THINGS I LEARNED IN THIS VIDEO: - How to read timecode. - Markers can be put on clips and work with timeline snapping. - Alt duplicates clips THANK YOU JAVIER VERY GOOD VIDEO!!!!!!!
This reminds me of old school editing tape to tape in a live truck with no A-B roll, we had a tape with a couple of frames of white, this was our "only" transition. Some days we would record a lens flare or play with the 2X lens switch to create a fake dissolve. Really like your channel.
Hi Javier, Recently I've been putting in a LOT of effort to improve in my editing, and I wonder if theres a way to do the animated pictures effect commonly used in game theory videos. The only other example I can find is TommyInnit's storytime videos. Is there any way to accomplish something similar in premiere pro? Thank you for your hard work and amazing videos, they've really helped me improve. Cheers, Vubbs
I have been a fans of yours, please can you do me a favour just give us 2 free out please...if I have money I would have bought it, please don't be offended I'm trying to figure it out but difficult to say... thanks for your support to the needing
Sir, do you know something about Premiere hardware preferences? I mean is there any hardware which is not really supported by premiere, even if it can run, it does not work properly, for example it crashes many times? I have friends who manages to run pretty smooth, but I often has problem with red raw, or sometimes even h264 footage :( many times during the coloring session.
Javier would you help me? For some reason I can't keyframe levels. The effect works but it only obey the first keyframe value. It doesn't change. So weird.
@@JavierMercedes Nothing =/ It didn't work for me but some people have fixed this nesting clips ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-8WMM_euVg8c.html
You can also and a turbulent displacement to make these white flares move even more but dont overdo it overwise it will look way too distorted too soon.Thank you Javier!
Great question! The difference is how the two clips “dip” to white. Dip to white is just a linear fade to white and back. Where as using this method starts over exposing your white parts first and blends it into the darker parts eventually turning white as well with a blur. Both have their uses but look very different. I guess I should have used a dip to white effect and the exposure blur o. The same transition to showcase the differences. Hope that helps!
Another great post mate! as always! Your posts go right to the point, well explained... no time wasted! Perfect! Question for you... how possible it is to make a video about 2 topics that I haven't seen at all in any channels. A) How to work with audio on PP, not just the essential sound panel but explain how to use Audio track & audio clip mixers and the "FX" panels within them, ei: EQ... etc. & B) I'd love to see a video of how you build your timeline for a real project, (short one of course...) , your steps... from beginning to end... building a simple linear sequence is easy.. but building a "whole project" with layers of assets: audio, video.. plus how to move things around.. your techniques and approach ... how to tweak it here and there... that would be phenomenal!!!!! I know you are super busy, and I don't expect this to be "manana" 😂 but it is just a humble suggestion & request... Ok mate, thank you!!!! cheers! ;)
Hey Javier, what do you make of the recent explosion in Adobe-style effects in broadcast tv. Yeah, I know it's always been there on some level but recently the news is all glitched-out like a johnny harris vid. thx
It is editors trying to show off. I shoot and edit daily in TV News. You can go overboard where it becomes distracting and takes away from the overall story. Style should support the story and not overwhelm it.
