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FILM vs COMMERCIAL look in Davinci Resolve 

Color Grading Insights
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In this video you will learn how to easily create commercial and film look in Davinci Resolve 18.5
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2 авг 2024

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Комментарии : 44   
@classicmediaenter10ment44
@classicmediaenter10ment44 10 месяцев назад
I was a premiere pro worker but becoz of you now I do somethings as color in danvinci. May God bless you. Iam from congo DRC 🇨🇩
@rybalchenkofamily
@rybalchenkofamily 10 месяцев назад
Absolutely deserve more viewership. As a long time prem user fully converted to Resolve. These have been very helpful xo
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Glad you think so!
@brunocosic8188
@brunocosic8188 10 месяцев назад
You are very good at explaining and ur very helpfull
@apurbakumarghosh7955
@apurbakumarghosh7955 10 месяцев назад
You are indeed a great tutor. The way you speak one word at a time , I never have to go back and seek a particular point in time. It's all crystal clear, with no need for repetition. Your wonderful voice somehow makes your tutorials fun to follow. I would be very grateful to you, however, if you upload a tutorial on how to use fusion for purposes other than colour grading. By the way, I have a RYZEN 5 processor with 32gb RAM and 4gb Vram and SSDS for drives. Please advise me if I can use colour grading the way you show us in this tutorial without causing issues in my PC.
@jeffcloud4913
@jeffcloud4913 10 месяцев назад
Your skin tone tip is HUGE - great stuff!
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Oh thank you!
@asirib3670
@asirib3670 10 месяцев назад
There's no one like you frankly. thanks👍
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Thanks so much for the support! I do really appreciate that!
@maurogutierrez
@maurogutierrez 10 месяцев назад
Excellent content, it would be great if you taught us how to match color when using the "SHOT MATCHING" tool since when we use it most of the time we would have to do it because it doesn't look the same and we don't know what tools to use to perfect the matching, thank you!!! 👍👍
@MoreCreativeGFX
@MoreCreativeGFX 10 месяцев назад
Thank you for sharing this wonderful tutorial.
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Glad it was helpful!
@VictorTrifu
@VictorTrifu Месяц назад
Thank you very much for this tutorial. Very helpful.
@colorgradinginsights
@colorgradinginsights Месяц назад
Hey Victor! Thanks so much for the comment! I hope you will enroll my course!
@Frames_films
@Frames_films 10 месяцев назад
Thank you for sharing this beautiful tutorial. But please as beginners, many of us still need practice clips. Please look into sharing practice clips for us to practice with when watching these informative tutorials. Thank you.
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Thank you for the comment and I do agree with you but most of the clips I’m using coke from Artgrid and can’t share them! However, my DR course is in the progress and I’ll be providing clips for practice! Stay tuned!
@teresablake188
@teresablake188 10 месяцев назад
Thankyou for this tutorial, I found it very helpful - I look forward to checking out the DR couse you are working on
@colorgradinginsights
@colorgradinginsights 8 месяцев назад
Hey! The course is already out! Please enroll here: colorgradinginsights.thinkific.com/courses/masteringcolorgrading
@diegoeidelman
@diegoeidelman 10 месяцев назад
Very good and useful tutorial Kas! As always you make it clear and you go straight to the point. Thanks a lot.
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Thanks you for watching my videos!
@dddaaa6965
@dddaaa6965 10 месяцев назад
Oh my god that's incredible,
@micheltordeux479
@micheltordeux479 10 месяцев назад
Thanks ! 🥰😘
@castyourmemories9686
@castyourmemories9686 10 месяцев назад
Dzięki Kasia, tak trzymaj. Pozdr.
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Dzięki wielkie!
@Michaelzurek
@Michaelzurek 10 месяцев назад
This is a really amazing tutorial ! Thanks for your work !
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Thanks so much for the support!
@Longdancer
@Longdancer 10 месяцев назад
Thanks Kasia.
@steveh4895
@steveh4895 10 месяцев назад
Thank you for creating another very informative tutorial. I am only using basic cameras (GoPro, Iphone, panasonic 3CCD video camera etc, so I need all the help I can get.
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
You're very welcome!
@rtermini
@rtermini 10 месяцев назад
Well done.
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Thanks so much!
@_UAV_PILOT
@_UAV_PILOT 10 месяцев назад
You are talking about input color space for specific camera. I am using two types of camera, Gopro black hero 7 (for time-lapse of growing specific big building) and Dji Mavic 2 pro (Hasselblad L1D-20c ) for recording the other objects for commercial movie, making for my customer. What is you suggestion about which input color space I have to use, please ? Right now mysettings for DRP are: Color science = DaVinci YRGB Timeline color space = rec.709 (scene) Output color space = Same as input Thank you.
@salim5612
@salim5612 10 месяцев назад
😍😍😍
@udeydeepkhokhar1298
@udeydeepkhokhar1298 3 месяца назад
what will be output color space if we are color grading a movie for cinema release ? thank u
@12yfilms
@12yfilms 10 месяцев назад
Hi Kasia! Just curious- if you were using Neat Video for noise reduction, would you still keep it on your first node? Thank you for sharing your workflows. They are super helpful!
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Hey! Although I don’t use near video in Resolve, I am certain that the rule should be the same!
@zedbleu4444
@zedbleu4444 10 месяцев назад
Hello Katia, Thanks for this video! I can't stop asking myself: does the film look works so fine because it come from Arri footage ? Don't get me wrong, your technique is very good, but I wonder if it is possible to achieve such a filmic look using log footage from a mirrorless cam... I'd like to read your opinion on that...
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
Of course I get your point! And yes, we can’t hide the fact that the higher dynamic range - the better the result can be!
@VivaYo1966
@VivaYo1966 10 месяцев назад
Hola. No entiendo el ingles, pero , sus vídeos, son interesantes. Lo mejor es, el inicio y final, cuando se ve su belleza. Saludos.
@Saba_Demitri
@Saba_Demitri 10 месяцев назад
What gamma we are expecting from 709 as output color space ? Is it 1.9, 2.2 or 2.6?
@colorgradinginsights
@colorgradinginsights 10 месяцев назад
It all depends on your monitor! I use calibrated grading monitor to 2.4 but if you’re working on your computer screen, it should be Rec.709-A
@Saba_Demitri
@Saba_Demitri 10 месяцев назад
​@@colorgradinginsightsahh, so if I am using a srgb display, automatically it will read out my calibration & will output 2.2? But what if I want 2.2 but grading on a broadcast display calibrated to 2.4? Currently I am on fedora, working without a reference display. Where shall I use 709A to deliver a project that requires a round trip to premier pro?
@jurowskifilm
@jurowskifilm 10 месяцев назад
In my opinion, white should be white, the rest of the colors can be changed
@robertdouble559
@robertdouble559 10 месяцев назад
Draw attention to the product, which is badly out of focus! 😀
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