Film: the reason some of the past was in HD

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♫ last Christmas, I shot it on film ♫
♫ but the very next year, I switched it to tape ♫
♫ this year, to save me from tears ♫
♫ I’ll just go and shoot in 4K ♫
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21 дек 2019

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Комментарии : 5 тыс.

@TechnologyConnections 4 года назад

OK, here comes a pinned comment about the whole Star Trek thing (and I've edited this to give a little more clarity); I'm getting a lot of mixed information from commenters about what specifically is preventing Voyager (and Deep Space Nine) from getting an HD Re-release. Some people are saying it's just a money thing, and that Paramount couldn't recoup their investment (as learned from their experience doing the TNG re-release). TNG was, after all, edited on tape so what is the substantial difference? Yes. *TNG was originally edited on tape, not film.* I implied in the video that there was a "final cut" on film but this isn't the case. From my research and understanding, as helped along by others, the key difference between TNG and Voyager when it comes to making an HD re-release feasible is that while *some* of the VFX work on TNG was rendered to tape, this was largely things like phaser effects, planetary orbital scenes, and other minutia. Most shots of the Enterprise were done with models / practical effects, and as such they existed on film from the get go, meaning they existed with the full detail film can capture. So yes, the version we saw upon its initial release came from a tape, but unlike Voyager (and DS9), a much greater percentage of the original effects footage existed on film. This meant that to re-release the series in HD, scanning the film negatives took care of a large portion of business. It largely needed to simply be re-edited to match the original cuts and timing. The most complicated part of the process was re-compositing some of the film-based effects. But since they existed on film, it was mainly a matter of re-alignment. Relatively few VFX elements were done exclusively on tape, and so it wasn't a monumental undertaking to recreate them for the HD release. In contrast, for Voyager and (to a lesser extent) DS9, CGI was used _heavily._ And since that was rendered to tape and composited with the live-action scanned from film, the negatives (assuming they still exist) are just the live scenes and nothing more. If a re-release were to be done in HD, a *much* greater amount of work would need to be done. DS9 doesn't have it quite as bad as Voyager, but it would still be more complex than TNG. Some of the original computer models have been found which would help with recreating the VFX scenes, but in many cases the production houses that did this work went out of business. Which leaves many, _many_ scenes where the entire thing needs to be re-done from scratch. And given how expensive this would be, it's likely never to happen. So no, it's not impossible that we'd see DS9 and Voyager get re-released in HD, but very unlikely. The extra complexities required would add tremendous cost to an already expensive endeavor.

@uss_04 4 года назад

Technology Connections Meanwhile, I’m rewatching TNG n Netflix, the compression artifacts when you see the establishing shots of the Enterprise on a star field are atrocious

@1685Violin 4 года назад

You didn't pin it. Maybe RU-vid unpinned it by itself. Edit: It's pinned now.

@Hansengineering 4 года назад

Consider, running contemporaneous to DS9 was Babylon 5. B5 famously used Amiga computers running Video Toasters (in the first couple seasons, along with SeaQuest DSV), and that stuff looked waaaay better than what Paramount was doing with DS9 and Voyager. There seems to have been a optimization done in the CGI work that boils down to "how much effort do we REALLY need to spend here? It's going on broadcast TV." DS9/Voyager was fine for TV and VHS, but the models would look like traaash if rendered in modern resolutions. You'd need to rebuild every CGI shot for 2x 7 seasons x 26ish episodes per season. Also while DS9 was the tits from S1E1, Voyager needed until like S4 to get moderately passable.

@JeffreyJakucyk 4 года назад

I just posted this reply to another comment, but yes... Here's the TLDR from treknews.net Basically, TOS was all mastered on film, so they could literally just rescan the master print for each episode and be done with it. They did redo VFX with CGI for the remaster because the film compositing done in the '60s wasn't great and led to muddy shots that looked much worse compared to the HD scans. I believe they put both versions on the TOS Blu-Ray release, which is a nice touch. TNG, DS9, and VOY were all shot on film (though I have heard that there's some issues with the film stock used for certain shows and even specific seasons, such as season 2 of TNG), but they were all composited and edited in video. There are no master film prints of finished shows like in TOS. In that respect, the three modern series' are all the same. The difference however is that TNG used very little CGI when originally produced, but DS9 and VOY did. So in all three modern shows a remaster would entail the same scanning of the original raw film footage, re-compositing all the scenes and in-camera effects (assuming the plates are all still usable), and using modern CGI to recreate the VFX from the original video editing. Recreating the CGI from DS9 and VOY is non-trivial because a lot of the original assets are lost, either due to backup failures, deletion to save drive space, and/or closure of the production houses that made them. Even if the assets were available, simply re-rendering them at HD resolution would make them look cartoony at best, and a jumbled pixellated mess at worst. That worked for South Park because it's already a cartoon, but you can still see in their re-rendered early seasons some rasterized assets (like the poof ball on Stan's hat) that are jarringly pixellated. I think DS9 suffers the worst from this because there are some extensive space battles with hundreds of ships, all of which would need to be basically recreated from scratch. That could make remastering one episode of DS9 cost as much as the entire remaster of TNG. As for 4x3 vs 16x9, just leave it like it is. I think in the case of TNG it was mostly filmed in 4x3, so to get 16x9 you crop out a lot of the top and bottom of the frame and can lose important parts of the scene, or try to rebuild the sides of the set in CGI. In some cases they did shoot on wider film and did some pan-and-scan, but then you risk seeing the edge of the set, lights, tripods, wires, and other crap that then also needs to be digitally removed. All of this would add yet another layer of cost, so just accept the black bars, they won't hurt you, trust me.

@garethfairclough8715 4 года назад

Actually Eric, the CGI models for DS9 etc were massively (and I do mean massively) overbuilt for 90s standards. The ones which were in the background were tiny, so wouldn't hold up (but they're tiny background ships so you wouldn't notice anyway), but the front/centre ship models were all really good. Given new lighting and some fancy FX, they'd look just fine. Not amazing, granted, but they'd hold up. Also, DS9 didn't get good until the back end of S3, while Voyager was at least passable from the off. Fight me! :P

@VaterOrlaag 4 года назад

Monty Python even made a joke out of it: "Alright, stop that sketch. It got too silly." "You can't stop it - it's on film!" "That doesn't make any difference to the viewer at home, does it?"

@KairuHakubi 4 года назад

I loved that. and how different they looked on film (plus their voices were clearly dubbed in post, another difference from that kind of filming)

@PhoenixNL72-DEGA- 4 года назад

R.I.P. Terry Jones :'-(

@davidjames579 4 года назад

"My God! This building's entirely surrounded by celluloid"

@soberhippie 4 года назад

Bloody hell. That's (almost) exactly what I wanted to post. "Oh my god, I'm on film!"

@Max_Jacoby 3 года назад

What do you mean "you can't stop it - it's on film". Is film unstoppable or what?

@MattMcIrvin 4 года назад

Monty Python not only used both as you mention, they did jokes about it. "This building is entirely surrounded by film!"

@dominateeye 4 года назад

Oh, THAT'S what that sketch was about, okay.

@BigDogCountry 4 года назад

Came here to mention the Society for putting things on top of other things.

@kelvin0mql 4 года назад

Yeah, the Monty Python guys were very meta.

@MattMcIrvin 4 года назад

@@dominateeye I am pretty sure that sketch was specifically what taught me the difference between the appearance of video and film. I'd noticed the "soap-opera effect" before, but until that moment, I didn't know what it really was.

@KRAFTWERK2K6 4 года назад

"Good lord, i'm on film. How did that happen?"

@supperflydaddycar 3 года назад

"Or IMAX and you should just give up trying" LMAOO I used to be a projectionist for them. Its HUGE.

@jonaboy3 3 года назад

I didn't really get that comment, does he mean you should stop trying to determine the resolution equivalency of imax? like why bother releasing an old imax in 4k when we can do it in 16k in a decade?

@vividvoidgirl2760 3 года назад

I'm also a former projectionist and I totally lost it at that remark!

@GregConquest 3 года назад

@@jonaboy3 I think he was saying you should give up trying to determine the resolution in order to scan it -- because the resolution is just way too high to edit digitally (and maybe to capture to begin with). Editing 8K video is already too much for many prosumer-level computers. 16K would be four times that! Most computers would just choke.

@TheLiasas 3 года назад

@@GregConquest 8k is alrdy the standard for many pro producers even RU-vid, see linus techtips as an example. So doing even higher res-es(?) on scanning nowadays for those deeeeeep pocket enterprises shouldn't be a problem at all... Whether or not its worth it (due to the fact that why would you produce 16 or 32k video now that ppl wont be able to consume properly/or give you a decent advantage over other production methods) acting as a limlting factor for such endeavor being accomplished at all, is a different matter

@GregConquest 3 года назад

@@TheLiasas Pro producers don't use prosumer-level computers. And I was explaining why 16K would be prohibitively expensive. You missed the point on both.

@fakshen1973 3 года назад

Film shoots were incredibly expensive. So when shooting professionally, there was a budget for your stock and how many feet of film was going to be developed. This required more forethought, planning, and actors who could nail their lines in a minimum number of takes. If you were shooting excessive numbers of takes or angles, you probably would go over budget. Today, storage is dirt cheap and getting a viewable image is instant... rather than putting all your hopes and prayers that what you shot was on a good batch of film and nobody screwed up the process along the way. The same holds true, to some degree, with music. It was expensive to record music. It was expensive to shoot film. But here we are... people making videos of what they ate for lunch.

@flipmode916 8 месяцев назад

"First time listening to...insert something here"

@Naltrex 7 месяцев назад

that's what makes Queen's concert in Hungary in 1986 really impressive. the whole concert was shot in 35mm film with 16 different cameras, and it was all thanks to the hungarian government. they hired the best cameramen in the country. and it's why we have the full remastered concert in HD on blu-ray right now

@WaybackRewind 3 месяца назад

I have yet to post my lunch eating to my channel, but I am always searching for good ideas. 😄

@justinwarthen 4 года назад

‪”Photography seems like a very trivial thing today but it wasn’t so easy for the vast majority of its history. The goal of this video isn’t to go through the entire history of photography” That’s not very Technology Connections of you “so we’re gonna fast forward to about 1900‬” Ah, there it is.

@freewilliam93 4 года назад

I read this as he said it.

