Fugue in Crimson by Bobbi Jene Smith and Or Schraiber performed by The Batsheva Ensemble

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Fugue in Crimson
By Bobbi Jene Smith and Or Schraiber
Collaborators and performers: The Batsheva Ensemble and Yontan Daskal
Original Score & Live Music: Yonatan Daskal
Light Design: Nadav Barnea
Text: Jonathan Averbuch
Singing Coach: Daniella Tourgeman
Dialect Coach: Stefan Ferry
Co-choreographed and danced by The Batsheva Ensemble dancers season 2021-2022:
Yarden Bareket, Maya Botzer Simhon, César Brodermann, Emil Brukman, Nathan Chipps, Guy Davidson, Li-En Hsu, Alma Karvat Shemesh, Roni Milatin, Dor Nahum, Tom Nissim, Danai Porat, Avigail Shafrir, Ido Toledano, Naomi Turnpo, Ofir Yannai. Apprentices: Roy Ariam , Adi Blumenreich, Adi Schwarz, Gili Yaniv Amodai.
Other Music:
‘Partita No. 2 in C Minor, BWV 826: I. Sinfonia’ by Johann Sebastian Bach / ‘Monologue’ written by Yoni Averbuch & composed by Yonatan Daskal / ‘La Solitude’ || by Barbara / ‘Mi Par D’udir Ancora’ || written by Georges Bizet, Performed by Enrico Caruso

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Опубликовано:

19 авг 2024

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Комментарии : 8

@carmensanjuas704 2 года назад

Desde 🇦🇷 maravillosa integración de la música y el cuerpo ,gracias infinitas 🌟✨

@jvj48 2 года назад

Thank you

@NK95 2 года назад

Hi, Dose anyone know who is the video photographer of this number?

@palmereldritch7777 2 года назад

the sad thing about modern dance is that it has really lost any connection to music. It ain't musical, at best it uses music as a sort of background wallpaper. choreographers are incapable of choreographing musically. Much less give physical meaning and symbiosis with music. It doesn't even have an independent dialogue with music ala Cage/Cunningham.

@silbro123 Месяц назад

It is not modern dance: It's theatre-dance. Otros códigos expresivos...otra relación con la métrica musical. A hug hrom Patagonia, Argentina🇦🇷😊👋🎶🎵

@palmereldritch7777 Месяц назад

@@silbro123 wow big difference..... It's still very unmusical.

@silbro123 Месяц назад

Soy actriz y coreógrafa. La música no tiene por qué "acompasar" cada movimiento o cada gesto...La música crea la atmósfera...resalta las circunstancias...Como 2 personajes coexistentes pero independientes entre sí. No es la misma comunión y precisión rítmica que se debe establecer en la danza.🤷‍♀️

@palmereldritch7777 Месяц назад

@@silbro123 well it's the difference between using the music and igonring the music. With stuff like what's on the video, you could literally dub any music and it wouldn't make any difference...... it would even make less a connection with the music than a Cunningham/Cage piece where every connection is a random one. A lot of choreography of this variety is terribly void of expression and subject. I'm not favoring a Russian Swan Lake either (cause if you see a video from the Boshoi say, the dancers are spectacularly un musical) They're destroying the music for the sake of an extra turn or leap o balance). Still name me one modern/ or theatrical dance choreographer that knows how to use music ? 99% just wiggle about and have some soundscape wallpaper in the background - and worse a lot of it is very much ado about very little.