@Unknown Unseen That sounds so strange. He doesn't have their style of production. It's different, i don't think same about Maddix but i have respect for him.
Unknown Unseen Are you trying to make Big Room complex? lmao 90% of the songs have the same formula and templates. I’m not saying it’s bad, I like it, but you just can’t deny that they are all a little bit (or a LOT) similar. (Oh, and I work with production too)
Big room didn't just magically appear of thin air, it begun as an extension of the late 90's NYC house sound that got popularised by Jonathan Peters, Thunderpuss, Dezrok, Funky Green Dogs, Tony Moran and Hex Hector etc.
@@roberthardwell3916 hahaha! Thats true... It's like Dimitri Vegas & Like Mike... They usted to "produce" great tracks now they are pure bullshit... For example they have Yemaya the mastertrack but they release Selfish a shitty track... Just for money. Martin Garrix got some of my respect because he was the ghostprpducer behind We Are Legend the track of 3 Are Legend hahaha
Revealed recordings is keeping the scene..... My salute to the producers who make bigroom..... Bigroom never dies.... We as the next generation artist of edm industry have to take care of this and let bigroom survive n bring back that oldschool fucking back
I can’t really imagine a new genre for festival mainstages. Bigroom is just perfect. Tension, buildup, exiting break melodies which is ideal for mashups with mainstream pop tracks for the crowd to sing along to and powerful drops.. I guess bass house could have the potential to be the new genre. It has power, yet it lacks the melodic element. Interesting to see the future of bigroom, easely my favourite edm genre of all time..
Big room era is over only couple of dj do it now and. Big name dj have switcher to this shit bass American bass idk how you call it. I have personaly switcher to hardstyle bcs it's just a joke what big dj names are doing doing new music for money.
Good tracks, but some are on the wrong time stamps. For example, Martin Garrix & Jay Hardway - Wizard (December 2013), Afrojack & Martin Garrix - Turn up the Speaker (2014), etc.
Apollo is complextro (particularly the radio edit) as it mixes big room with festival progressive house Much of VINAI is big room bounce (big room fused with Melbourne bounce). Later works combine them with festival trap
@@zellz91 seems to be a usual bigroom track to me. Vocal chops are nice, but nothing special (add a psy bassline to this and it would be one of thousands), and the melody is like every other bigroom track, easy to follow, but not complex at all (the mello is two bars long, with no variaton, come on...). Track gives me nothing.
Just imagine.... From no where martin garrix uploaded a surprise track.... And it appears to be his old school bigroom banger style.... Wait this aint gonna happen.... What you guys think???
My Top 15 Bigroom Producers m.ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-cKYY1vzh6yA.html Hardwell Quintino W&W Blasterjaxx Ummet Ozcan Showtek Bassjackers Sick Individuals Maurice West KURA Olly James Maddix Jaxx & Vega SaberZ KEVU
@@ahmedelgarhy2056 ahaha lol big room is already a sub genre electro is different from big room, big room has bass straight line unlike electro the bass has that edgy sound and more melodic to for melody...
is it me the bigroom nowadays are diffrent from before? like bigroom nowadays are more agressive sometimes it has trance. than the bigroom before which is slow and energetic and the bass kick are heavy.
Yeah, that's kind of funny, probably together with Tremor, Spaceman and Mammoth the most iconic bigroom track ever. Ironically, except from Spaceman, all these tracks aren't here either.
