for real lol he used to be like "I'm not gonna say any company names and do them a disservice" but literally if they provide bad products plz let us know bro that's why we're here 😂
Yes, me too. I like idea of naming the 'not so good' models one might wisely avoid. But, can understand the reticence in naming, not least to help avoid risk of being sued. That said, where possible, your personal recommendations of what to consider and what to avoid are really appreciated.
Hey, with your upcoming trip to South Africa, I would love to see a video on how you travel with a lot of gear. I'm at the point where this is becoming more and more a part of my work. Knowing how to pack and prepare would be extremely helpful, as well as getting all this heavy equipment through various airports. Thanks! I love the content.
Hi Ryan! Thanks for your comment. Check out the following video: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-i3mWhYqh67U.html I also break down my gear in this video: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-UbFLs2bnEsg.html Enjoy!
The one thing I bring with me on every shoot (almost as much as I bring a camera) is my wind up extension cord reels. They come in SOOOO clutch and have saved my butt on so many occasions when the location doesn't have power nearby and you need to power more powerful lights that don't use Vmount batteries or even for splitting one outlet into many outlets to charge gear during lunch breaks and such. I almost never go to a gig without bringing 2 extension cord reels. They see more use than everything other than my camera.
I appreciate your content. I've been making documentaries for 20 years, specializing in nomadic tribes in West Africa. When shooting, I travel with my backpack and 15 kilos of equipment, plus my tripod. It's hard for me to carry a lighting kit when I'm traveling in the middle of the desert without a 4x4 car and no electricity supply. The only lightweight option is a Westcott-type flexible LED panel and flexible solar panels to recharge the V-Mount batteries.
really great option is ziyun molus x100 it is compact and powerful, the only downside it needs an adapter to be able to use it with larger modifiers and it is not weather resistant but you can power it from a power bank which could be useful for your type of work. I pair mine with aputure mini dome and you can create a solid fill light in most of conditions. I can fit in the small carry bag that comes with mini dome reflectors a small light stand and the adapter to mount the moles x100 to the octa- box.
EDIT: I've clarified with Audiio that my copyright claim was a mistake. That claim, along with the FAQ for Lifetime members and OTT services, sent me in the wrong direction, apologies to anyone for the confusion I created! My Original message below for reference: Here an Audiio lifetime member: BE AWARE that Lifetime subscription doesn't cover RU-vid content, they nicely hide it away at the bottom of the page. Very shady.
Appreciate the heads up. So are you saying that if a royalty-free track from Audiio is used in a RU-vid video, there's a risk that in a few years it could be a copyright infringement if RU-vid changes its rules?
I can vouch for Osee monitors, affordable, super bright and color accurate. Set up is a bit of a PITA since it doesn't have a touchscreen but you really only have to set up your presets once. The Megamon 15" is also the best bang for buck for 1st ACs or Director's monitor.
Likewise! I have the Osee T7 and boy what a difference from my cheap AndyCine. Agree, the touchscreen can be a bit fiddly when setting up but otherwise it's a great monitor. I just wish there were better options for cages. Tons of options for Feelworld but the only option of seen for Osee T7 is the one by Nitze and the cheapest I've seen it is $140 CAD
I have access to a lot of gear, but found myself shooting two full days with just a 24mm on an FX30 body. Not every shoot will allow you be so minimal, but when it happens it's a relief.
" hey if its okay i want the video to have this full handheld look " " Oh yeah thats doable " ( Cries in finally not having to pack up a gimbal and a 5 pound tripod ) " But itll be fully improv tho " " Uh yeahh . . Okay " ( cries in having to pack up 8tb worth of storage and 2 dozen batteries "
My first "prosumer" camera was the Panasonic HVX200 in 2006. I purchased it for $6000 along with a cartoni tripod for $1500. Nearly 18 years later, I'm still using that same Cartoni Tripod.
I keep putting off a flowtech in favour of buying less expensive things that I don't actually need, even though the total value of those things probably equal the cost of a flowtech. Love the video!
Hello Luc! Can you make a video on how Cinematographers should charge or how to come to a conclusion on what to charge for a Documentary shoot, it really makes me feel bad to charge a higher rate it kinda makes me feel as if I am asking way too much. Can you please make a video on this topic and how to be bold in pricing and charging them a rate which is rightful.
Appreciate your take on it and very much agree. I love my Sachtler flow tech 😅and use it all the time, but actually I still always think of my Sachtler Ace M I bought about 15 years ago when I think of how important half decent tripod is. It's not the best tripod in the world but I still use it for a second shot regularly, and it cost me £350 all those years ago! Cameras and gadgets have been and gone in that time.
