@@Andy-cx8ct Alright, half might be a bit of an exaggeration, but a lot of songs he made were shitposts and jokes and it's still a noticable part of his discography. But ok.
Considering fur Elise was basically him making a song that a chick he liked could play before finding out she already had a lover & then setting out to make sure she couldn't play it, I'd imagine he'd be pretty amused
Yikes bro. I tried playing Patrik Pietchmann's arrangement of Oogway Ascends for a recorded performance and forgot the whole rest of the song 10 seconds in. That didn't happen to you right?
0:17 - 0:24 this is actually something I "hear" when I get a Fur Elise earworm, well, not just with Fur Elise, but, at least with it in particular, yea, this is what often happens
00:00 Fur Elise, that first part 00:25 La Campanella 00:31 Fur Elise, that first part 00:42 Fur Elise, that second part 00:46 best song ever u gotta click this 00:50 Fur Elise ending? 1:01 Still Dre right hand & Fur Elise left hand
to be frank that was quite impressive xd for me especially 0:19- 0:35 1) really nice descending melody 2) elegant mix with la campanella 3) those jazzy chords makes a really nice ballance and add expression!
The first glissando or whatever that thing was in the 4th measure is the best part. It's like it's warning you fur elise is about to get destroyed, leave while you can because it's going downhill from here.
At 0:34, I know it’s supposed to sound super bad but I can’t stop rewinding it to listen again cause my brain loves it! I want an entire song of all those crunchy awful notes!!
When it switched to La Campanella. Loved that. There were many other interesting moments in there too. Nice references, interesting tones, certainly something different. Some of those chords sounded like something Victor Borge might've done.
