Four Elements of Bulerías Compás - Flamenco Guitar Tutorial by Kai Narezo

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In this flamenco guitar tutorial by Kai Narezo we look at a unique way of breaking down the various parts (the four elements) of the Bulerías compás. This will help you see all of the crazy stuff that can happen in Bulerías as just one of four basic rhythmic elements that cover just about anything that can happen in a Bulería.
The guitar in this video is Kai’s 1986 Manuel Reyes Cedar Top Flamenco Blanca
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Опубликовано:

3 окт 2024

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Комментарии : 8

@miamiweblab9741 2 месяца назад

this was an incredible explanation, i love the visuals you are illustrating too

@Nitsan-Khen_Razel 4 месяца назад

Great, thanks!

@guitarista666 3 года назад

That clears away a lot of fog!

@aydenburris8631 Год назад

I feel like this right here is the most important thing to learn as a flamenco guitar player who's trying to learn to preform with dancers.

@FlamencoExplained Год назад

There's probably lots of "most important" things, but yeah, I'd agree that this is one of them!

@rmc3140 2 года назад

If the Bulerías always begin on 12, and 12 is the leading pulse in each compas, why is that beat counted as the 12 and not the 1? Is there some other component (e.g. the cante or the dance) where the 1 really feels like a beginning? Thanks for producing such fantastic and clear resources Kai - really helpful!

@FlamencoExplained 2 года назад

At slower tempos (like in Soleá, Alegrias or Soleá por Bulerias) the 12 can feel more like the end than the beginning of the compás. The other answer is that that's just how it is, so whether or not it makes perfect sense at first, you need to learn to count this way in order to communicate with other musicians or dancers.