andreibordeianu 4 месяца назад
Man just use the best polarisers and there won’t be any color shift. I use bw, for instance.
@LucForsyth
@LucForsyth 4 месяца назад
This is true!
@andreibordeianu
@andreibordeianu 4 месяца назад
@@LucForsyth fyi I use them for digitisation of artworks, so they have to be extremely color accurate, and the ones I use are. Honestly I don't think there is really that much saving in buying a cheap one to have to deal with color shift. that being said I bought some cheap light polarisers, from amazon, a4 sized, not so sure I will be using those, but there was an order of magnitude in saivings, and were nice to experiment with polarising the light.
@gavenevans
@gavenevans 4 месяца назад
Step one: good bicep strength Step two: wild disregard for your own gear’s safety (it’ll be fine!) Step three: hang out the window and pray to your god of choice 🙏
@LucForsyth
@LucForsyth 4 месяца назад
Haha, these are all very accurate, though maybe not as much #1
@DroseMr
@DroseMr 4 месяца назад
Awesome💣🫡
@FishVisionsMedia
@FishVisionsMedia 4 месяца назад
first hahaha
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