Hi Luc! I’ve been feeling the last videos a bit alike lately. It’s super useful to hear your thoughts on equipment, just would be great to go back to other topics. Keep up the great work, love the channel and don’t miss an episode
Reminded when i was involved in a super budget short movie shoot We had an "accident" on set where we moved from a simple rode mic for ambient to capturing dialogue to a rode ntg2 ( i think ? ) except the operator didnt lower the monitoring gain when we did - the room was silent until one of the cast yelled into it. Sure to say he had a field day yelling back at us lmao
@@JJARCHIE 🤣 this is why I love filmmaking... The community, and the police you surround yourself with to get the project done. Even if you do deafen one of them and get shouted at 😅
@@SystemParanoia yeah i definitely want to do more projects , had a blast actually using a gh5s at that time ) pulling manual solo with a speedboosted 16-35 2.8 wasnt fun tho )
I own a sony a7 IV and own a moman v mount battery plus a patona dummy battery to power the camera. I’ve heard that powering a camera and monitor (ninja v in my case) off the same v mount battery is very risky since it can fry the camera.
Just bough a BMD G2 (and an alt cine back 👍) it is amazing. My camera rig (including ssd batteriescand screen) cost me 1500€. And for me that is amazing. Last time I used a professional camera it was a.sony with huge tapes that we rented for a shoot. That was way bigger, heavier, cumbersome and with way less picture quality. And renting it for a week cost more. In that sense it is a great time for creators. If a video has a good story and good sound it will be watched even if the picture quality is a bit below par. If the audio is beliw par people will leave asap. Also bought a few godox lights, no complaints.. yet. But still setting up. Also not the brightest ones by a long way, bit they will get used in a controlled environment. I do wish that not only DMX controlled lights were Home assistant compatible. That would make automation so much easier.
HDMI- and SDI-Cables. Adapters for filters, cables, lenses. ND-filters. Cleaning stuff. Audioequipment. GOOD Audioequipment. Grip. Lightgear. Tripods. Ensurence! The people these days just think about camera-bodys.
Hey Luc - absolutely love your content, and the fact you have real hands on experience. I'm currently upgrading my entire set up and trying to decide between getting a DJI Ronin 4D with the flex attachment, or an FX6 combined with the DJI RS4 pro and new lidar system for auto focus. Mainly for single shooter doc style pieces, but also corporate and branded content. Really struggling to decide between the two, and don't know if you've used the 4D or RS4/RS3?
I had a non video related portable power need, a musical device which pulls more than 2.5 amps for a second at powerup then runs on very low. I didn't know about the vmounts.Very cool.
really thank you for all the information that are making our path easier, thank you from someone came from a 3rd world country and trying his best to be part of the documentary filmmaking industry
Buying gear on credit card debt it's insane, but you can take a personal loan at the bank that with a decent interest rate will allow you to acquire what you NEED and keep renting the rest. But for traveling gigs renting isn't always convenient, so take your time and don't get into unnecessary debt.
*So I have a question. I'm going to a Convention in about 2 weeks. I have Hollyland Wireless Mics but since most of the stuff I'll be recording will be with Panelist talking so I'm wondering should I have both a shotgun mic AND my wireless Mic or just stick with one an sit closer?*
also-- Alone Series 11 is about to start. Maybe this season they'll show a glimpse of your face (other than the other DP who they actually show for moments every once and a while). Still not sure why they've NEVER shown your face before.
Luc, I'd really love to see a comparison or just your thoughts on the laowa S35 17-50 vs the Fuji 18-55 zooms. The form factor of the Laowas are pretty crazy, but I've shot a lot on the fuji 19-90 cabrio and really love the way that lens looks. The laowas seem a bit clinical? I know your channel covers larger filmmaking ideas but would be great to hear your thoughts as I'm in asia and there's no where near me that stocks cine equipment, and there aren't many doc shooting fuji owners on youtube with your expertise :) Additionally just your thoughts on the C400 and canon in general. Im an ex canon shooter and have moved to sony, but still own some canon glass and honestly quite miss the canon IQ and general shooting experience. Do you think canon can make a comeback in the doco world? I'd love to grab a C400 (my A cam is currently an FX3 while I waited for the next big release), but I know most doc style productions strictly hire sony shooters these days. Thanks a bunch :)
I’ve never used the S35 laowas, but based on the FF Ranger lenses I would agree with that they’re on the more “clean” side. Maybe the s35 are different though, so don’t quote me on that! The cabrio is a beast, but a bit heavy - the MK version are perfect in my opinion as long as you’re ok with s35. Unless they break/get stolen, they’re going to be my go tos for a very long time. As for canon, they’re great. The camera looks fantastic, but I’m so deep into the Sony ecosystem at this point it’s unlikely I’ll change. Maybe I’ll get a chance to use it on someone else’s project though, and if so I’ll share my thoughts!
