Friz Freleng at Reg Hartt's Cineforum, Toronto, Canada, 1980. 

He really was modest animator he didn’t really show off .But man was his musical timing perfect .

Nice to see Tashlin on the list

That's rather insulting

With a great artist there is always more there. Cheers.

​@@reghartt Well, that sounds like a vague answer. :P I guess there's a reason why you can't post the rest of the footage though, if indeed there is more footage.

@@Mesterius1 I brought Friz from Hollywood to Toronto in 1980 on my dime (and I don't have a dime to spare). I had him and his wonderful wife Lily in Toronto for three days. They stated at The Royal York Hotel www.tripadvisor.ca/Hotel_Review-g155019-d155495-Reviews-Fairmont_Royal_York-Toronto_Ontario.html . They flew in first class. The event was admission by donation so that everyone who wanted to could attend including those least able to afford it. I have not asked anyone to contribute towards the cost to me personally of what you see here (as well as the cost to me personally of the videos I posted of Bob Clampett, Grim Natwick and Shamus Culhane in Toronto. Nor has anyone offered to help)In a. If I sound a little testy, I am. Few thought these artists particularly important at the time. I am one of those few. Leonard Maltin, Jerry Beck, Greg Ford, John Canemaker, Jim Korkis, the late and much loved David (MINDrot) Mruz and a few others are who helped preserve what we now have of these artists and their ideas. None of those people, however, took the financial risks I personally took. The real reward was that I earned the friendship and abiding love of these artists and their families. In a Toronto Star article from that period one man said, "Reg Hartt is underfinanced, overworked and snubbed. He treats animation--cartoons, if you will--as art. I think we should pay tribute to him." Another writer for the same paper, Rob Salem, wrote, “Reg Hartt has had an amazing impact given the size of the venue and the esoteric nature of the programming. He’s had an incredible impact on the city. No one else is doing it. No one else has ever done it.” Enjoy and learn from what is there. And use your real name. The web is the home of the "anonymice." If there were more footage I would have posted it. www.ranker.com/list/famous-male-orators/reference?page=3

​@@reghartt Where does the "use your real name" stuff come from? Almost everyone else who has commented here use internet names. I don't see you complaining to them about it. Also, I don't understand why you're saying all this to me as if I tried to drag down your accomplishments. As I said above, I thought the interview was great. I appreciate that you took the time and effort to both conduct it and (all these years later) post it here. The whole reason I asked my question to begin with was the glitchy sound at the end of the video, which made it sound like the digital file cut off abruptly. That indicated to me that the full raw material of the interview might possibly have lasted longer than what we see in the upload.

I´m shocked that you didn't get a good response and support at that time. Only a few years later people were craving for the return of classic animation.

He was born in 1905.

@@ricardocantoral7672 I know right and that's what makes it even better, how many other animations did they do that we don't have yet. :O

This was in 1980. Long before 9/11.