I literally thought this was a big channel because of the quality of the video, however I found myself surprised to see that this is such a small one, keep growing babes you're definitely gonna be big, lots of love and support xx
Very appreciative of RU-vid for recommending me this; This was informative, and well-researched, also very well-edited; looking forward to watching your other videos
This video is to short (for me) but im glad i found it because good content like this is hard to find, i would say you should keep making these, talk about more legends in filmmaking, there are so many. Or make one on Noguchi Designs? You deserve more views, like alot more! So make more (and longer :p) videos please! And dont give up! Subscribed!
@@AnInterest Awesome! Content on obscure/experimental cinema and the world of art and design really hits home with me, as well as long videos as mentioned hehe ;)
omg, you're really cool!!! thank you for this video, i love Varda and have a tattoo from her movie. she's everything i want to be as a person and as a filmmaker, i don't know how can people not fall in love with her work! also! wanted to ask where did you watch one sings, the other doesn't, because I can't find it anywhere in good quality
Top notch ! Whaoouu Bravo ! ENCORE ! Excellent summary of Varda. I learned a lot ! Keep going ! Can’t wait to watch the rest of your interesting content. Très intéressant ! Merci beaucoup . PS check Albert Dupontel movies. Also Jean Pierre jeunet early works like Délicatessen & the city of lost child / la cité des enfants perdu Et Mathieu Almaric especially « le scaphandre et Le papillon « merci !
I love all of the films you mentioned here as well, City of Lost Children has been coming up here and there lately and I think it's time I should rewatch. Thank you so much!
In Cleo from 5 to 7 the two hours refer to the period between work and home - in France traditionally the period of time a man would visit his mistress before returning to the family. That netherworld between public and private defined in Cleo by her waiting on her diagnosis, her relationship with boyfriend, her view of her career and finally her conversation with the soldier. That in betweenness plays out through the body of her work often literally like in La Pointe Courte, La Bonheur, One Sings, Kung Fu. Even in more personal films The Black Panthers, Demy and JR she herself is the one in between the worlds of public and private. I love your content, research and insights (modalities is four star!) but … I’d love to see you delve deeper into the major themes/throughlines of the bodies of work you are looking at.