Isn’t it a part of the personal filmmaking evolution to get gear for the job ahead? Sometimes it’s awesome, and sometimes it’s useless. My vision of how new gear will fit into my ever evolving process isn’t always right….😊
Thanks for the advice !! But a viewfinder off camera a 7inch is better.. what about ON camera? With smaller cameras ? To pull focus accuratly even with good brands would you prefer a 7 inch than a smaller 5inch in line with smaller cameras like C70, C400 ??
Talking about how some of the gear is more accessible than back in the day makes me think how crazy it is that a small 4k cam with a fast 35mm, wireless mic pack, gimbal or tripod and molus X100 will be good enough for most scenarios. A good laptop with Davinci Resolve free, hell even studio is cheap, in the right hands can make for a professional end result, even for big productions. And it all fits into ONE camera bag! I mean that's really stripping down an entire production crew with gear rentals and studio space and turns an entire $500000 production into a $5000 guerilla MACHINE haha. Oh yes, and then there's AI doing some of the work too! Again, keyword "IN THE RIGHT HANDS", but still, just that it is possible, is a crazy thought.
Not really, both are poor value buys in 2023. DPA 2017 is a far better value shotgun that's priced the same. Ditto Sony UWP-D Series vs Sennheiser G4/G3
I'm a videographer living in Uganda it's great to hear you'll be in East Africa for project won't lie I'm very curious about it I hope you enjoy your time here.
Luc, do you think it would be possible to review the YC Onion Pineta Peak Mark II tripod? CineD made some appealing comparisons to the Sachtler flowtech, but your opinion would be much more valuable than one from a tech channel Idk if they would send you an unit to review but maybe it's worth a try
Meh. I'm still figuring out what side of my Pixel has the camera on it, so I am lightyears away from some of these tasty things you wave around, Luc. I walk away with gems of your information, and may not have/get some of this, its important to be familiar with it. As you pointed out, tech always gets cheaper, and I know that the less I have to work with makes me stronger. I may piss and moan, but it makes me resourceful and sharpens my vision to possibilities. I'm also completely sold on buying used equipment. I go to KEH because they are so good at hold handing and teaching me things rather than just mailing me my purchases. Have you talked about those possibilities? I'd be interested in your thoughts about buying used equipment from rental dealers. I am all about cheap and cheap as wise as I can buy it. I would love to take advantage of rental services like Audiio, but since I am still working on how to open a new project and save it on Resolve😁🙄 that's still down the road for me. An audio/copyright issue that has me stumped--I've been told not to even attempt at writing your own music, somehow it will be made into a copyright litigation. OK, fair enough. But could a creator make one's own single tone sounds manipulated, to add or to denote the action/feelings of a scene? I'm sure you sensibly don't answer questions about law, a wise move, but on the odd chance I might catch you in a moment of weakness: some thoughts on a purely imagined action such as this? I used to work at Kinkos, back when it was relevant, and I had no choice but to play the copyright police with sly businesspeople. That's when I learned how to use my Adult Voice to get customers to listen to me. "Who's your boss?!" "God. Next?"
Grab an AT 4053b for indoor use. The best budget condenser mic around. Sure, the Sennheiser MKH 50 is wonderful, but twice as expensive, and exactly zero people have complained about my 4053b. In a pinch, I can use my Rode NTG3 indoors, but I generally use that 416 clone outdoors. Half the price of the MKH 416.
Hey, Luc, if I could I would love to join on your trip to East Africa if you need another AC, PA or grip. I grew up in East Africa (my family lived in Uganda for 10 years and the last 4 I spent at a boarding school in Kenya 45 minutes outside of Nairobi). However, I doubt I could afford up and traveling rn. I also am a third year film student who is trying to get on as a PA for local feature film that starts filming at the end of the month. Meeting the line producer in a few days.
For monitor part, if you have limited budget, just buy a video capture card and use your cell phone as monitor. Monitor+ is a decent app for camera monitoring. Cell phone usually have larger screen than 5 inch monitors and don't require external power.