@jackwiegmann 4 года назад

Only said what was necessary! No need for all the daguerreotype and wet plate stuff

@lordofthecats6397 4 года назад

@Jack Wiegmann I'm sure that's for another video

@blortslompson2388 4 года назад

@@freewilliam93 as did I!

@tubevolts 4 года назад

Always watch this channel with subtitles on! You never know what hilarity you'll miss otherwise!

@GibusWearingMann 4 года назад

someone should start a streaming service with a similar premise to what GOG did. "We'll stream your old movies and TV that you've forgotten about and aren't selling, a cut of the revenue going to you, and if you let us borrow your film masters we'll cast it to 4K at no cost to you!"

@Yeen125 4 года назад

Does Archive.org count?

@rickfeith6372 4 года назад

No I'm just messing with you. I've never even been there before.

@32BitLink 4 года назад

FOF: fantastic ol' film

@meowchin 4 года назад

The point of GOG is that you own the games that you buy, so streaming isn't really similar to GOG. Anyway, scanning, cleaning the scans and redoing audio is a VERY expensive process. For this reason, this idea can't really happen.

@ryankerr3675 4 года назад

The Criterion Channel, it's like the Netflix of older 4k film transfers. They usually try to collaborate with the directors or cinematographers of various films to make sure the quality matches their vision and final cut of the other released formats and theatrical cuts. You can also buy their Blu-Rays from The Criterion Collection, which they jam-pack with special features, commentaries, and other behind the scenes stuff. Other companies worth mentioning too: Arrow Video, Eureka, and BFI.

@davidsotomayor8713 3 года назад

That Apollo 11 documentary that came out last year had some absolutely AMAZING looking shots from the 60's, and not just stuff like the launches. Much of the footage from "behind the scenes" looks better than anything released today, it is so much more natural looking it's like you're actually there...it actually feels odd at first. It's also a great example that (assuming the proper specs) digital technology can recreate the original analog signal perfectly, both video and audio.

@paavobergmann4920 Год назад

Yup, it´s the initial sampling that matters. The SloMos from the launch pad of the Saturn V lifting up are gorgeous. I could watch that for hours.

@bloodmooneddotavi Год назад

Hey, do you have a link or search term of some kind?

@gdrriley420 Год назад

@@bloodmooneddotavi Apollo 11 2019 film

@gdrriley420 Год назад

Welcome to the magic of 70mm film, the quality is crazy good.

@guily6669 11 месяцев назад

My father also got some digitalized very old pictures in high resolution of the place where I live but like from the 60s, 70s and whatever all in black and white and they have incredible amount of detail that I can zoom a lot on stuff with great quality, I'm guessing the original government photos were also in a big size. It literally took decades for the digital camera to get anywhere close but at least nowadays almost everything even cheap has OK quality greatfully and good stuff has amazing quality.

@startedtech 3 года назад

18:53 Ok, I know I'm 4000 comments late to the discussion. BUT, as my dad is a huge 16mm collector (probably has close to 1000 films at this point- and if you ever want to cover the original Kodacolor lenticular color film, let me know!), 720p is not enough for 16mm film, unless you're talking about the EARLY 16mm stuff, pre-1930. (16mm film released in 1925, but you just do not find any film from 1925 for some reason. I don't know why, despite having a camera, possibly two released in 25). 16mm scans should be 1080p minimum, with 2K resolution (i.e. 1440p) being the best "mid-range" option. (Do note that 16mm film scanners for the home are still stupid expensive, with the cheapest being about $5000). But really if you see this, please let me know. I'd love to help out with a video on the first consumer motion-picture format, and I can give you access to SOOOOO MANY resources. (I know you said do the best you can, just wanna clarify. Also, at 19:13, 16mm films degrade A LOT- particularly the earliest kodachrome from 35/36, and almost all ektachrome from the 60s-80s. Turns either red or purple. And this is totally ignoring vinegar syndrome)

@startedtech 3 года назад

@@emeryththeman man, great job breaking it down in depth! Personally I think 4K is optimal for 16mm transfers, I feel like someone who says 720p hasn't actually seen 16mm film in person. That should capture most of the grain and make it actually look as it does from a projector.

@jannegrey593 3 года назад

Yeah. I agree. I've seen higher quality 16mm and there is even a difference between 2K and 4K scan. Although technicians when doing back of the napkin calculations say it was about 3K - for good quality 16mm film. 35mm is more like 6-8K if not higher (there were very good quality films used sometimes). 70mm is probably 16K range at least. Although I haven't seen personally scans of those (and only 1 or 2 of 35mm) so I don't feel like an expert. I am pretty sure the Wham! video could be released in 8K - but that's a bit too high for RU-vid. Or at least was.

@7evive 3 года назад

You're lucky! And yeah 2K in home scanner are still 5-10K$. You can get your film scanned by professional working for the cinema industry's

@meleniumshane90 3 года назад

The Walking Dead & The Shield are good examples of how good 16mm film can look. Both of them wanted grittier looking shows and presumably the cost benefits of shooting on 16mm instead of 35mm.

@matthiasmartin1975 3 года назад

This. So much this. 720p is just barely enough to capture Super8, should always be digitized to 1080p.

@zupperm 4 года назад

Regarging early tv: I think the most amazing thing was that they would shoot live TV-shows live for the east coast, radio the live signal to the west coast on a non-standard frequency, film the broadcast, develop the film and then broadcast a projection of the film live to the west coast because they had no way of time shifting otherwise. TV Studios would use more film than actual hollywood at the time.

@KRAFTWERK2K6 4 года назад

And thank god they did that. Because these recordings are the only thing left that survived early TV times.

@andydelle4509 4 года назад

Well in addition to AT&T microwave links, AT&T also used coax cables. Yes there were coax cables running hundreds of miles across the country tapping off in each major city. A single cable could carry hundreds of phone calls or one TV signal. So you can imagine the hourly expense to rent time on the cable or microwave link.

@ChristopherSobieniak 4 года назад

@@andydelle4509 You can thank Ma Bell for that one, nobody ever gave then enough credit after the '84 breakup.

@ChristopherSobieniak 4 года назад

@@andydelle4509 True there.

@jamesslick4790 4 года назад

@@andydelle4509 In the old "Bell Telephone" days the phone was the ONLY utility we had that never failed. Electricity,Gas,Water all had occasional outages, But from the 60's to the '80s I don't remember a single time our phone "went out"! it was a seriously over built sturdy system.

@meechmushrooms 4 года назад

Today I learned the "soap opera" effect is a real thing. Growing up, I always noticed this... odd fluidity with soap operas. They all flowed so smoothly, and everyone I tried explaining it to didn't understand. I thought I was crazy until this video.

@IamR3D88 4 года назад

It's totally a thing. Many dont see it at 60fps though, but it gets really bad with motion smoothing

@JukeboxWithJay 4 года назад

Yea looks terrible

@dlarge6502 4 года назад

and today we have TV's that by default "upgrade" all inputs to have the soap opera effect. I sometimes find it painful to watch other peoples TV's. Especially when that is turned on AND they are viewing the image in the wrong aspect radio and for some reason dont notice that everyone looks squashed

@slowgaffle 4 года назад

@@dlarge6502 i hate that post-processing so much, it makes me queezy

@ks5865 4 года назад

It always made me feel uneasy

@Ollie_04 Год назад

One of my favourite examples of film vs tape was Doctor Who. Most if not all serials of classic Doctor Who as mentioned were shot on tape in the studio and film on location, like most shows in the 70s. But with the 3rd Doctor's first serial "Spearhead From Space" because of a strike at the BBC, the entire serial was shot on location with 16mm film and because of that, it was the first classic serial released on Blu-Ray.

@leonbrooke5587 7 месяцев назад

I believe in the days when this mattered the BBC considered 16mm equivalent to SD and 35mm equivalent to HD. this was before 4k was a thing, so thanks to them for doing a thin they didn't see a point in doing on paper. the Spearhead from Space blu ray shows you could get an HD image from 16mm

@sunbrookheath Год назад

Been rewatching The Waltons from the 1970's, it was shot on 35mm film and looks gorgeous on my 4k tv without any goofy anamorphic distortion. An amazing amount of detail put into those sets by Lorimar/Warner Bros. Also another way to tell if a tv show was tape or film is an announcer may say in the end credits something like: "All in the Family was videotaped before a live studio audience" or the credits will read to the effect: "Videotaped at Bueno Vista studios Burbank CA" or it may credit Panavision, Kodak & etc. if on film.

@blaster-zy7xx 4 года назад

As a kid I tried to identify what made soap operas look so weird to me. I never could put my finger on it. I asked other people and they didn't know what I was talking about. I thought it was the lighting. Now I find out it was the frame rate I was reacting to. Thank you for solving a mystery of my childhood.

@JohnDangcilGeekWere 3 года назад

And studio lighting. I want to say Vox did a video on it. I think it was called something like the sitcom look

@LRM12o8 3 года назад

As a digital native, I can't wrap my head around what people mean by he soap opera effect and why it would be considered a bad thing. TV shows, sitcoms and the like never looked weird to me, but natural, whereas the stuttery or blurred movement in movies sometimes gives me a slight feeling of motion sickness or headache. Maybe It just comes down to being used to something? Cause our eyes don't have a framerate, nor does natural movement, so when it comes to a (virtual) reproduction of it, more should be better...

@blaster-zy7xx 3 года назад

@@LRM12o8 It may have something to do with movies having a slightly altered look to them that makes them visually appealing, a bit like slightly slowed down motion looks cool, while slightly sped up actions looks almost comical. The higher frame rate of video makes it look starkly "too real" but with the odd generic lighting, daytime TV always looked unsettling to me, a bit like a visual version of the Stepford Wives.

@SumeaBizarro 3 года назад

As a video gamer, I got to find about this longer while ago, but it was still somewhat of a weird revelation to me. Not only that but while on PC I always like higher framerates (not that I could get more than 40 on my Pentium 3) - for TV/Film I always preferred or were just conditioned to prefer the framerate of film based media. I am not sure if 24 just hits some kind of sweet spot in style, roughness, smoothness and everything in between. Still, these things would funny enough come back with gaming and being transferred from there back to (Mostly just Japanese) Animation with Guilty Gear Xrd. For those less in the know, this is a fighting game that opted to present look of hand drawn (Japanese) animation from entirely 3D scene character models included. One major thing was purposefully turning off modern interpolation technologies (on the fly generation of maximum amount of frames to an animation as current frames per second allows) and doing every "frame" of the game by hand. Most interestingly, like said, this actually transferred over even to animation industry as some people from that same game development team left the company to find an anime studio that uses 3D and same techniques for animation one recent more known things being "Beastars" TV anime. The framerate conundrum especially for animation and movies etc. is fascinating. Even in Fighting games some games that tried to copy Guilty Gear while skipping steps ended up looking cheaper and "unnaturally smooth" while smoothness is actually the natural state of anything moving. We are just real weird.

