I am 72 years old and I remember these clever fractured fairy tales like they were yesterday! I never missed Rocky and Bullwinkle or the fairy tales and Sherman and Mr. Peabody. The writing and narration was so clever then and even more so now. I think the humor was more enjoyed by adults than we kids. I’m re-living my childhood with RU-vid. 😂
@@cannedmusic, did you know that Nancy Cartwright was trained by Daws Butler before she became Bart Simpson/? And this you don't know about me I grew up with EG Daily Tommy of The rug rats. She was my neighbor across the street from my house.
this wasn't really so "fractured" as the majority of other toons in this series; more or less a legit and pretty good telling of the traditional story with a lesson-learned ending.
Hilarious, I remember these well! Yeah this one was more normal, kind of like the one I put on fanfiction net that stays pretty close but it's a dig at the Chicago Bears with jokes about Papa Bear Halas and baby bear being a kicker so the bowl is on a kicking tee, and baby bear is more upset that she put her cheesehead on his nightstand than he is that she is sleeping in his bed. And Goldilocks fleeing the house sounds like NFL films, complete with calling it a 75-yard touchdown run. :-)
a leopard doesn't change it's spots. that rotten little girl stayed rotten and those poor bears were victims of vandalism and theft. if she did become a more mindful person, well then That really IS A Fairy Tale.
This was later shown on “Tennessee Tuxedo And His Tales” in the mid 1960’s since it was by Total TV, they got permission to borrow mostly from Jay Ward and ran it as a pair along with “Tooter Turtle & the Wizard” and “King & Odie” from “King Leonardo & His Short Subjects” from Leonardo TV in the early 1960’s.
First Oswald gets yelled at when his dad cries out in pain, and then Oswald gets yelled at when Goldilocks leaves the door open... Clearly, Oswald is just a patsy...
A very naughty flaxen-haired child was walking through the forest, when she came upon a tavern. She entered, and saw an apparently unoccupied table with three steins, one with Tuborg, one with Heineken, and the third with Coors. She drinks them all up, when three very pissed-off men show up, drag her outside and beat the crap out of her. THAT is the story of Goldilocks and the three beers.
This was one of the very first cartoons animated at Gamma Productions. The incompetence of the studio in its first year was stupefying: the studio lacked a telephone, the language barrier was enormous, there was severe racial tension between the American and Mexican artists, the ink-and-paint and camera departments were dusty and dark, the seismic activity would disrupt camera work, and these were just some of the issues. When Ward received the first shows he demanded an exorbitant number of retakes. To save time and money for the retakes, the sponsor's advertising agency then conscripted him to outsource the postproduction as well. It's a miracle anything came finished at all, let alone watchable.
When I was a little boy, I knew other boys, that fits Goldilocks' care description, of their own toys. You know the type; the dum-dums whose toys were all broken, a week after X-mas. I never lended out my toys to those idiots, for the same reason. Those kids (and their mothers) would call me selfish, but my mom would say, it's not his (me) fault, their toys were broken, so quickly. They might of called me stingy, but I got to keep, my toys😉👍!!!!
The voice actors for this show, Paul Frees and June Foray, were brilliant. There was something about Edward Everett Horton as the Narrator though, that was worthy of especial note. He had the perfect narrator voice, and the timing of a storyteller to a fraction of a second. And he could deliver all his lines in such a dead-pan seriousness, no matter how utterly absurd they were. It somehow makes it even funnier.
This was one of the very first cartoons animated at Gamma Productions. The incompetence of the studio in its first year was stupefying: the studio lacked a telephone, the language barrier was enormous, there was severe racial tension between the American and Mexican artists, the ink-and-paint and camera departments were dusty and dark, the seismic activity would disrupt camera work, and these were just some of the issues. When Ward received the first shows he demanded an exorbitant number of retakes. To save time and money for the retakes, the sponsor's advertising agency then conscripted him to outsource the postproduction as well. It's a miracle anything came finished at all, let alone watchable.
Hahaha in the real story with the bowls stuff the big one would still be hot cause it was biggest the medium bowl would be just right cause it is medium and the small one would be cold
That's the one I'm looking for! The one where bullwinkle and the others end up as mounted heads on the wall. "Not me, I'm not sleepy!" Another guy punches him through the wall, "Shadaaap!" Man, I don't know how to search for it.
