I want to highlight a correction to my video: The Crop + Geometry corrections are NOT destructive edits as I stated near the beginning of this video. You need to tick a checkbox titled "Reveal" to show your crop and geometry adjustment relative to the original geometry of the image... and it can be edited at any time. I was unaware of this when I recorded the video, and discovered this by pure (fortunate) accident.
An absolute treat of a tutorial! As a relative beginner in the professional photo-editing environment, I definitely have learnt things such as the curves adjustment, white balance and others in more detail, as opposed to the previously superficial idea i had about these concepts. Thank you so much for making such quality content available to us for free!
Incredible tutorial, honestly. It's very dense with information regarding available tools within Affinity Photo 2 as well as how to use them. Compound masking is genuinely remarkable and I hadn't even thought about its existence up until now and it's mind-blowing how you can denoise specific luminosity ranges with the click of a button. Greatly looking forward to future videos by you on the topic of photo editing. Given this was a night-time shot, maybe you next one could be of a day-time photograph! :^)
Most excellent. I was a 3D lighter and texturer and I used paint on masks all the time. This was the eureka moment about how the same workflow can work for 2D.
Even though this is geared towards novices, I still enjoyed watching this. I love your all-encompassing yet concise teaching style! Just when you compare before and after by turning layers on and off (especially with subtle changes), it would be really helpful if you vocalized it accordingly ("on" / "off") so that your audience can fully concentrate on the image itself without having to check whether the layer is currently toggled on or off.
Thank you for an excellent tutorial video. I have just started the free trial for Affinity photo and you have convinced me of it's value as a photo editor. You have provided clear instructions together with the reasons why you should follow this workflow. Thanks 😊
Thank you for the feedback... and welcome to Affinity Photo! The "why" is something I consider to be the most important part of educating. People can quite easily forget the "what" and the "how", but once they understand the "why"... that knowledge tends to stick. I'll be uploading additional tutorials for Affinity Photo soon, including my techniques for handling Batch Edits (which I tend to do for "base processing" a large number of images from the same location and time... so I hope you'll find those useful too.
Thank you for the kind words 👍🏼 Working on more tutorials currently, not sure when the next will be complete (busy schedule) but I've got 4 in the works currently.
This is great, please do more editing tutorials like that, maybe one on curves in depth, and one on colours adjustment. I guess if you focus more on affinity photo tutorials your channel will become popular in a very short time
I have more tutorials like this in the works, though my client schedule is keeping me very busy currently. Hopefully after September I should have a lot more time to invest in completing them.
Very impressive video, in fact this is the best editing video with Affinity Photo. Thanks for creating and can’t wait to see more videos on Affinity photo. Perhaps it will be a good one to create one with an iPhone photo (night photo)as there are more people using iPhone as their day to day camera.
Thanks for the feedback… I am in the process of preparing for a street photography shoot in Vienna, where I’ll be doing a tutorial covering everything from camera selection, "phonetography" and even editing on the go with Affinity Photo for iPad 👍
Superb video covering many of the Affinity concepts I struggle with - thank you. The only thing that didn’t look realistic to me is the red lights on the back of the tram. The lights look as if they’re in a cowling so not sure if they would light up the back of the tram. To me it’s now lit as if there was the back of another tram to the right, out of shot, lighting up this one.
Absolutely agree with you. The idea with this edit was to be more "creative" (in order to showcase more technique with Affinity Photo in the one end-to-end tutorial). If I were doing a more realistic edit (rather than "surrealistic") I would have further masked the lighting enhancement on those tail lights to ensure that backsplash only came from the wall immediately behind the tram. The fact that you recnogized the unrealistic appearance means you would most likely have corrected a similar issue in your own editing, and that either means you already know the technique, or I've actually explained it so well that you now do :)
Epic work is what this video is :) - what I don't get is why the need to "jump out" of the Develop module (which kind of does what any RAW developer free or paid does) for stuff like white balance, clarity, curves, levels, HSL, etc etc that can be easily done in any RAW developer without all the drawbacks of creating huge project files and all the layers and all the complicated manoeuvring (versus just moving a slider in Capture One, Lightroom, Darktable etc) - to me it seems a huge time waster - it must take days to edit a handful of photos
Actually, there are features in Affinity Photo not covered in this video that massively speed up batch editing work... and I'll be sharing separate tutorials on these over time. This video intentionally walks through a full manual editing process because it's targeting people new to Affinity Photo whom wish to learn processes in detail.
@@s.j.stuart no, I get it and I am grateful for all the effort you invested in this video :) I am just coming from the perspective of a Capture One user who feels the need to star using Photoshop and/or Affinity Photo and I am trying to figure out the things that can be done in these... and was just wondering if there is any benefit of doing the stuff I usually do in Capture One (color balance, color grading, dodge and burn, sharpening, noise removal, curves levels etc etc etc) ...so to do these in Affinity Photo or Photoshop. I had the impression that Photoshop/Affinity is more for cases when you need to remove something, replace, HDR merge etc.
@@s.j.stuart ...maybe I should look into some sort of a "what is best to do in RAW editor and what is best to do in Photoshop/Affinity for photographers" sort of video first :)
@@sigmundklaus It really depends on your preference for workflow. While you can achieve in Affinity Photo everything you can in Lightroom/Capture One/Dx0 etc... you can't do in those programs everything that you can do in Affinity Photo. Capture One can do HDR merges, by the way. Much like how you can create and use Presets in Capture One/Lightroom etc, you can create your own Presets and Macros in Affinity Photo to massively speed up the editing workflow. I have a Macro which applies all of my base edits for a given Camera as non-destructive Adjustment Layers in my AP project. This saves me a considerable amount of time on its own. To answer your original question: why do we leave the Develop persona so quickly? It's because certain changes made in the Develop persona are destructive (all of them if you choose "Pixel Layer" as the "Output")... whereas applying the same changes with non-destructive Adjustment Layers and Live Filter Layers means we can tweak and change everything at any time, without having to revert all the way back to the unaltered RAW file each time.