@LRM12o8 3 года назад

@@SumeaBizarro hm, well I'm a gamer myself, but I remember that even before that, as a kid I've already sometimes noticed stuttery cameraflights (mostly in documentaries) and got frustrated with fight scenes that were so blurry that I could hardly tell what they were doing in cinema movies. Ever since I learned about FPS and got used to gaming at min. 50 FPS, I often get a slight feeling of motion sickness from movies. I don't think that there are any averse affects of high framerate for the image quality or the feeling of a movie, but that Hollywood simply managed to convince people otherwise, because they didn't want to upgrade for some reason. I mean there surely must be a reason why TV adapted higher framerate cameras, as soon as more than 24 FPS was possible. And I can even understand that Hollywood didn't upgrade right away, cause at that time storage was probably too expensive. TV stations didn't have to store their video footage, they just broadcasted it live once and that was it. But before storage for HFR movies was feasible, Hollywood discovered the option of hiding lackluster acting through the limits of 24 FPS: just make your kicks and punches faster than the camera can clearly capture them and nobody will notice, if the fight choreography doesn't look convincing in reality, that's my guess. I mean, if you watch old action movies from Bruce Lee or Jackie Chan, they're fight scenes are much slower, and there's no blurriness in the motion. They slowed and perfectly timed their moves to hide the technical limitations of their camera equipment through their acting, not the other way around! But at some point, demand for faster and faster action rose, to the point it became too fast for the cinema cameras. But instead of upgrading the cameras, Hollywood pulled a Jedi mind-trick on people, telling them "You don't want higher framerate and sharp high-speed action scenes", that's what it feels like to me. The reasons Hollywood people bring up against HFR don't make sense to me. Apart from the "soap opera effect", the most notable one I've heard is that it drive storage costs for the movie footage too much. Sure, 48FPS or 72FPS would double or tripple the storage requirement, respecively. But that didn't stop Hollywood from going from 1080p to 4K (which is a good improvement), *quadrupling* the amount of storage space required and now they go from 4K to 8K (for diminishing returns, imo), quadrupling the storage requirements again! Also HDR adds a significant increase, as well. So storage costs clearly can't be the issue! I agree that for animated movies, it's not an issue, they're fine at 24Hz. The issues I have with 24Hz movies don't apply to animated movies, because there's no cameras involved, every frame is a perfectly sharp hand-crafted picture, so there's no blur, unless it was intentionally added and I guess the fact that the drawings, no matter how good, are never photo-realistic prevents my brain from expecting fluid motion and thus getting motion sick (just a theory). I've actually just watched a video about why interlaced 60Hz animations look terrible compared to the original 24Hz animations it makes total sense to me. the tl:dr is that "movement" is carefully timed to give it purpose and expression, and the AI interlacing programs destroy that, making the animations feel bland and lifeless, because Computers can't emulate the imperfection and irregularity of real life. That also means, if an animator was to animate something at 60FPS natively, hand-crafting 60 frames per second, it would take awful lot of time, but it would look just fine. It's not the framerate, but the way it's achieved, that makes the difference in animated movies. This is the video I'm talking about: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-_KRb_qV9P4g.html

@rewboss 4 года назад

Since you mentioned Monty Python, they once did a sketch where the characters suddenly realized the building was "surrounded by film". They kept trying to escape, but every time it cut to an exterior shot, they were on film and retreated back inside in panic.

@Lolwutfordawin 4 года назад

Man, I never got that sketch, gotta rewatch it now.

@xeroniris 4 года назад

Yep came here to say this.

@Myrtone 4 года назад

On a related note: Since you have been making videos for 15 years, I have noticed that your early videos, and many other early RU-vid videos, are currently not available at resolutions greater than 240p, but if they were originally filmed at a higher resolution, could they be re-published at a resolution more like the one at which originally filmed? I also wonder if the practice of filming past content at a higher resolution than it was shown on television was more common in Germany (and maybe other Germanic countries like the Netherlands) than in the English-speaking world given than these people and known for planning ahead.

@marsilies 4 года назад

@@Myrtone If the source video originally was a higher resolution, or a higher resolution version can be made, one could publish a new version of the video in higher resolutions. The issue is that RU-vid won't let you alter an existing video post with a different video. This is to prevent fraud; someone posting a video that goes viral and then changing the video to an ad to capitalize on all the views, but it means that the only way to do a higher resolution is to make a new video post. So people can either delete the original video and post a new version, or leave the old video up and post a new version. The issue with the first one is that you'll break anyone who previously linked to that specific video (think of all the rick-rolls that would be broken if that original video was deleted). You'll also lose all the views associated with that original video, which could affect your visibility. As for leaving the old one up and posting a new version, that's actually what happened with the Wham! Last Christmas video. The original was posted 10 years ago and has 422 Million views, and the new 4K version has 8.7 million views: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-E8gmARGvPlI.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-bwNV7TAWN3M.html Sometimes you'll see people post links in descriptions, or add cards that link to the newer, better version. However, even then the new version may not get many views. I think the Wham! video is getting so many due to it being a perennial Christmas classic song, and people are primed to want to view the video this time of year, even though it's so old. For most older RU-vid videos, even if it's only a decade old, most people want to see something new instead of something they've already watched, but in HD.

@Myrtone 4 года назад

@@marsilies In that case, a new video post is indeed what I'm suggesting. I'm sure there are plenty who haven't yet watched Andrew's early videos.

@DurdleDers Год назад

This guy just taught me exactly how photography and television works concisely in a way that I understood completely, all in the space of 5 minutes...I actually felt myself getting smarter 😂 you've earned yourself a subscriber my friend.

@ezpoppy55 3 года назад

Wow. I’m a (retired) adjunct professor of photography and your explanation of visual recording media was perfection! Your jumps back and forth between film to tape to digital was concise and specific - and coherent and even accessible! Amazing. Brilliant. And… thank you!

@6884 4 года назад

Here I am, at 1AM watching a video on stuff that I mostly already know, AND YET how could I resist? This guy could read the Cleveland phonebook and he would have my undivided attention.

@acevehe 4 года назад

You're so right. The way he explains things in technical and layman's terms at the same time make his videos so great and the topics are great. I always learn something

@omgubler 4 года назад

literally me. It's 3:30am and I already knew most of this, but hearing it presented by him makes me feel more intelligent lol.

@jackofnotrades4350 4 года назад

that hit me - here i am 1:26 am gotta be at work at 8 am lol

@denelson83 3 года назад

But he lives in the Chicago area.

@yosh5161 3 года назад

Ha you think 1am is late? It’s 5:09am for me and I haven’t slept yet!

@Eralen00 4 года назад

As a photographer who uses mostly film, I get a kick out of people who are surprised how beautiful and rich film can look. (Not all the time, but if its processed, stored and displayed properly.)

@goldenhourkodak 4 года назад

Yep. People are often mind-blown that my photos are taken on a cameras from the 60's and 70's

@southerncharity7928 4 года назад

using film in the last decade, for stills photography, is all but redundant. 50megapixel + cameras are easy enough to get and so much more editable. 20mpx is probably more than film can practically match anyway.

@Case_ 4 года назад

@@southerncharity7928 It's not redundant, because it has a different look to it that's almost impossible to recreate digitally. You can get fairly close, but it is still detectable most of the time.

@Moxtrox 4 года назад

@@southerncharity7928 While modern high-end digital photography is undoubtably superior in terms of quality, there's something about film that just can't be recreated. It's almost like it a 2.5D image with a tiny layer of depth that you just can't get out of digital.

@southerncharity7928 4 года назад

@@Moxtrox if there is a perceivable factor it can only be viewed by yourself, in that as soon as you scan it digitally, any advantage is gone

@machinerin151 3 года назад

"And we were all having fun watching these amazing movies at the cinema, enjoying our popcorn, socializing with the neighbours" This line hits different in 2020

@twenty-fifth420 3 года назад

I agree, very different. A much simpler time, really.

@juliusnepos6013 3 года назад

Yeah

@ThexDynastxQueen 3 года назад

The Before Times

@denelson83 3 года назад

"And then a little thing happened called 'television'."

@John_Notmylastname 3 года назад

I really appreciate that Alec is willing to put his gaffs at the end. Lol makes for a little chuckle and shows he isn’t afraid to look anything other than perfect. I’m really starting to like this fellow.

@SoundFieldPBS 4 года назад

Dynamic range is the easiest way to tell between a film source and a tape source.

@CatatonicImperfect 3 года назад

i so expected this to be covered. it's what really sets old videos apart. that blown out digital look... ugh.

@jspafford 3 года назад

Up until 10 years ago.

@martinlutherkingjr.5582 3 года назад

Until HDSLRs and DOF adapters came along, depth of field was the easiest way to spot that something was shot on 35mm or larger film. If you had a terrible film to video transfer the dynamic range could be horrid.

@SirTomFoolery 3 года назад

I would like, but..

@Bilfford 3 года назад

I'm assuming dynamic range was better on film?

@lonesnark 4 года назад

Star trek TNG was mastered on tape. To create the HD version you're talking about, they had to dig out the shots, re-edit it together, and redo the special effects from scratch digitally. My understanding is they are currently in the process of doing just this to voyager now.

@sunspot42 4 года назад

Gregory Parsons Not possible with Voyager, apart from maybe the first couple of seasons. Voyager went to using CGI and that was all rendered to tape, not film. So unlike TNG, where the effects were shot to film and then composited onto tape, there are no film elements for Voyager after the first couple of seasons, other than the live action shots. They’d have to recreate all of the CGI for Voyager, which would cost millions of dollars. Not gonna happen.

@cpufreak101 4 года назад

another commenter pointed out that apparently the remake for Voyager is cancelled due to an unfortunate lack of demand, apparently other star trek remasters didn't reach sales expectations.