Did you get a new microphone recently? Or did you not edit audio in post? I love your content but the sibilances were pretty harsh in this video. I appreciate everything you do, and I dont mean to come across mean just trying to help :)
Hi Luc, anything you can offer as to what you find problematic with Andycine monitors? I'm ready to upgrade to a new monitor (or two) and I don't want to buy the same Andycine(s) I have if you have a few words to talk me out of it, would be appreciated. Thanks.
my main complaint on the Andycine I used was the poor focus peaking. All the other features are fine, but for me if the focus peaking isn’t good then it fails its main job - to help me frame and shoot better. As a doc shooter all the other stuff is nice to have, but not essential. In a studio environment it might be fine, just not for what I do!
I'd stear clear, honestly. I tried them and was really disappointed. They might have changed this by now, but when I tried they didn't even have an interface to white list a RU-vid channel and instead just gave you a PDF to email RU-vid if Audiio sent you a copyright strike. There was a form for your company name and stuff but that was for generating invoices. Epidemic Soumd is the way to go imo.
I've found SmallHD to be the most unreliable brand I've used. Hands down. I've got far better life out of cheaper brands, Portkeys and even cheaper, than I have out of SmallHD.
Thanks for this bro! Hey am an East African documentary filmmaker btw, would be such an honor to catch up. How about i help out with bts content 😊 Thank you
Filming making gear that's actually a good investment??? Monitor, audio, lighting, tripod, these aren't good investments. These are things you NEED to make a video. Sounds like the title for this video is incorrect. Not trying to be a D, but what if I had a video for painting and said equipment that's actually a good investment and then I went on to tell you about paint brushes, canvas and paint.
You are being a D, because all you NEED to make a video in reality is a camera and lens. These items he reviewed compliment the procedure of Filmmaking and makes the results better if you know what you’re doing. People like you are negative and live on being negative, if you don’t like something don’t watch it especially if you’re going to comment nonsense smh.
Summary Building a filmmaking kit requires long-term investments in gear that will stand the test of time, such as a reliable monitor, V-mount or Gold-mount batteries, quality audio equipment, essential tools like an AC pouch, powerful lighting, and a good tripod. Highlights Reliable gear is a long-term investment that outlasts the latest trends. 💡 A quality monitor allows for accurate focus and takes advantage of high-resolution footage. 🔍 V-mount or Gold-mount batteries power multiple accessories, simplifying your setup. 🔋 Essential audio tools like a shotgun mic and lav recorder are crucial for storytelling in documentaries. 🎤 Building an AC pouch with tools and cleaning supplies is a budget-friendly and timeless investment. 🛠 Large chip on board style lights with softboxes are essential for lighting interviews effectively. 💡 A good tripod that gets out of your way is a crucial investment for stable shots. 🎥 Key Insights Investing in gear that will last for years is crucial in the filmmaking industry, where trends change rapidly. 🔒 Quality audio equipment, including a shotgun mic and lav recorder, is essential for capturing clear and impactful sound in documentaries. 🎧 Building an AC pouch with tools and cleaning supplies ensures you are always prepared on set, making your workflow smoother. 🧰 Powerful lighting with softboxes is necessary for professionally lighting interviews and achieving a cinematic look. 💡 A reliable tripod is a long-term investment that improves the quality of your shots and reduces the hassle of setup. 🎞
With TV still mostly in HD, and 4k still new and broadcasted in low quality because of low bandwidth internet that most people have, I think the days of needing new cameras is coming to an end. We're getting close to the parity of the 90's. You buy a betacam for 5 to 8 years and thats that. I mean, does anyone need more than an fs7? No. Do we need to replace an a7s 3 or a gh7? No. Theres just not much to gain anymore, and half the industry still uses HD cameras. I am hoping I am not wrong. But like, outside of 6k, 8k, 9k, 25k resolution what on earth is there to add? Really? Were at a plateau and my friends in TV say we've been there since 1080 60p was standard on all cameras lol.
Luc, I'm wondering if you have any advice on whether or not the 5" monitor or the 7" monitor is best. Any others who know about this, I'd also love to hear from you.
for me 5” is the way to go for on camera, but that’s because I travel a ton and need minimal weight. I also have a 7” for studio shooting, but I don’t take it internationally. So it depends what you’re doing with it!
I went the audio route because you have gained high credibility with me. However, if I have to be honest, I struggle to find music there, and I do not need tons of it.
3 месяца назад
have you ever filmed in a dictatorship country like Vietnam?
