Franz Strauss Horn Concerto in C Minor, Op. 8 (1865) Horn: Zdeněk Tylšar Orchestra: Czech Philharmonic Orchestra (Česká filharmonie) Conductor: Václav Neumann
Was so honored to perform this with the Omaha Youth Symphony in 1986. Franz Strauss was a legend of the late 1800s. While I'm a child of Mahler, Bruckner and Nietzsche, Papa Strauss is someone who understood where our foundations belonged.
1:14 First horn solo 2:57 a little before piu lento 4:09 hard part 5:42 the pretty part 9:49 repeat of solo 11:03 easy part of M3 12:14 other hard part
Forty years ago, the first record I bought was Barry Tuckwell's Strauss. His Franz Strauss concerto was also wonderful, but at the age of 58, I met Mr. Zdeněk Tylšar's performance for the first time, and I remember a trembling impression. he is great From Tokyo.
One of my favourite pieces of horn music, I always want to learn it, but life has got in the way of me of being able to play the horn these past few years.
I've never heard Zdeněk Tylšar play before... this is incredible! His tone is amazing, something I thought I'd never hear on the horn. The way he uses vibrato is just fascinating... not a tone I'd develop for myself, I don't think, but he makes it heart-rendingly beautiful at the beginning. :)
You thought you'd never hear good tone on the horn? jesus listen to some recording then not just your piers. The whole point of the instrument is a round beautiful singing tone
The measures in the 3rd movement from 100 to the end is the audition material for the Oregon all state auditions and I must say, I LOVE this piece and didn't ever realize it until now😂
oooookookooookkoooooooooooooookoooookookokoooookooooookookkoooooooooooookooookokookkooooooooookoonokoooooooooookoooooooook oook oi kkoooookoonooooooookkoook okkk OK kooooooooooooooookkooooookoookoooookoo ooonooo OK ooooo ok kooooooooooooooooooooooookooooooooooooooo OK okoooookooooo Oook ooooooo OK ok I ok kkookooonooonooookookkoooonkonk ooookoookonko okokooo okkk onokooo okkk o ok ooooooook okkk ooooooookonk oookoo
This work is never played because in a word it's "dull". I think the vibrato actually makes it just about listenable. Thank God his son knew how to write for this instrument.
Антон Василевский It’s just very normal in the Western style to use a more forward tone without vibrato. After doing some research, it’s just more commonly accepted and used in Eastern European groups. Regardless, this is a fantastic performance.
@@user-ss4vp7mr6i I think you are right about vibrato, if interpretation is proper logical and ofcourse musical we cannot deny that it might be very effective for listeners. But when you are in a debate, saying who are you is not logical. If a player is even best, that does not prove that we cannot criticize him or her. Being good does not make anyone untouchable.
+Jay Thomas I'd like to help you but I don't understand czech language, maybe you can use google translate: translate.google.com.tw/?hl=zh-TW#cs/en/Zden%C4%9Bk%20Tyl%C5%A1ar
ah just wondering xD I played it for my jury recently and I told my professor "I found this recording, yeah in C minor" and she did a double-take and looked at me weird so I was confused too
I checked the original music sheet and it's C minor indeed in piano part~~then G minor in horn solo part. But the sheet notes that Corno in F, so the piece is still in C minor. Because "G" played by horn in F is "C" in piano.
AS a horn player I'm not fond of the vibrato... Vibrato on horn doesn't sound good for the style. It's too thin and on the edge, I guess. But overall it's really good! It sounds absolutely fantastic.
Wonderful phrasing and style, but the vibrato makes it sound awful, almost like his sound is going to "break away" anytime... Also sometimes just rythmical mistakes which can be easily heard in the fast section of mvt 1 and 3
@@darksithemperor628 Idk I agree I think it's a bit overkill. He does it on almost all held out notes. It makes me sea sick. Makes it so hard to follow the phrases