@lonesnark 4 года назад

@@sunspot42 it could, a few million dollars to make millions. All of the non filmed effects of TNG had to be redone (lasers, matt paintings, compositing) at the cost of millions. They intended to do it for voyager too, but it seems the blurays of TNG didn't sell well enough. 💶

@sunspot42 4 года назад

@@lonesnark Let's be clear - virtually all of TNG's effects were filmed, along with the live action. The effects were composited onto video back in the day. In order to produce the HD remaster, they had to scan in all of those film elements - live action and effects shots - and recomposite as needed. Some effects shots would have half a dozen or more film passes, so this was a considerable effort, but virtually all the bits and pieces existed on film. For Voyager that simply isn't the case. After the first couple of seasons the effects were done direct to video via CGI. There are no film elements. All of those effects would have to be re-rendered in HD, and I suspect many of the original CGI elements don't exist in any form - they'd have to be recreated from the ground up. That would cost well in excess of ten million dollars for the entire series. There's no way Paramount is gonna blow that kind of money on Voyager - they'd never recoup their investment. Heck, they didn't make back the money they blew on the far simpler HD remaster of TNG.

@KRAFTWERK2K6 4 года назад

@@sunspot42 TNG Effects had to be partially re-done digitally as well since they also were only done on the Video Level. But yeah model shots would be an entire different thing. Also why we probably won't be getting any HD release of Babylon 5 any time soon.

@toddament8035 3 года назад

If you're old enough to remember the phrase "Film at Eleven" on the 6 o'clock news it was as follows: The news anchor would give as much detailed information about an event happening in the field but the actual film wouldn't be processed until it was back in the studio and then shown during the 11:00 news.

@SomeOrangeCat Год назад

The film/video difference was something I always noticed when watching Doctor Who as a kid. Whenever Tom Baker was in the Tardis, it always looked different from when he was trouncing around a rock qua-alien planet.

@chrisingram9798 4 года назад

“Millions of people will learn Latin and Greek from their televisions” I see what you did there! Very nice

@djsherz 4 года назад

^ This guy gets it.

@djsherz 4 года назад

@Trey Stephens "Tele", Latin word meaning "far away", and "vision", the greek word meaning "to see"...

@TechnologyConnections 4 года назад

@@djsherz That's not quite the reference I was making, but if the writer of that line were hinting at that I would be A) not surprised and B) a little blown away by the subtlety there!

@oransands 4 года назад

@@TechnologyConnections I believe you may have been referencing the early rationale for television i.e. learning foreign languages. Well, we got PBS as well as the Gong Show so it's all good.

@AttilaAsztalos 4 года назад

Nonsense. Everyone knows the one true language to finally unite the world that everyone will speak in the future is Esperanto...! /s

@avlisk 4 года назад

When I got into broadcast TV in 1976, we used 2" quad tape machines to record sporting events and save highlights. Our instant replay/slo-mo machine was a set of polished discs that could record up to 30 seconds. The replays we wanted to save were immediately transferred to the 2" tape machine to free up the disc recorder for another replay. We had to rush to get the transfer done, and often would miss the next hilite if it happened before we got the disc recorder back into record. The entire machine was contained in 3 heavy, metal boxes that stacked one on top of the other. We had one tech assigned just to that machine to keep it in working order throughout the broadcast. It was always "fouling", requiring re-polishing of the discs. It was a fiddly, quirky, and maintenance-intensive device that was as big as a small wardrobe/armoire and weighed hundreds of pounds. It was the Ampex HS-100. I bet you'd like to investigate it! Here's a link: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-cW7jvmoLQ7o.html

@robossuperchannel9434 4 года назад

A video disc is mentioned during the 1977 Bathurst 1000 ( a motor race in Australia) by the commentators and always wondered what that was.

@CantankerousDave 4 года назад

Ah, the days of Big Iron. I volunteered at the local cable TV center (back when community TV production was a thing) in high school in the late 80s and got to play around with honkin' big switchers and cameras on shoots. These were the days when movie production companies would send out packets with 8x10 prints from the movie for use in movie reviews, and you "digitized" them by putting them on a rostrum and pointing a camera at the things.

@robossuperchannel9434 4 года назад

Here is the clip that mentions the videodisc ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-8z9zjdtvtL8.html

@hakimflowers8251 3 года назад

I’ve always thought of tape footage as “glossy” while film footage is “flat”.

@silkwesir1444 3 года назад

how about gooey vs prickly?

@rty1955 2 года назад

Haha working in tape since it was invented we never used the term "footage" when referring to tape. We called it simply a recording, segment or clip (for a short piece). Because both film and tape could be physically cut u could call them clips. I used to edit by actually cutting tape

@rty1955 2 года назад

@David Reads what "sick cuts"?

@doctordothraki4378 2 года назад

@OP Yeah, probably because video is straining its dynamic range slightly, giving it more contrast at the same settings. Film has more dynamic range, letting you "fit it all into video" or "flatten" the brightness values

@Uruz2012 2 месяца назад

@@silkwesir1444I tried to compare and realized that it's all just gooey prickles and prickly goo.

@MorgoUK 3 года назад

A year on and I’ve just got the “learning Ancient Greek and Latin” crack. Apparently the word ‘Television’ caused some offence to some stuffed-shirt classical scholars in the UK at the time.

@robertjenkins6132 2 года назад

No comprehend. You're referring to Greco-Roman origins, tele- +‎ vision? Why offence?

@MorgoUK 2 года назад

@@robertjenkins6132 as I alluded, back in the 1920’s at the dawn of Television, the admixing of Greek and Latin to form a new compound word was considered by some to be etymological heresy. Classical Greek and Latin were considered “pure” by some scholars, (a pre-Victorian construct) regardless of the roots of those languages.

@profezzordarke4362 2 года назад

@@MorgoUK Funnily enough I know T-Shirts saying "Polyamory is wrong! Never mix greek with latin; it's either Poliphilia or Multiamory." Which of course alludes to stuff like this.

@tegopro86 2 года назад

@@profezzordarke4362 There's a homosexual joke that's the same way.

@cymbals23-old82 2 года назад

It’s just a direct quote pulled from Walt Disney’s Carousel of Progress

@SimonFoxVids 4 года назад

One good example of film vs. tape: The Twilight Zone Season 2, and the handful of episodes CBS shot at Television City on tape to "save money". Forever stuck in 480i, with all the fun side effects the Image Orthicon tubes created.

@VectraQS 4 года назад

That's the example I always pull out when I talk about the "feel" of film vs. videotape. Those videotaped episodes almost feel like they're not the same series. It just feels wrong. The recent live stagings of Norman Lear shows on ABC also felt very wrong because those series were originally videotaped. I could go on and on with gripes about framerates. Don't get me wrong, I love videotape (and even tube camera effects), but I also am very sensitive to the "look and feel" of something.

@GFGAED 4 года назад

This is the first thing that came to mind the moment he mentioned the soap opera effect! Could never put my finger on what made some of those episodes feel so weird

@oldtvnut 4 года назад

The TZ tape/film comparison shows another strong difference, which is the tonal rendition. Film has an S-curve of contrast, where mid-tones are most contrasty, and contrast gradually reduces as you go into the highlights or lowlights. The old black and white image orthicon video cameras had no precise tone curve correction, only effects similar to early Xerox copiers. Later image orthicon color cameras combined with CRT (picture tube) displays had essentially the shadow part of an S-curve, but highlights would go straight up to maximum and then clip. Later plumbicon video cameras had much better tone curves, but still were usually pretty crude in handling highlights. Today's digital cameras, both still and cinema, with the post processing that produces the final output, emulate film's S-curve and do it quite well.

@videomonster3766 4 года назад

I see you caught this episode before I could. Really hope I can join your video team at next years MFF. I know how to do a video, really I do!

@HailAnts 4 года назад

Ya know, I’ve seen the SciFi channel broadcast what has to be the original Ampex video recordings of those few taped shows. For decades in syndication they must have only ever shown the Telecine (filmed TV screen) versions of those episodes. But what I saw was definitely the actual videotape because Serling was on the set when he did the intro, and when the camera panned over from the actors to him the ‘soap opera effect’ was obvious. In fact, the SciFi channel seems to show both versions of these episodes, Telecine & videotape, for some reason...

@JingleBop 4 года назад

On a side note. A small theater near where I grew up continued using a film projector until about a year ago. I was pretty cool going into that back room to see the projector. That thing was a work of art. I'm more surprised that the major studios still sell film versions of their productions.

@chuckheider9938 4 года назад

We had a little local theater near us that used film until 4 or 5 years ago. I used to go there just for the novelty of watching a movie on actual film. Then they upgraded to digital. And not a great quality projector at that, because I was able to see the pixels sometimes. I ended up just buying my own video projector and now I watch movies at home. No point in paying high prices just to watch someone else do video when I can do it myself. Film had a novelty to it, and there was more cost/effort to produce the physical media & project it. Video I can watch at home, and it's cheaper for me in the long run.

@JingleBop 4 года назад

@@chuckheider9938 That's what the one near me did. I haven't been there since they "upgraded" the projector so I can't speak on the quality. They completely renovated the place as well. It was definitely that old school aspect that drew people in, the tickets were always pretty low priced, but the movies didn't come out until about 1 1/2 months after they debuted.

@illusion-xiii 3 года назад

This was so cool for me, thank you! When I was young, at some point I started to notice that some shows looked "different" from other shows. I didn't have any understanding of resolution or those concepts, I just always knew that there were some shows (like MASH or Star Trek) that looked one way, and other shows (like The Jeffersons or morning soap operas) that looked another way. I couldn't describe it, there was just something in how they looked that felt different. Over time, from simple process of elimination, I started to work out some patterns, like the fact that movies shown on TV always had that first look, and TV only sitcoms often had that second look. Some shows (like Dr. Who) looked the first way for any outdoor scenes, and the second way for indoor scenes. I don't know how old I was when I figured out that the difference was that that first "look" was things shot on film, and the second "look" was things shot on video. I felt proud of my deduction skills and moved on. But I never actually understood why they looked different, what was that indescribable quality that made one feel different from the other. So watching this video brought me right back, and finished the mental journey I had started... a good number of years ago, but this time with some actual science. Understanding how the random, natural orientation of the silver particles on film lend it a sort of underlying texture that differs from the concrete, geometric pixels of video makes so much sense, and puts words and meaning to something that my younger self just felt instinctively. This took me back, and I really appreciate that. Very glad I found this channel.

@hman2912 3 года назад

I remember watches loads of shows as a kid and noticing the difference between things shot inside and out. No adult I knew had an answer, but I suspected it was something like this. What an awesome video. Thanks a lot.

