Ottimo questo balletto caratterizzato da un impadronimento.dello spazio proscenico da parte del ballerino con falcate ampie e duplicazione veloce in sforbiciate volanti mirabili.Ottimo il mantenimento delle pose figurali alcune delle quali inedite ed estremamente accattivanti. Ottima l'impressione di facilità esecutiva d'acchito da parte di entrambi e la levità fatta tensione elanista e motile sorprendente della ballerina. Ottimo il senso del continuum dato alla pièce danzante.Molto bravi. BIGHIN GIULIO RENZO
Have seen two versions with Evergina both r excellent aswell has excellent tecnique she is very artistic entering the spirit of the person she portrays
I just came from a video comparing english and russian styles, and everybody was shouting russian to the rafters. Here, you can see even with Evgenia’s exceptional natural talent, russian here is just too loud. I think I can make a case here, that different styles are suited to different choreo...
@avatar1964 I agree, though, I'm sure you'll agree that that bigness is also the thing that's right with Russian dancing, in the right pieces. Here, of course, it's a bit... disconcerting. Beautiful dancers, absolutely wonderful facility and technique, just a totally wrong interpretation. It's almost like they were actually trying to do the biggest parody of Russians trying to do Bournonville they could think of.
but isn't it just a different way of dancing? Not wrong just different? I'm not trying to override you, I'm trying to understand what is wrong with it.
Ez a pas de deux nem erről szól amit ők csinálnak. Ez egy szép tánc nem egy balettverseny vagy egy vizsga. A kevesebb sokszor több. A lány kevés a fiú túl sok. Sok a lábdobálás és a fölösleges karok. Eröltetett előadásmód semmi természetesség.
