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Eugene Izotov Oboe Masterclass July 8, 2015 

Music Academy of the West
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The Music Academy of the West is among the nation’s preeminent summer schools and festivals for gifted young classical musicians. At its ocean-side campus in Santa Barbara, the Academy provides these musicians with the opportunity for advanced study and performance under the guidance of internationally renowned faculty artists, guest conductors, and soloists. Admission to the Academy is strictly merit based, and fellows receive full scholarships (tuition, room, and board). The Academy’s distinguished teaching artists roster has included famed soprano Lotte Lehmann, composers Darius Milhaud and Arnold Schoenberg, cellist Gregor Piatigorsky, pianist Jeremy Denk, and current Voice Program Director Marilyn Horne. Academy alumni are members of major symphony orchestras, chamber orchestras, ensembles, opera companies, and university and conservatory faculties throughout the world. Many enjoy careers as prominent solo artists. In 2014 the Music Academy entered into a four-year partnership with the New York Philharmonic, resulting in unprecedented training and performance opportunities for Academy fellows, and Summer Festival residencies for Philharmonic musicians.
The Music Academy of the West cultivates discerning, appreciative, and adventurous audiences, presenting more than 200 public events annually, nearly half of them free of charge. These include performances by faculty, visiting artists, and fellows; masterclasses; orchestra and chamber music concerts; and a fully staged opera. For more information, visit musicacademy.org

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9 авг 2015

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Комментарии : 11   
@matthewlin754
@matthewlin754 8 лет назад
3:15 - Goossens Oboe Concerto (Erik Andrusyak) 27:33 - Le Tombeau de Couperin, Minuet (Ian Woodworth) 41:44 - Beethoven 3, II (Ian Woodworth) 51:55 - Malcolm Arnold Sonatine for Oboe and Piano (Russell Hoffman) 1:20:06 - Schumann Adagio and Allegro (Amy Luegering)
@nomorebushz
@nomorebushz 5 лет назад
Where was the microphone? Hopefully not on the floor because there was a harshness to the tone of the oboe. If the microphones were hanging up from above and toward the middle of the room, maybe there would’ve been smoother capture of the sound. We do realize that listening to the oboe from the bell is horribly harsh, don’t we? Maybe I just don’t care for the acoustics in that particular room.
@ame62thyst
@ame62thyst 8 лет назад
Wonderful!
@Arundodonax
@Arundodonax 8 лет назад
Marvelous!
@julianaleite5342
@julianaleite5342 8 лет назад
Perfect!!!
@ceylonin7289
@ceylonin7289 7 лет назад
Great stuff, but i prefer masterclasses without an audience laughing at the pupil...
@coln7334
@coln7334 3 года назад
1:07:26
@leopold23756
@leopold23756 7 лет назад
Horrible and at times out of tune.. i give the guy a master class
@paulvine8127
@paulvine8127 2 года назад
can you elaborate on what "horrible" means
@nathanmcadam8966
@nathanmcadam8966 Год назад
can you point out where? Because I can’t seem to find where i asked
@julianaleite5342
@julianaleite5342 8 лет назад
Perfect!!!
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