@AndrejPanjkov 4 года назад

Here in Australia we had an extra issue with the quality of taped shows. Because US programs were NTSC and the Australian TV standard was PAL, the conversion would make US taped shows look mushy. These were usually taped studio shows like All in the Family or all the soap operas. Filmed shows, like say, The Addams Family and Hogan's Heroes looked much better. Australian taped shows, like the studio bits of Division 4 and variety shows like the Paul Hogan show, were also much sharper and cleaner than US taped shows. (Those Australian shows also used film for outdoor shots, and that was noticeable in the same way as your Monty Python example.) I was amazed when I visited the US to see how taped TV shows looked so much sharper when broadcast in their original NTSC formats. Until then I thought American TV was really poorly made, and not degraded in the broadcast format conversion.

@SeanBZA 4 года назад

Same here in south Africa, for the same reason. However a lot of the home made content was shot on 8mm and 16mm film, because the stock cost was a lot less than 35mm, leading to the film actually being equal to the broadcast video, though you can see the old broadcast tapes ageing with the reruns, they are a lot softer than any telecine conversion, even using the old hopping patch telecines that they used to have. As well a lot of the archives are from home recorders, as the broadcasters would recycle tapes a lot, as it was expensive, and nobody was really archiving anything other than the film stock.

@dbeierl 4 года назад

But it's also true that PAL has 625 lines per frame and NTSC only 525.

@rty1955 4 года назад

@@dbeierl but pal had a 25fps and ntsc was 30fps so pal can be a lot blurrier

@sionfiction9566 4 года назад

@@rty1955 Of course! Now I understand! That's why my 24megapixel Stills camera images with their lousy 0fps framerate look so mushy compared to the crystal clear images from my 1megapixel, 15fps 10 year old webcam! Thanks.

@benryves 4 года назад

This is spoofed in the UK TV series "The Day Today" where the news reports from American channel CBN are processed to exaggerate the effects of poor NTSC to PAL conversion (examples clips can be found on RU-vid if you search for "the day today barbara wintergreen").

@VirgiltheChicken 4 года назад

I first became aware of this watching Twilight Zone reruns in the late 1990's and wondering why some episodes looked good and some looked like they were recorded using my family video camera. Turns out they used film but switched over to tape to see if they could save money. They couldn't and went back to film.

@VectraQS 4 года назад

Not to mention that they also couldn't edit the videotape. The videotape setup severely limited the visual scope of the program.

@timrobinson6573 2 года назад

It makes me sad that I'll never get to see Urkel and the Winslow family in any definition higher than 480 lines

@homecinemaman Год назад

What a spectacular channel. What an excellent way to explain standard definition, film, high def, soap opera effect etc. I am overwhelmed by how such a complex subject was simplified as it was. Thank You for another truly great video.

@Maxx2c 4 года назад

"It looks like it was shot on the tape" I can totally feel that sentence... Though we cant techincally explain the difference... Our eyes do catch it ! Perfectly explained.

@oz_jones 4 года назад

While on the surface the sentence is a tautology - floor is obviously made out of floor, it's true - tape has a look to it that film doesn't, and vice versa.

@thorin1045 4 года назад

It is a perfect example of how our perception is split into several part. The final processed image mostly removes the difference, since it is not true information that needs to be presented to our brain directly. But the imperfections are recorded and analyzed by our brain too, and if needed, it can tell, this is probably taped or filmed or whatever, but in most case, it is just discarded as irrelevant information.

@MrUserasd 3 года назад

We CAN technically explain the difference. It's motion blur associated with 25-30 FPS and lack of it in 60 FPS. It's really obvious when once you understand it: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-oaaBOu086Xg.html

@bloozee 3 года назад

@@MrUserasd tape can record full digital broadcast DigiBeta or it can be crap ..but if it istransmitted on 'analog' tv band it is NOT 60 FPS!

@MrUserasd 3 года назад

@@bloozee But nevertheless it has less motion blur.

@TheHouseOfWaffles 4 года назад

I remember watching Doctor Who as a kid and wondering why the interior scenes where always so clear while the outdoor scenes were always a bit grainy.

@Takeshi357 4 года назад

Doctor Who would've been a good example to use since it uses both film and tape. What I always found an amusing artefact of the video half of the production was the way bright lights would swear across the screen when moving.

@gussyt1761 4 года назад

If you watch Spearhead from Space, that was shot on film and then you look at the next Episode and the quality drops cause they filmed on tape

@dunebasher1971 4 года назад

@@gussyt1761 The next story, not the next episode. Spearhead from Space is a story made up of four episodes. Yes, I know they were shown as compilation edits in the USA, but Spearhead from Space is not a Doctor Who episode, it's a Doctor Who story :)

@dunebasher1971 4 года назад

@@Takeshi357 That is called comet-tailing and was an artefact of the imaging tubes in the cameras. It was greatly reduced with advances in tube camera technology, and then eliminated altogether when cameras switched to using CCDs rather than image tubes.

@Takeshi357 4 года назад

Of course it has a name.

@shibu5175 3 года назад

7:09 "the first _reel_ success in this field" I don't care if it was intentional or not. I'm calling it

@doctordothraki4378 2 года назад

I believe in the DAC-145 video, the captions say "reel" in a Pun for "real", revealing Alec's punny intent. That didn't happen here, but still, it's punny

@gia9551 3 года назад

I’ve been calling tape ‘digital’ for years and years and I’m so happy to finally understand fully the difference between the two

@bluesailormercury 3 года назад

Right? It's interesting to find out electronic doesn't mean digital. But you know what's even trippier? Optical doesn't mean digital either. Laserdiscs were basically giant CDs but they stored analog video, as some sort of higher-quality (but not HD) VHS tapes.

@yonatanbeer3475 3 года назад

Is tape not digital?

@davidjames579 3 года назад

@@bluesailormercury And add to that some LD's had Digital audio, but the video was still Analog.

@bloozee 3 года назад

tape HAS been digital throughout the TV industry for many years now. and even in 8mm domestic formats like DV based on the low end pro format. DVCAM. refer also to. compressed digital like BETACAM SX or the uncompressed broadcast format DIGIBETA.

@scottluther2091 3 года назад

Tape is an magnetic source, however you can write digital material to it (D-VHS, DAT, etc.)

@kemy5368 4 года назад

My mind was not blown by that Last christmas remaster, because I bought West Side Story, The Wizard of Oz and Robocop on blu-ray. The image quality is so good, they look like they were filmed in the 2000's

@mndlessdrwer 4 года назад

You'll occasionally get some color weirdness from old film samples, but it's nothing a good mastering studio can't fix with time and money. I just feel really bad for the actors filming for Technicolor films, because the first couple generations required the set to be dramatically overlit to get adequate exposure. Those lights get really damn hot and make the entire set feel like a large toaster oven.

@KRAFTWERK2K6 4 года назад

The Wizard of Oz was even a special case since it was shot on early multistrip Technicolor which was shot on basically on 3 individual strips of film. One for each colour. And that was then layered to a single strip colour print. When they scanned the camera negatives they had to do it once for every colour. And that also helped to eliminate dust and dirt a lot easier since the image restoration software they used compared all 3 pictures of all 3 film-strips for every frame and if there was a speck of dust on only ONE of them but not on the other two, it removed that speck of dust and made it look like the other two.

@shadowking141ghost 4 года назад

Kémy me prefer watching the original version of a movie not remastered version

@MartyBellvue 4 года назад

or the beatles’ remastered movies...

@Stoney3K 4 года назад

I wonder if they will ever re-master the Thriller music video. It's very unusual for music videos to be shot on film in the first place, and when they did, it was often a promotional project from a film director who was already in the industry. Motion picture film stock is EXPENSIVE so it's only used for projects which have a very high return on investment.

@dahlgren23 4 года назад

Look at the trailer for the 4K version of 2001: A Space Odyssey. It’s from the 1960’s and looks amazing today.

@DapperHesher 4 года назад

I'm still gonna fall asleep 1/3 of the way into the movie... LOL!

@Sagittarius-A-Star 4 года назад

@@DapperHesher I read the book when I was 12 and saw the movie when I was about 17. I did not fall asleep but was not sure what to make of it.

@dunebasher1971 4 года назад

@@DapperHesher See 2001 on a proper large cinema screen (preferably watch the 4K restoration by Christopher Nolan) and you won't fall asleep. It was never intended to be seen on a small screen, you really need to see it on a huge screen that fills your entire field of vision - when you do that, suddenly it all zips by.

@absolutium 4 года назад

Well thats no surprise as it was filmed with 70mm celluloid.

@SmallSpoonBrigade 4 года назад

The Prisoner transfer for Bluray was awesome. One of the downsides here, is that even when they did use film, sometimes you didn't notice how out of focus things were. And sometimes they do a better job of correcting for noise than others. I never noticed how out of focus Ghostbusters was, but they made it worse by not properly accounting for digital noise over the top of that. It's why it's often best to scan the same image multiple times as the noise and sampling errors will tend to vary a bit, allowing for a cleaner scan.

@enriquedossantos3283 Год назад

The exact same thing happened to me when I finally bought my first 1080p TV back in 2006, I pop some Blu-rays on my spanking new PS3 and I was dumbfounded at how beautiful this old movies looked, granted that back then there weren't many to choose from (At least not in my country) but even as years passed old movies still blew my mind, ALIEN, 2001 ASO, Brahm Stoker Dracula, I vividly remember sitting with my friends to see ALIEN and all they could talk about is how sharp it looked

@angusfairtheoir Год назад

I like how this channel is squeaky-clean, maybe a "damn" in the bloopers, then you show one youtube comment screenshot and it's all giant F-bombs on the screen.

@RetroGameSpacko 4 года назад

5:58 that doesnt look creepy at all

@ArtisticAutisticandAiling 4 года назад

Nah its handsome. ^_^ This Technology Connections Dude is awesome! Lmaao. :P Its a little creepy, but hilarious for stoners into this stuff. :P

@robertoXCX 4 года назад

Wasn't that the thumbnail for "A Tale of Two CD Players"?

@SouthBayLA1310 4 года назад

@@ArtisticAutisticandAiling U ok bro lol?

@DryPaperHammerBro 4 года назад

Roberto XS Yes it was!

@allanrichardson1468 4 года назад

Just the horror-clown-doll grin.

@kryskamieniecki8279 4 года назад

On film in the streets On tape in the sheets

@KRAFTWERK2K6 4 года назад

Kinky ;)

@stevethepocket 4 года назад

I prefer early-2000s internet video in the sheets: xkcd.com/598/

@tranceenergy3121 7 месяцев назад

Finally someone mentions why most of the British comedy shows from the 70s like Monty Python, Fawlty Towers and Benny Hill had smooth indoor recordings and grainier with less frame rate recordings in the outdoor recordings! I used to think about this as even as a kid!

@user-ik8vy1rg8f 2 года назад

15:01 - I love the janky edit here. Really goes to show how solid your editing is throughout your videos that a mistake isn't noticeable until it is done satirically.

@indowneastmaine 2 года назад

Great comment. Yeah, he knows what he's doing! ru-vid.comUgkxpJe-qCL53ZXcWq7PjXk8gRCOC242F1xs

@felenov 4 года назад

19:46 Always perfect.... Camera: No screw you

@CapPotato388 3 года назад

The comedic timming of that camera was perfect

@Owen_loves_Butters 8 месяцев назад

@@CapPotato388Seriously, it honestly feels staged.

@krellion 4 года назад

First, thank you for not Wham!ing anyone who have made it this far into Whamageddon. Second, Star Trek: TNG did have the same issue mentioned about Voyager. All of the scenes were shot on film, then transferred to tape for editing and special effects. There was a demo Blu-ray released showing off a few of the restored episodes as a proof of concept that the SFX could be redone in HD properly before the full seasons were released. From what I recall, not all of the film for a few of the episodes could be found, so those episodes' scenes had to be upconverted and restored from the video tape master. Third, I always enjoy your videos. Looking forward to the next!

@Xpndable 4 года назад

Not only that, the studio decided to re-create all of the VFX for the BluRay releases from scratch. It was a monumental and quite expensive process.

@BlobVanDam 4 года назад

I was going to mention this. All 80s/90s Trek was produced the same way. The reason Voyager and DS9 haven't been remastered in HD is largely the time/cost of the work involved, especially in the case of Voyager where a lot more CGI shots were used, all of which is lost now and would need to be redone from scratch. But it was all shot on film, and hopefully still all exists somewhere in their vault.

@ragingbombast 4 года назад

@@Xpndable And just like that, I now understand why the TNG box sets used to cost a proverbial fortune.

@kaitlyn__L 4 года назад

@@BlobVanDam Enterprise was shot on film, but scanned in 2K because 2001, so the Blu-ray release was a lot less work for that series. But a few of the VFX shots in the early seasons look way softer than the rest. I guess they had to re-render a change in a rush and did so in SD for those shots. I'm not sure if anything other than S4 was actually broadcast in HD, because 2005, but at least they had the foresight to do the scanning and FX at a higher resolution the whole time. I'm so sad about DS9 and Voyager not getting a remaster, especially since they were framed to be wide-screen safe ahead of time. They would look so good on modern TVs! And it wouldn't have to crop the top and bottom off of the frame either, since the video transfer back in the day already did so on all sides. A wide-screen release would just partially un-crop the left and right.

@BlobVanDam 4 года назад

@@kaitlyn__L I recall the CG shots for Enterprise were all done at 720 and upscaled to the 1080 master. I guess full 1080 CG for a TV series was a bit of a stretch for them in the early 2000s. :D Since the CG was already better than SD, it wasn't worth trying to redo it for the Bluray since you're still gaining from it over what people had seen on TV at the time.

@EmporiumDigitalStudios 3 года назад

We want to CONGRATULATE YOU for this amazing videos you make. This one specially is pretty well madr and with lots of info that, even if know pretty much by people that share our knowledge, the way you explain things, present them, put them in a simple manner, etc; makes this piece of footage a very valuable source for everybody wanting to know more about this wonderful world of cinema and video. Seriously, this is an amazing job you make. Keep it up that many will follow. We sure are!

@jonrutherford6852 5 месяцев назад

Really good explanation of the differences in perceived quality and why they exist. Sidenote -- when I visited France in '63, I noticed how much sharper the TV picture looked than in the US. Those 200-some extra lines make quite a difference. At least I guess that's the reason.

@BigOlSmellyFlashlight 3 месяца назад

that is exactly why - 576 visual lines (out of 625) instead of 480 (out of 525)

@DougMcDave 4 года назад

On a somewhat related subject, Rolling Stone did a reprint of the John Lennon cover photo, taken in 1980. One of my younger co-workers was shocked to learn that was a 1980 photo. The quality was so sharp one could see the pores in his skin, along with the vivid color!

@monumento.f.501 4 года назад

The year 1980 matches the birth of a generation.

@jamesslick4790 4 года назад

It would MORE shocking if it was a POST 1980 photo all things considered.

@splashstrike 4 года назад

That probably was shot on medium format and a higher resolution than any digital camera he'd ever used.

@maze2000wi 4 года назад

There are high resolution scans of Playboy Centerfolds of the 1980s. The level of detail is absolutely amazing. Those have been shot using Hasselblads back then, if I remember correctly.

@jamesslick4790 4 года назад

@@splashstrike It was almost certainly was at least Medium Format (120/220 roll film). Professional photographers used 35mm for "field" work where portability was important (I.E. photo journalism). Fashion Photography was dominated by Medium Format, Portrait work was also dome at even larger formats such as 4"x 5" (or bigger!) cut sheet film using a large "view camera". P.S. There ARE Medium format digital cameras today. But they cost as much as a decent used car.

@FM-kl7oc 4 года назад

18:56 Ok, now you have to do a video on IMAX.

@weatheranddarkness 4 года назад

Its history is really interesting and started with a multiprojector moving stage system

@freddy2nt 4 года назад

@@default2826 I once got to the bottom of it, around the time "Dunkirk" came out. As it turned out, an IMAX film potential resolution is somewhere around 18k.

@AlexRMcColl 4 года назад

@@freddy2nt Indeed, although the big problem isn't the resolution... it's the film itself. A full length feature film on IMAX weighs 250 kg (550 pounds).

@jetaddict420 3 года назад

@@AlexRMcColl the movie did deal with some heavy topics

@martyjackson4166 3 года назад

IMAX is pretty cool, but I'm not sure what he'd really talk about. It works in the same way that 35mm film does, just with a MUCH bigger size of film and it's shot horizontally. I guess he could talk about how the soundtrack is separate from the film print, but I mean, I just talked about it in a RU-vid comment. But if you're still interested, look up a channel called Analog Resurgence, I believe he talked about it. And he's also just a great RU-vidr who talks about both movie film and still photographic film.

@marshal8817 3 года назад

Thanks for that Don Hertzfelt throwback. The illusion of movement!

@stnrfem 3 года назад

Analog is so great! I love this channel and how it appreciates both digital and analog

@LNSLateNightSaturday 4 года назад

I love how you're REALLY leaning in to your sense of humor. That bit about "Whadya mean this sounds dubbed in..." is classic Alec. Your earlier videos were very informative, and I appreciated them for that. Your newer stuff is YOU, and I appreciate them even more. Happy (Last...cough cough) Christmas and New Year. (Good job not mentioning them in the video, BTW.)

@petercarioscia9189 4 года назад

How do you know the newer videos are "HIM" and not just a RU-vid character/caricature of him?

@kevinhacken9801 4 года назад

Agreed, he is getting better at the humour, and I hope he keeps it up. He is really making this interesting.

@mndlessdrwer 4 года назад

I appreciate both aspects significantly, partly because he acheives a level of pedantry that I can only aspire to. It's interesting and entertaining.

@Tardisntimbits 4 года назад

@@petercarioscia9189 I think a very good indicator of his personality can be found within the outtakes he includes. I would venture to say that the personality and quirky sense of humour we see is pretty close to the original article, if not slightly amplified for effect, as youtubers are wont to do.

@DanielGonzalezL 4 года назад

I hope he doesn't overdo it though. Channels like Half As Interesting have way too much humor and too little info.

@freaq03 4 года назад

So is nobody gonna ask why he has so many pictures of goats?

@Christopher-N 4 года назад

Goat pictures: because *Lazy Game Reviews* - _LGR Plays - Goat Simulator_ ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-j4HY_fxwiZo.html

@InventorZahran 4 года назад

*Laughs in Aberforth Dumbledore*

@cortster12 4 года назад

Don't kink shame.

@MajestyWilliams 4 года назад

🤣🤣🤣🤣🤣🤣🤣🤣I literally laughed out loud at work reading this

@RedmarKerkhof 4 года назад

Because goats a cute. I saw some llamas in there too. Also cute.

@plunder1956 3 года назад

I once witnessed an early 80s music video shoot and the subsequent film edited. With 50Hz PAL video production pushing the frame rate to 25fps, or simply using the 24fps native speed is less of an issue. I wonder if all the old Voyager rushes still exist in some vault. But reassembling the entire series from them would cost many millions - even if you can fund all the bits.

@VanCamelCat 3 года назад

Oh man that well detailed humor keeps bringing me back. EmPHAsis. Hilarious! 😂 🤣 😂

@MilkLikeSubstance 4 года назад

I love the quality of the Batman 1966 TV series transfers to Blu-Ray. The color just pops compared to modern TV reruns, and they did implement jitter correction (the intro on the reruns is noticeably jittery when it should be still)

@joemo604 4 года назад

The Batman remaster is a revelation!!!

@ObiWanBillKenobi 4 года назад

Some episodes of “The Twilight Zone” look very, very different from others, and I think it’s because at some point in production they switched from film to videotape. I’m only guessing that that is the reason, though. Edit: Wikipedia confirms that 6 episodes of season 2 (1960) (The Lateness of The Hour, The Night of The Meek, The Whole Truth, Twenty-Two, Static, and Long Distance Call) were recorded on videotape as a cost-cutting action, but because it didn’t cut costs enough and it was nearly impossible to edit, it was never repeated.

@jeffkardosjr.3825 4 года назад

Also different photographer styles were present. Like at some point in the show they wanted to move the camera around more.

@michaelshultz2540 4 года назад

Also old videocon imaging tubes back then had serious problems with contrasting creating a need for different elaborate lighting and makeup techniques to get a decent product. All time consuming and costly. Not really cheeper to produce a vastly inferior less durable product.

@TheOzthewiz 4 года назад

@@michaelshultz2540 When the Twilight Zone were done on tape, the video cameras used "image orthicon" pick up tubes which produced dark halos when photographing bright objects such as candles. The vidicon tubes that came later ('70s) eliminated this problem..

@edherdman9973 4 года назад

@@michaelshultz2540 Very good comment there.

@edherdman9973 4 года назад

@@TheOzthewiz I think those tubes only really started to get traction in the 80s, as many music videos and even live broadcast sports games (such as night games of US baseball) are clearly the older type. In fact I think even some footage from the 90s has a bit of the effect.

@SpacePrez 3 года назад

Really appreciate that visual of the electron beam, and especially how you interleaved the video example

@BigEightiesNewWave 4 месяца назад

Being probably twice his age or more, I knew the answer, and was so impressed he got it right. B@W shows filmed on 35mm are stunningly detailed, esp. Perry Mason, from later 1950s.

@negirno 4 года назад

Basically, most music video shot on film even in the eighties because musicians didn't like the cheap soap-opera effect of video, and/or wanted to make their clips cinematic. If the music video did got shot on tape that was because the band or publisher was on a shoestring budget, or it was originally a live performance somewhere repurposed as a music video.

@shodan2958 4 года назад

I'd argue 16mm can look good at 1080p, I own the sole original Doctor Who serial shot entirely on film, Spearhead From Space in blu-ray format and while yes it has a definite grain to it it still looks very good at that level of scanning. Its an excellent preservation level transfer.

@Zeoklis 4 года назад

I mean Fruitvale Station was shot on 16mm

@verablack3137 4 года назад

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-3Nh9BTMWj9M.html Even super 8 with a professional camera can look full HD.

@DanceKomander 3 года назад

I knew about film and digital video recording, but some how I never realized some things were shot on tape. This video was really interesting. Thank you for educating me on something I will never be able to unsee when watching old media.

@kamranki 3 года назад

Fantastic video! I am always amazed by the amount of research this guy does. Although it's not for everyone, I appreciate you taking time to present such an interesting topic. Guys like me from 80s and 90s do 'get' it!

@TheJohnmarston72 4 года назад

Im glad someone explains why some shows had the "soap opera effect." I always have to explain to people why vhs videos on youtube are sometimes in 60fps.

@gia9551 3 года назад

I don’t know how it’s so hard for people to understand.. me and my sister noticed and figured it out when we were kids. I gotta say tho it still surprises me seeing really high quality old video

@Pidalin 3 года назад

I also noticed even modern TV cameras are probably 50/60 Hz because moving with camera for example in TV news is not causing blurry like in movies.

@joshuarichard6827 3 года назад

Soap operas arent filmed at 60fps theyre 30

@kurtsnyder4752 3 года назад

@@joshuarichard6827 And in my opinion BETTER than that 24 HD crap that breaks up at the edges when there is any motion.

@SpongeSebastian 3 года назад

@@joshuarichard6827 They've been filmed and broadcast in 60fps on TV for decades. Sometimes they get reduced to 30fps when uploaded online though.

@csaey4472 5 месяцев назад

While working in printing, we had pretty great scanners on site. An employee brought in slides for an old slide projector and those had AMAZING film quality. Even on a digital scanner, we could increase those suckers to poster size and not see any blur in the line edges. It was pretty amazing.

@Lancia444 Год назад

This was far more entertaining than I expected :) I love your channel!

@timothyb7434 4 года назад

Re: "16mm only needs around 720p": I've recently looked into scanning 8mm Standard/Super and 16mm and found that even 8mm film can benefit from 4k scans! Incredibly fiddly work to get the best out of these smaller formats, but I was blown away by enterprise scanning solutions and how high-def they look.

@MichaelEricMenk 4 года назад

The results also depends on the ISO of the film.. Low ISO gives better resolution, but more light is needed. A 25 ISO film need to stops in better lighting than 100 ISO.. Full stops from 400 ISO 400 200 100 50 25 12 6

@C.I... 4 года назад

Very true. I would say that the pseudo-random nature of grain makes it act a bit like dithering in audio, in that the data shared between several frames in the noise actually adds a lot of detail. Therefore, to adequately scan a film, I would assume that all the grain has to be present in its fullest form to record the detail properly. Speculation: To go further with my audio analogy, I would imagine it's sort of like the Nyquist sampling theorem in that you'd need double the linear resolution, and therefore you would need to record the square of the actual resolution the film can display (if the film can do 4K, then you'd need to scan it in 16K (I haven't checked the maths)) in order to record it accurately in the digital world.

@KRAFTWERK2K6 4 года назад

Yeah, 16mm can go all the way up to 4K. Especially negative film. But even ECO film still looks amazing if scanned properly in higher resolutions than just 1280x720. And keep in mind 16mm was mostly a 4:3 format. So you'd only really benefit from a 16:9 aspect ratio if it was Super16. I say if you CAN get a higher quality scan of a 16mm reel then DO IT. Don't be be cheap and scan your film properly. You can ALWAYS scale down from 4K afterwards anyway at the very end. And yes, the same goes for Super 8, Regular 8 or DS8. Even better if scanned with open gate and really getting the most picture information out of it.

@millomweb 4 года назад

I daresay processing 8mm over resolution could provide a higher resolution by processing a few frames together. The majority of frames are of the same thing with a slight movement - so a moved pixel can be compared a few times and averaged out to a better quality a bit like time interpolation rather than dimensional interpolation.

@CemetryGator 4 года назад

There's also a lot of early HD shows that were shot on 16mm film to get high resolution with a lower cost.

@MandicReally 4 года назад

Kenneth Branagh's "Murder On The Orient Express" from 2017 was shot on 65mm FIlm. The first time I watched it I almost instantly start scratching my head about the look of it, so I looked it up. It is so clearly not digital and GORGEOUS. I love filming digital but Film just has a look you can't recreate. (I edited to correct, as I had said 70mm when it was actually 65mm. A commenter Michael Parente pointed this out in the comments.)

@eclipsedbadger 4 года назад

leave it to Kenneth Branagh to do something that sounds pretentious but looks or is done so good you forgive him pulling a pretentious show (Like his 4hr take on Hamlet, such a good interpretation but FOUR HOURS????)

@CantankerousDave 4 года назад

If you can see a movie shot and projected in 70mm, absolutely do it. I've seen both 2001 and Patton in that format at a local film festival (in a proper old theater that seats 1600 with one freaking enormous screen), and they looked amazing.

@ellenorbjornsdottir1166 4 года назад

Should I get me some 70mm movie film?

@MKultra81 4 года назад

Here is a list of 70mm movies. en.wikipedia.org/wiki/List_of_70_mm_films

@amirabudubai2279 4 года назад

No news there. Most high production movies are not filmed digitally. What you were noticing was probably a creative lens choose or maybe they staged the shots to use more of the cameras FOV(less zooming-in in post).

@TechieindahHood 6 месяцев назад

My first real introduction to this was back in 2020 when I watched Blade Runner for the first time. I was floored by how nice it looked which is when I either learned or pieced together that they must have had the original film, and that it had something to do with that.

@VariTimo 7 месяцев назад

16mm certainly benefits from at least a 2K scan. Yes the overall detail resolution with older stocks might not exceed much over 720p but you wanna resolve the grain at least somewhat finely. Modern 16mm film even benefit from 4K scans.

@Sfekke 4 года назад

“IMAX and you should just give up trying" Had me floored there for a minute haha!

@IamR3D88 4 года назад

I agree, for now. I was surprised he didnt say "for now" though. 16k scanning will be a thing one day. It wont be needed for the home TV, but VR one day can benefit

@fortunefed8719 4 года назад

As a film photographer i can say that yeah, IMAX will definitely need at least 2 decades of hardware improvements before becoming obsolete. Even 70mm is easily 8k worthy, if not higher depending on film stock.

@SidneyCritic 4 года назад

I bought a couple IMAX frames from their gift shop and it's just 70mm film that is a bit taller.

@crashyyy4116 4 года назад

What's the difference between IMAX film and 70 mm?

@caminoprojectUS 4 года назад

imax would likely need 32k every minute would consume a blue ray ?

@Cowclops 4 года назад

I think one way to elaborate on "You can tell its video because it looks like video." Dynamic range is a good test - and its something you still have to have an eye for, but video productions usually aren't as vibrant as stuff shot on film because the dynamic range they can capture is smaller. Instead of having perfectly saturated blue sky, it might look more overcast even when it wasn't. Especially true when we're sticking to the "up to the late 90s" era mentioned in the video. It certainly gets murkier with super high end large format digital cinema cameras from Arri/Red since their relatively huge pixels have increased dynamic range too, but for generic betacam SP video cameras vs actual 35 or even 16mm film, the dynamic range is a big tell.

@xponen 4 года назад

here's an image that compare the dynamic range of digital camera to film camera: techxplore.com/news/2015-10-quantumfilm-based-image-sensors-cameras.html

@Virkash 2 года назад

Monty Python even recognized the indoor tape/outdoor film in the "society of putting things on top of other things" sketch where they say they are "surrounded by film" when trying to escape the building.

@SeaBeast4Life 2 года назад

I always wondered why outdoor shots looked so different in TV shows when I was a kid, it was always really jarring.

@GreatJoe 4 года назад

One thing about Voyager's post production: I'd guess that post production included CGI scenes and hoo boy would I not envy the guy whose job it'd be to find the original files on some Amiga or SGI's hard drive and attempt to re-render them at higher definitions.

@andydelle4509 4 года назад

It's worse than that. They typically re-create the shot from scratch. Even if they did have the CGI files, they would be of little use as there were no real standards for that data. Most of the hardware used in the 80s and 90 was SGI, Silicon Graphics Inc, basically defunct as of 2009.

@aspuzling 4 года назад

The 2k remaster of The Next Generation was hugely expensive and all the CGI had to be re-done from scratch. If you watch the final result it is absolutely stunning. However, DS9 and Voyager used much more CGI and the original digital assets have since been lost: www.treknews.net/2017/02/02/why-ds9-voyager-not-on-blu-ray-hd/

@SalivatingSteve 4 года назад

Great Joe I saw a video recently of an Amiga that got thrown out by a production company and they found raw footage from Titanic on it.

@lrrrruleroftheplanetomicro6881 4 года назад

Pretty sure voyager didn't touch any amigas. This is heavy SGI stuff. Babylon 5 on the other hand...

@christianclark1354 4 года назад

Andy Delle not so bad actually, it was made in on SGI hardware, but when SGI went under the software was ported to windows and mac, and it’s possible to import from older versions into newer versions. Someone who still had the assets opened some of them up and hit “render” in HD and said it would be a lot easier than the Next Gen HD remaster, (where all the assets were lost.) a few years ago. The images are online.

@Fee76Lawlus 4 года назад

This is an awesome presentation, I'm a photographer and this is one of the most informative pieces I've seen. In such a short time, that's amazing.

@pault5557 2 года назад

Excellent work, as usual! I’m impressed you mentioned the “3:2 pull down” which is a serious industry term, and surprised that you didn’t mention “persistence of vision”! 😎

@keithmockett3810 Год назад

great video! I have a passion for all visual media but a particular love of analog film formats. Thanks for making and putting the information out there! Cheers Keith xxx

@organfairy 4 года назад

Another reason for using film was that it was easier to produce a good quality PAL version for export. Most of the American shows taped on NTSC equipment looked somewhat blurry when it was converted to PAL.

@KRAFTWERK2K6 4 года назад

Yeah thank god for PAL without the need to add "dropped frame" bullcrap. Especially if you shot at 25fps (like many TV productions) it was a lot easier to produce a 50i picture from that filmsource.

@charlescampuz5812 4 года назад

KRAFTWERK2K6 It ain’t perfect though, films had to be sped up by 4% to match the 25fps signal whereas NTSC had to create a 5th frame via 3:2 pulldown. Seems more like a “pick your poison” situation imo.

@robossuperchannel9434 4 года назад

NTSC - Never The Same Colour

@KRAFTWERK2K6 4 года назад

@@charlescampuz5812 Only films shot that were shot in 24fps. TV Productions were often shot on 25fps. And i think even some theatrical features as well as it was fairly simple to convert that to 24fps theatrical prints. So the movies where not sped up on TV and video. And TV shows often were converted from NTSC 29fps sources to PAL which resulted in weird blurr and field ghosting. YOu could always tell when it was a US Series or a show from PAL territories. The pal Pitch problem got much worse in the late 90s and early 2000s when digital format conversion became a thing and everything was badly converted to PAL. Extremely noticeable in the later seasons of "Friends" over here where the opening music suddenly run a little pitched. The problem was enhanced when the dubbing was actually done to these already converted 25fps masters which means on Blu-ray all of that now runs 4% too slow while on TV it runs ok.

@DenisNorden 4 года назад

@@KRAFTWERK2K6 most movies broadcast or sold in PAL/SECAM regions were sped up to 25fps, saving on any conversion costs. There was a noticeable pitch difference, but only if put side-by-side. Things got weird when they started using time compression in the mid-90s...

@Recycled 4 года назад

Those Muppets looked awesome at 60 fps!

@warrenslater3709 2 года назад

The presentation & delivery of this channel is excellent. I watch episodes of stuff I'm not even interested in and somehow start getting interested in it. Dam you for leading me down these rabbit holes clogging my brain with knowledge.

@jonathansabinvarietyfilms 3 года назад

This is by far the best & yet simple explanation of how film works that I've heard. I learned a lot, thank you. P.S. As I watched you kept bringing up things I was sure you were gonna miss, i.e. low light artifacts looking similar to film grain and films being transferred to videotape for editing and mastering, rendering them non-future-proof. On that note, the same is being done with many movies today, for instance most Marvel movies, many of which are shot on film but edited and mastered at 2K instead of 4K.

@miiclarky 4 года назад

I bet this is where all these "New York City in 19XX 4k HD" videos are from.

@thebravegallade731 4 года назад

Eh not nessisarely. A LOT of it is laserdisc, which supported HD in the 90’s

@Steppenkater 4 года назад

In this case that's not right. Those videos are enhanced with the help of AI. There are YT-videos showing the result before and after using this technology and believe me, the original (scanned) film has not a resolution of 4k or even close. And laserdisc - btw - has nothing to do with this at all.

@hikkamorii 3 года назад

@@thebravegallade731 Also, HD digital tape recorders. Yes, very expensive technology at the time, but it was available.

@startedtech 3 года назад

Nah, some of the stuff in the 90s was weird, rare, and VERY EXPENSIVE high-res tape recorders. Basically, things that were the precursor to D-Theater (HD VHS). The most viewed "New York in 199X in HD" is shot on tape, it's at 60i. It also has the kinda distinctive videotape color gamut. Also, while the other ones are all on film, a lot are AI upscaled.

@coreyfein 3 года назад

Not in all cases! Techmoan has done an excellent video on D theater (HD VHS Tapes) and he posted one of those HD NYC from the 90’s videos on his second channel. I highly reccomended checking out the explanation!

@SkyCharger001 4 года назад

film-grain: the director's cut DVD of Star Trek The Motion Picture contained CGI additions/replacements that were put through a grain filter (based on analysis of the grain structure of the original stock) to better blend in with the original material.

@theenzoferrari458 4 года назад

Hello.

@scottlloyd9762 4 года назад

And yet Star Trek the Motion Picture still was a boring as ever.

@briantw 4 года назад

That's great to know. A lot of modern TV and movie shows, even though shot digitally with practically zero noise, have grain added to them just to give them a more filmy look, rather than artificial, plasticky shiny-and-new look.

@silkwesir1444 3 года назад

too bad they did not follow the advice given at the end of the above video, which is why we don't have the Director's Cut in HD (or better)

@josephjeon804 2 года назад

That camera cut timing is golden

@katrinegadegaard1241 3 года назад

Omg I remember seeing some soap opera on TV with rediculously smooth framerate, back when I was a child. It was a great mystery to me for a long time, until I forgot about it. But now I remembered it again and also simultaneously got the answer to what was going on. Amazing!

@MichaelSteeves 4 года назад

I've got 10,000 slides that my father took in the 60's to 90's. I was early in the scanning game. Who would need greater resolution than 900x600 pixels? That's already larger than your monitor! The problem is that slide scanners peaked around 2005 when digital photography wiped out film. There are no cheap/good/new slide scanners! Kodachrome has incredible resolution if you have the [very expensive] scanner for it -- and the time to scan slides one at a time.

@catlover10192 4 года назад

Or money to pay for it to be scanned professionally, and trust in the company doing it not to lose/destroy your family memories.

@zsin128 4 года назад

Or use 1000 dpi on normal paper scanners or one that are dedacited to film. My frampa has one

@saagiebawlz 4 года назад

Long term data storage is so interesting

@thenovicesretroreview7841 4 года назад

From what you are saying this seems like a real problem. Hopefully some kind of enthusiast made solution will come out in the future, a kin to floppy to SD card reader for the retro computer community.

@DarthVader1977 4 года назад

@@zsin128 dedicated*

@ColinHuth 4 года назад

Technology Connections: where you already know how something works, but still want to watch 21 minutes of Alec explaining it to you anyway.

@ivarwind 3 года назад

One of the fun things in the TNG HD re-release, is that you can see all sorts of details and errors, that - shooting for television - they wouldn't bother to polish off or correct properly. It's from plain old focus inaccuracy - the person speaking is slightly out of focus while another one slightly behind is in focus - to hilarious stuff like counsellor Troi finding a treasure hunt clue pinned to the warp core containment structure - literally pinned (maybe nailed) rather than taped, you can see the actual pin (well, nail, I guess) in the painted foam or whatever they made the set out of! In SD you wouldn't notice any of this - or hundreds of other things. Slightly bad focus can in principle be spotted by someone who knows what to look for, but to most viewers all the people in near focus would just be equally blurry. The nail might just be visible, but so blurred out that again most people would never notice - and certainly not on first broadcast. Of course this sort of thing didn't happen only in TNG. In general, why spend time on details that can't even be seen. Or... television aside, why spend time and money on details making the production more expensive, even if it can be seen - just watch Casablanca if you want to see what sloppy focus looks like. No, it isn't to give Ingrid Bergman a more beautiful soft look, even if it has that effect in a few shots.

@NormalAF 3 года назад

The video shown in the start was this "Wham! - Last Christmas (Official 4K Video) " took me some time to find it. (like so others can see)

@r0bw00d 3 года назад

Until this video, I didn't know that the song was even this old. I'd never heard of it until I saw a performance by Miranda Cosgrove for President Obama and figured that it was a recent song.

@alecmartin4779 3 года назад

Thank you. @Technology Connections please include references for those of us who are not as cultured!

@stevethepocket 4 года назад

"Gate panning." Huh. It never occurred to me that that was due to the film being impossible to align perfectly on the sprockets, but it's so obvious now! Sadly the most noticeable cases of it tend to be when there's text superimposed on the screen, and you can't do anything to make it look right again because there was gate panning already happening during the process of adding the text.

@fllthdcrb 4 года назад

The term is "gate weave", but yeah.

@jonessperandio 4 года назад

I think it should be worth mentioning that in the late '80s and early '90s there used to be a middle ground between SD video and film, which is early HD video, most notably with the Sony HDVS system. A great example of that system would be the recent Blu-Ray release of Toto's concert at the 1991 Montreux Jazz Festival (a clip of that could be seen here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-S0QDB9FtnUM.html ). Many people thought that it was shot on film, but actually it was early analog HD 1125i. Another example is that New York in 1993 video that Techmoan showed on his video about the DTheater DVHS, it was also shot with Sony HDVS.

@marguskiis7711 4 года назад

Still looks very video, not film.

@jonessperandio 4 года назад

And I agree with you, it does not look like film, mainly because of the fluidity of motion (higher frame rate), the trailing lights typical of tube video cameras and the lack of film artifacts. However, there is also a preconception that you can't have HD video before 2000 unless it was shot on film, which you can see in the comment section of the aforementioned video, in which there are a few people who insist it was shot on film when it clearly wasn't.

@CoTeCiOtm 4 года назад

There's also Genesis on Wembley Stadium that the credits on the video claim it was shot in Sony High Definition tape, which unfortunately has never been released on Blu-Ray and no HD preview of it exists, and a video Techmoan showed of New York in 1993 that is obviously tape since it runs at 60 frames per second.

@Myrtone 2 года назад

@@jonessperandio Also, it was interlaced video, isn't that what gives video from that time the soap opera effect? What are those "trailing lights"? The video clip for Last Christmas, though shot on film, seems to be largely devoid of film artifacts.

@jonessperandio 2 года назад

@@Myrtone Maybe... those trailing lights are a result of something like a burn-in produced by powerful stage lights on old tube camera sensors, it doesn't happen on modern CCD/CMOS sensors. As for the lack of film artifacts on that videoclip, my guess is that either it had a good restoration job or it was filmed on a good film stock... many movies from that period were filmed on trash film stock, so you can really see the artifacts when they're scanned in high resolution.